Gorazd Krnc - Keošanke (del projekta Archaios xenê) (00:00:47)
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
DIVA 2000-2009
406 results in works
Gorazd Krnc - Perzijke (del projekta Archaios xenê) (00:01:03)
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Me V(isual)S(ound) You (00:02:35)
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.
Gorazd Krnc - Medena tedna (krajša verzija) (00:18:18)
Subtitle: video dnevnik
Production: Ping produkcija, 2006
Petja in Gorazd odpotujeta s kamero na poročno potovanje v Kenijo. Zbiranje pestrih kadrov je postavljeno v film, podprt z ustvarjalnim pristopom k montaži. Kenija, ki ostane v Afriki. (tekst: Kinootok 3) Snemanje kadrov poteka hitro in sunkovito, pristop je igriv.
Subtitle: video dnevnik
Production: Ping produkcija, 2006
Petja in Gorazd odpotujeta s kamero na poročno potovanje v Kenijo. Zbiranje pestrih kadrov je postavljeno v film, podprt z ustvarjalnim pristopom k montaži. Kenija, ki ostane v Afriki. (tekst: Kinootok 3) Snemanje kadrov poteka hitro in sunkovito, pristop je igriv.
Uršula Berlot - Transitoriness (02:13)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
Nika Autor, Robertina Šebjanič - Niro (0:02:15)
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Ana Sluga - Away (0:01:13)
Production: 2006
Video work is a demonstration of a thundering demolition of an old building, symbolizing a destruction of something old, of the end of an era. The tragedy of the demolition is stressed with close-ups and melancholy music. Video, using seemingly infinite repetition, follows the demolition of solid material with static persistence and unusual composition.
Production: 2006
Video work is a demonstration of a thundering demolition of an old building, symbolizing a destruction of something old, of the end of an era. The tragedy of the demolition is stressed with close-ups and melancholy music. Video, using seemingly infinite repetition, follows the demolition of solid material with static persistence and unusual composition.
Martina Bastarda - Umetniški projekt (01:30:00)
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Jana Flego, Katarina Petrov - Intervju z Igorjem Zabelom (00:46:19)
Production: Zavod SCCA-Ljubljana / Založba/*cf. Ljubljana, 2006
Interview with Igor Zabel was carried out by Jana Flego and Katarina Petrov as a part of a project INSIDE OUT in Skuc Gallery on the January 22nd 2004. Interview is enclosed with Igor Zabel literary work Eseji I as a CD-ROM.
Production: Zavod SCCA-Ljubljana / Založba/*cf. Ljubljana, 2006
Interview with Igor Zabel was carried out by Jana Flego and Katarina Petrov as a part of a project INSIDE OUT in Skuc Gallery on the January 22nd 2004. Interview is enclosed with Igor Zabel literary work Eseji I as a CD-ROM.
Vladimir Ristić - Green Green Grass of Home (0:02:45)
Production: Veber Veber Production, 2006
The work is a music video for a song Green Green Grass of Home by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The story about secretive men and a girl wearing a sport gear doing aerobics without special effects searches for a visual rhythmic, reached with details set in the background. Green Green Grass of Home is a lonely story of a metropolis underground.
Production: Veber Veber Production, 2006
The work is a music video for a song Green Green Grass of Home by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The story about secretive men and a girl wearing a sport gear doing aerobics without special effects searches for a visual rhythmic, reached with details set in the background. Green Green Grass of Home is a lonely story of a metropolis underground.
Vladimir Ristić - When We Were Young (0:01:08)
Production: Veber Veber Production, 2006
The work is a music video for a song When We Were Young by The Residents. Short video, manipulating a video image and computer animation, in a surrealist manner presents a dream story about a boy on a cloud.
Production: Veber Veber Production, 2006
The work is a music video for a song When We Were Young by The Residents. Short video, manipulating a video image and computer animation, in a surrealist manner presents a dream story about a boy on a cloud.
Vladimir Ristić - Toni Jo (0:01:50)
Production: Veber Veber Production, 2006
The work is a music video for a song Toni Jo by The Residents. Author through a combination of video tools and computer animation builds a subltle story about the protagonist Toni Jo.
Production: Veber Veber Production, 2006
The work is a music video for a song Toni Jo by The Residents. Author through a combination of video tools and computer animation builds a subltle story about the protagonist Toni Jo.
Vladimir Ristić - At The Lake Pavillion (0:02:15)
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Boštjan Kavčič - Nepovratno / Irreversible (0:07:32)
Production: 2006
A documentary video shot in black and white shows a little boy standing next to a river playing with rocks. The material is slowed down and paused many times. Video Irreversible uses two elements that are linked to each other and at the same time contradict one another to deal with the title. With slowed down, many times paused scenes of a child (his son) the author tries to stop the time and interfere with the process of transience. But with the symbol of river that irresistibly and undoubtedly runs by t...
Production: 2006
A documentary video shot in black and white shows a little boy standing next to a river playing with rocks. The material is slowed down and paused many times. Video Irreversible uses two elements that are linked to each other and at the same time contradict one another to deal with the title. With slowed down, many times paused scenes of a child (his son) the author tries to stop the time and interfere with the process of transience. But with the symbol of river that irresistibly and undoubtedly runs by t...
Sašo Sedlaček - Žicar 1.0 / Beggar 1.0 (0:04:33)
Production: Galerija Kapelica / Kura, 2006
Video documents author's action in which he placed a robot - bagger inside a shopping mall and later inside a gallery. With this action the author points out a growing poverty. The robot attracted a surprising number of visitors and thus the author concluded the project with a result that people prefer to deal with problems of the margin from a safe distance. Scenes captured with hand held camera are exchanged with shots documented by security cameras.
Production: Galerija Kapelica / Kura, 2006
Video documents author's action in which he placed a robot - bagger inside a shopping mall and later inside a gallery. With this action the author points out a growing poverty. The robot attracted a surprising number of visitors and thus the author concluded the project with a result that people prefer to deal with problems of the margin from a safe distance. Scenes captured with hand held camera are exchanged with shots documented by security cameras.
Sašo Sedlaček - Žicar 2.0 / Beggar 0.2 (0:12:43)
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Sašo Podgoršek - Anglia (0:03:51)
Production: Mute Records, 2006
Video for a song Anglia by Laibach group takes a middle age interior for its set. With an established scene in which an old lady is preparing lunch it reminds us of a Vermeer painting. The idyllic scene soon turns and the happening moves into a dark cellar, where the woman keeps her locked up prisoners. Allegory of the English queen and her subjects, living of queen's attention, opens an interpretation of the video as an antihimn of the British monarchy.
Production: Mute Records, 2006
Video for a song Anglia by Laibach group takes a middle age interior for its set. With an established scene in which an old lady is preparing lunch it reminds us of a Vermeer painting. The idyllic scene soon turns and the happening moves into a dark cellar, where the woman keeps her locked up prisoners. Allegory of the English queen and her subjects, living of queen's attention, opens an interpretation of the video as an antihimn of the British monarchy.
Sašo Podgoršek - Marching on a Globe (0:03:17)
Production: 2006
The work is a music video for the song Marching on a Globe by Melodrom. The author combines different variations of treatment of black and white surfaces, from subtle transitions into a hazy image, to complete black and white contrasts. The abundance of techniques and strategies of the surface enables the author to place the figure of the lead singer in the centre of the video, without making it monotonous.
Production: 2006
The work is a music video for the song Marching on a Globe by Melodrom. The author combines different variations of treatment of black and white surfaces, from subtle transitions into a hazy image, to complete black and white contrasts. The abundance of techniques and strategies of the surface enables the author to place the figure of the lead singer in the centre of the video, without making it monotonous.
Tanja Lažetić - The Wrong Place (00:00:52)
Production: Tanja Lažetić, 2006
Avtorica na svoji poti z vlakom iz Ljubljane v Firence na brezimni železniški postaji zabeleži hipni prizor interakcije mladega para. Njun pogovor, ki ga gledalec ne sliši, nakazuje veliko mero pozitivne energije med osrediščenima protagonistoma. Nato avtorica s hitrim razsrediščenjem v kader zajame širši prostor glasnega in neosebnega javnega prostora, v katerem se prizor odvija.
Production: Tanja Lažetić, 2006
Avtorica na svoji poti z vlakom iz Ljubljane v Firence na brezimni železniški postaji zabeleži hipni prizor interakcije mladega para. Njun pogovor, ki ga gledalec ne sliši, nakazuje veliko mero pozitivne energije med osrediščenima protagonistoma. Nato avtorica s hitrim razsrediščenjem v kader zajame širši prostor glasnega in neosebnega javnega prostora, v katerem se prizor odvija.
Tanja Lažetić, Dejan Habicht - No Remembrance, No Comradship (00:05:10)
Production: Tanja Lažetić, 2006
No Remembrance No Comradeship je avtorska dokumentacija kontinuirane javne akcije, ki je trajala približno leto dni (2005 / 2006). Avtorja projekta sta organizirala nedeljske kolesarske izlete po ljubljanski sprehajalni Poti spominov in tovarištva, ki sta jih skrbno dokumentirala. Video posnetki sestojijo iz grobo montiranega materiala, kjer se skoraj identičen prizor prihajanja in odhajanja repetitivno ponavlja na različnih odsekih sprehajališča.
Production: Tanja Lažetić, 2006
No Remembrance No Comradeship je avtorska dokumentacija kontinuirane javne akcije, ki je trajala približno leto dni (2005 / 2006). Avtorja projekta sta organizirala nedeljske kolesarske izlete po ljubljanski sprehajalni Poti spominov in tovarištva, ki sta jih skrbno dokumentirala. Video posnetki sestojijo iz grobo montiranega materiala, kjer se skoraj identičen prizor prihajanja in odhajanja repetitivno ponavlja na različnih odsekih sprehajališča.
