Neven Korda, Marijan Osole - Max - Video gledalnica (ATV) (00:27:52)
Subtitle: - anim.video spot Videosex: Zemlja pleše, - scratch video Borghesia: Venceremos“v delu, - film
Production: ATV, 1987
Video work brings order inside an abundance of music industry products brought to the audience by the mass media. The authors arrange these contents regarding technical approach, theme, and story and by that he categorizes them in animated music videos, scratch videos and inside a video and film relationship.
DIVA Art video
609 results in works
Marko Kovačič - Mirror Knows the Secret (00:02:34)
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
son:DA, Erinc Seymen - Performance for a Poem 2 (00:08:48)
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Marko Kovačič - Back to the USA (00:04:37)
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Metod Frlic - Svetloba kože / Brightness of Skin (00:05:10)
Production: VPK, 1997
Pred nami so kože. Pravzaprav tako podobne druga drugi, pa najsi pokrivajo človeške obraze, ponavadi dolgočasne in utrujene, ali pa mlada telesa in telesca, takorekoč igrače, pripravljene za igranje, da lahko ugotovimo, da gre za eno samo kožo. Da gre za eno samo stvaritev, gnilo od zamaščenosti, izsušeno, organo in obleteno obenem. Koža razsvetljena z razkrajanjem. Samo po različni umazanosti svetlobe se razlikujejo krpe te kože med seboj. Pod njimi se skriva ena sama rasa. Nobenih belcev in n...
Production: VPK, 1997
Pred nami so kože. Pravzaprav tako podobne druga drugi, pa najsi pokrivajo človeške obraze, ponavadi dolgočasne in utrujene, ali pa mlada telesa in telesca, takorekoč igrače, pripravljene za igranje, da lahko ugotovimo, da gre za eno samo kožo. Da gre za eno samo stvaritev, gnilo od zamaščenosti, izsušeno, organo in obleteno obenem. Koža razsvetljena z razkrajanjem. Samo po različni umazanosti svetlobe se razlikujejo krpe te kože med seboj. Pod njimi se skriva ena sama rasa. Nobenih belcev in n...
Nataša Prosenc Stearns - Tango za ribe (00:04:21)
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Sašo Podgoršek - Pot / Path (00:11:01)
Production: PTL / postprodukcija Studio Tivoli, 1993
The dance video is a play of contrasts: East against West, nature against the city, meditation against energy - a haiku born out of simplicity. (VD)
Production: PTL / postprodukcija Studio Tivoli, 1993
The dance video is a play of contrasts: East against West, nature against the city, meditation against energy - a haiku born out of simplicity. (VD)
Neven Korda, Zemira Alajbegović - Icht (00:24:25)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Jasna Hribernik - Stopnišče / Starcase (0:16:07)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
Zemira Alajbegović - Marko Peljhan's Invisible Territory (00:49:12)
Production: Jaka Hemler, 2001-2007
Marko Peljhan's Invisible Territory is a documentary on multi media artist Marko Peljhan and his project Makrolab, mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and environment, their mission is to create new, critical art.
Production: Jaka Hemler, 2001-2007
Marko Peljhan's Invisible Territory is a documentary on multi media artist Marko Peljhan and his project Makrolab, mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and environment, their mission is to create new, critical art.
Zemira Alajbegović - P.O.R. (00:00:29)
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of series of eleven noise track videos by a music group BAST titled Burn Out. Camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of series of eleven noise track videos by a music group BAST titled Burn Out. Camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
Zemira Alajbegović - Quick/Slow (00:11:47)
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Sašo Sedlaček, Lada Cerar - Toilets / Made in India (0:05:15)
Production: 2004
Video documents the making of gobelins in Indian streets. The work is a part of a bigger project, where the other part was an exhibition of gobelins with the motifs of toilets. Video is accompanied by occasional sounds of the street, in the foreground is the constant sound of the sawing machine embroidering the motifs.
Production: 2004
Video documents the making of gobelins in Indian streets. The work is a part of a bigger project, where the other part was an exhibition of gobelins with the motifs of toilets. Video is accompanied by occasional sounds of the street, in the foreground is the constant sound of the sawing machine embroidering the motifs.
Gorazd Krnc - No Title Yet (00:08:30)
Subtitle: (dream light - girl)
Production: z.guba produkcija, 2000
Video accompanied by electronic music and strongly present editing effects explores the facelessness and impersonality of a crowd. Indistinct anthropomorphic images are covered with a bunch of filters making the figures dreamlike and almost completely unrecognizable.
Subtitle: (dream light - girl)
Production: z.guba produkcija, 2000
Video accompanied by electronic music and strongly present editing effects explores the facelessness and impersonality of a crowd. Indistinct anthropomorphic images are covered with a bunch of filters making the figures dreamlike and almost completely unrecognizable.
Gorazd Krnc - Tri vrata (00:03:11)
Production: Gulag produkcija, 2007
Video collage is accompanied by a narration and a dialog from a film Barbarella (Roger Vadim, 1968). Cut out scenes from the film are with the usage of green screen applied to a background constructed from archive shots covered with different filters in editing. With this procedure the galactic content of the film is transmitted into the real world and a metaphor about the three doors on which Barbarella is based on gets a more realistic context.
Production: Gulag produkcija, 2007
Video collage is accompanied by a narration and a dialog from a film Barbarella (Roger Vadim, 1968). Cut out scenes from the film are with the usage of green screen applied to a background constructed from archive shots covered with different filters in editing. With this procedure the galactic content of the film is transmitted into the real world and a metaphor about the three doors on which Barbarella is based on gets a more realistic context.
Gorazd Krnc - Five AM. Light (00:04:32)
Production: z.guba produkcija, 2000
Video work is a part of a series of videos, which together create a oscillating rhythm of energy. Electronic musical score follows indistinct images covered with editing filters, which cause an impression of a dream vision and ecstasy. Anthropomorphic figures are shading one into another in the rhythm of music.
Production: z.guba produkcija, 2000
Video work is a part of a series of videos, which together create a oscillating rhythm of energy. Electronic musical score follows indistinct images covered with editing filters, which cause an impression of a dream vision and ecstasy. Anthropomorphic figures are shading one into another in the rhythm of music.
Gorazd Krnc - 14° 31' E 46° 02' N (00:09:42)
Production: 2000
Shots of panoramic views, public interiors, architectural facilities, nature and cultural sights are followed by electronic musical score. Scenes are covered with different filters and create a diverse repertoire of emotions and impressions. Video is marked with a cut up editing of inconsistent shots and due to the listed elements it has a hectic and somewhat anxious effect.
Production: 2000
Shots of panoramic views, public interiors, architectural facilities, nature and cultural sights are followed by electronic musical score. Scenes are covered with different filters and create a diverse repertoire of emotions and impressions. Video is marked with a cut up editing of inconsistent shots and due to the listed elements it has a hectic and somewhat anxious effect.
Gorazd Krnc - Fiksacijske točke mačke (00:01:51)
Production: 2003
Video applies scenes of cats while playing onto archive shots of almost naked girls playing in the pool. Symbolic comparison exposes a critical and humours contrast, which puts an unconcerned and instinctive world of cats on one side and artificial and insincere action of a human being on the other.
Production: 2003
Video applies scenes of cats while playing onto archive shots of almost naked girls playing in the pool. Symbolic comparison exposes a critical and humours contrast, which puts an unconcerned and instinctive world of cats on one side and artificial and insincere action of a human being on the other.
Gorazd Krnc - Keltinje (del projekta Archaios xenê) (00:00:52)
Production: 2006
A part of an extensive video project takes a narration, talking about the role of women in Celtic communities and about their bravery, following shots of violence in a modern completely patriarchist society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the role of women in Celtic communities and about their bravery, following shots of violence in a modern completely patriarchist society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Keošanke (del projekta Archaios xenê) (00:00:47)
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
