Mladen Stropnik - Persone - art video seria (00:13:48)
Subtitle: ... Makaroni in my Bird, Stark, Infuzija, Gij3, Pa ne me jebat, Indy, Party...
Production: 2002
Video is composed of seventeen short videos with simple messages, where the happening is integrated into the sci-fi field, the life of cyborgs and sex life of the future. Identities of the characters are unrecognizable. It is a mixture of fantasy and realism.
DIVA Works
1168 results in works
Nataša Skušek - Ecstasy (00:11:28)
Production: 2005
The video consists of ten close-up shots of the author's face while breastfeeding her daughter. The author got inflammation of the tissue in her breast or mastitis and shows the unpleasant, painful part of motherhood, which is usually depicted with idealized scenes of tenderness. Close-ups are mixed with video image disintegration effects (dissolve).
Production: 2005
The video consists of ten close-up shots of the author's face while breastfeeding her daughter. The author got inflammation of the tissue in her breast or mastitis and shows the unpleasant, painful part of motherhood, which is usually depicted with idealized scenes of tenderness. Close-ups are mixed with video image disintegration effects (dissolve).
Nataša Skušek - Fliperautomat (00:02:47)
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Nataša Skušek - Lebdenje (00:04:31)
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Nataša Skušek - Toaleta 1 / 36 (00:03:31)
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Nataša Skušek - Wedding (00:01:00)
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Nataša Skušek - Venezia 1 (00:12:05)
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.
Nataša Skušek - Venezia 2 (00:12:05)
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Nataša Skušek - You Will See... (00:04:23)
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Rene Rusjan, Boštjan Potokar - Case X (Case MOKS, Mooste, Estonia) (00:37:00)
Subtitle: PostsovkhoZ
Production: 2005
Projekt-raziskava Case X (Case MoKS) je kompilacija intervjujev, ki sta jih avtorja opravila v desetih dneh simpozija PostsovkhoZ v Estoniji. Dokumentirala sta dogajanje na simpoziju in intervjuvala organizatorje in udeležence o različnih pogledih na umetniško prakso, postavljeno v lokalni kontekst. Nato sta pridobljene informacije zmontirala v "video dveh planov", ki sta ga zavrtela zadnji dan simpozija. Zadnja dva dneva namreč vsi udeleženci predstavijo svoj projekt, ki je vseh deset dni nastaj...
Subtitle: PostsovkhoZ
Production: 2005
Projekt-raziskava Case X (Case MoKS) je kompilacija intervjujev, ki sta jih avtorja opravila v desetih dneh simpozija PostsovkhoZ v Estoniji. Dokumentirala sta dogajanje na simpoziju in intervjuvala organizatorje in udeležence o različnih pogledih na umetniško prakso, postavljeno v lokalni kontekst. Nato sta pridobljene informacije zmontirala v "video dveh planov", ki sta ga zavrtela zadnji dan simpozija. Zadnja dva dneva namreč vsi udeleženci predstavijo svoj projekt, ki je vseh deset dni nastaj...
Neven Korda, Dario Seraval, Zemira Alajbegović - ZMR (00:03:49)
Subtitle: From a compilation of the Borghesia music video clips So Young
Production: FV Video, ŠKUC Forum, 1985
Video work is a somewhat atypical video for a song by a group borghesia: static, monumental, melancholic. Author recreates an urban space by combining empty recordings of modern and neoclassical architecture. A lonely female figure almost constantly poses statically is placed inside a completely utopic atmosphere. This surrounding totally deadens the only present character, reduces it to a state of sculpture, where the vividness of the skin and minimal movement is barely noticeable. (DIVA) Video is a part...
Subtitle: From a compilation of the Borghesia music video clips So Young
Production: FV Video, ŠKUC Forum, 1985
Video work is a somewhat atypical video for a song by a group borghesia: static, monumental, melancholic. Author recreates an urban space by combining empty recordings of modern and neoclassical architecture. A lonely female figure almost constantly poses statically is placed inside a completely utopic atmosphere. This surrounding totally deadens the only present character, reduces it to a state of sculpture, where the vividness of the skin and minimal movement is barely noticeable. (DIVA) Video is a part...
Janez Janša, Darij Kreuh - Brainscore (00:17:30)
Subtitle: incorporeal communication
Production: Forum Ljubljana / Cankarjev dom / Kibla / Galerija Kapelica �OU Ljubljana, 2000
Video razlaga projekt Brainscore - performans dveh akterjev, ki delujeta v virtualnem prostoru preko avatarjev. Gre za prvi tovrstni poskus izogniti se fizični udeležbi akterjev pri vodenju avatarjev: sprožanje ukazov na konzoli prek sistema, ki temelji na akterjevih možganskih signalih (ti. nevrofeedback tehnologija) in sistemu za zaznavanje očesnega gibanja. Cilj performansa je ustvariti nadzorovan tok informacij, avdio-vizualnih sporočil, da bi vzpostavili komunikacijo z občinstvom. Informacije se...
Subtitle: incorporeal communication
Production: Forum Ljubljana / Cankarjev dom / Kibla / Galerija Kapelica �OU Ljubljana, 2000
Video razlaga projekt Brainscore - performans dveh akterjev, ki delujeta v virtualnem prostoru preko avatarjev. Gre za prvi tovrstni poskus izogniti se fizični udeležbi akterjev pri vodenju avatarjev: sprožanje ukazov na konzoli prek sistema, ki temelji na akterjevih možganskih signalih (ti. nevrofeedback tehnologija) in sistemu za zaznavanje očesnega gibanja. Cilj performansa je ustvariti nadzorovan tok informacij, avdio-vizualnih sporočil, da bi vzpostavili komunikacijo z občinstvom. Informacije se...
Miha Vipotnik - Eight (24:52)
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
Marko A. Kovačič - Golden Section/Indeed (00:29:08)
Production: KUD France Prešeren / Zavod SCCA-Ljubljana, 2004
A film in the genre “the silent musical” was originally screened with live music (VIS Zlati Kastrioti). It creates a Kastrioti story about a mother who leaves her children to their fathers due to a stormy spirit, unspoken love, and the realization of the truth. (Source: Station DIVA)
Production: KUD France Prešeren / Zavod SCCA-Ljubljana, 2004
A film in the genre “the silent musical” was originally screened with live music (VIS Zlati Kastrioti). It creates a Kastrioti story about a mother who leaves her children to their fathers due to a stormy spirit, unspoken love, and the realization of the truth. (Source: Station DIVA)
Andreja Džakušič, Simon Macuh, Iva Tratnik, SIVA - Motnje oblačenja – Prevelika obleka (00:04:04)
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Nataša Prosenc Stearns - The Trial of Socrates (trailer) (01:24:00 (trailer, 00:03:00))
Production: Kanalya Pictures, 2010-2013
Omnibus 23 filmskih režiserjev in videastov iz različnih kulturnih okolij, med njimi sta tudi Jasna Hribernik in Zmago Lenardić. Pobudnica in glavna režiserka je Nataša Prosenc Stearns. Drugi sodelujoči: M. Basso, J. Beckhardt, J. Berry, N. Buchanan, J. Church, S. Elam, S. Gill, T. Grace, J. Hribernik, A. D. Irvine, N. Kiang, R. Kobayashi, K. Kuhne, Z. Lenardič, A. Libri, P. Marescotti, D. O’Brien, W. Romeo, M. Romero, Y. Stanchev, W. Stiner, W. Zane Film je eksperiment v koeksistiranju različn...
Production: Kanalya Pictures, 2010-2013
Omnibus 23 filmskih režiserjev in videastov iz različnih kulturnih okolij, med njimi sta tudi Jasna Hribernik in Zmago Lenardić. Pobudnica in glavna režiserka je Nataša Prosenc Stearns. Drugi sodelujoči: M. Basso, J. Beckhardt, J. Berry, N. Buchanan, J. Church, S. Elam, S. Gill, T. Grace, J. Hribernik, A. D. Irvine, N. Kiang, R. Kobayashi, K. Kuhne, Z. Lenardič, A. Libri, P. Marescotti, D. O’Brien, W. Romeo, M. Romero, Y. Stanchev, W. Stiner, W. Zane Film je eksperiment v koeksistiranju različn...
Andreja Džakušič, Simon Macuh, SIVA, Iva Tratnik - Motnja – Krzno (00:07:10)
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Duba Sambolec - Tour de Place (13:00)
Production: Duba Sambolec, 2001
Video is a performance carried out by one of the artists in front of and the other behind the camera. Pernilla Edholm guides Duba Sambolec and consequentially the viewer around an empty space and together they explore it in an ironic manner. Edholm establishes a character of a guide/sales agent, who conceptualizes the space and searches for meanings and contents that aren't there. Artists return once more to an unaltered space and end the video in the street in front of the building. Video is filmed with a...
Production: Duba Sambolec, 2001
Video is a performance carried out by one of the artists in front of and the other behind the camera. Pernilla Edholm guides Duba Sambolec and consequentially the viewer around an empty space and together they explore it in an ironic manner. Edholm establishes a character of a guide/sales agent, who conceptualizes the space and searches for meanings and contents that aren't there. Artists return once more to an unaltered space and end the video in the street in front of the building. Video is filmed with a...
Duba Sambolec - Listening to the Globe-Beat (36:26)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance documents the procedure of planting. Static camera records a scene in the middle of the space, where there is a pile of dirt with eight flower pots and postcards laying around. The author starts to fill in the pots with dirt, then she takes the postcards, places them in plastic bags and plants them inside the pots. She's adds more dirt, waters the planted postcards and then plugs earphones into dirt and seemingly begins listening. Occasionally she walks around the space and adds the dirt. Sh...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance documents the procedure of planting. Static camera records a scene in the middle of the space, where there is a pile of dirt with eight flower pots and postcards laying around. The author starts to fill in the pots with dirt, then she takes the postcards, places them in plastic bags and plants them inside the pots. She's adds more dirt, waters the planted postcards and then plugs earphones into dirt and seemingly begins listening. Occasionally she walks around the space and adds the dirt. Sh...
Duba Sambolec - Airport 1 (29:41)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
