Nataša Prosenc Stearns - Hotel Diary: Balcony (00:02:09)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
DIVA Experimental video
304 results in works
Nataša Prosenc Stearns - Hotel Diary: Two Rooms (00:02:37)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Nataša Prosenc Stearns - Hotel Diary: Room X (00:02:34)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Nataša Prosenc Stearns - Hotel Diary: The Bridge Window (00:02:34)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Nataša Prosenc Stearns - Hotel Diary: Third Floor Corridor (00:02:22)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Nataša Prosenc Stearns - Bridge (00:01:45)
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Nataša Prosenc Stearns - Ignis Fatuus (00:02:59)
Subtitle: Black Waters and Oter Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Subtitle: Black Waters and Oter Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Nataša Prosenc Stearns - Knot (00:02:44)
Subtitle: Black Waters and Oter Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Subtitle: Black Waters and Oter Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Nataša Prosenc Stearns - Tentacles / Feelers (00:03:05)
Subtitle: Black Waters and Oter Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Subtitle: Black Waters and Oter Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Peter Cerovšek - Trails (07:00)
Production: 2015
Eksperimentalni kratki film je sestavljen iz niza kratkih sekvenc, posnetih s telefonom in kamero. Posnetki pogledov skozi okno ob potovanju z vlakom, avtobusom in gondolo se izmenjujejo z izpisovanjem besedila na temni podlagi – vsebino kratkih telefonskih sporočil. Tresoča in nemirna slika posnetkov narave se prepleta z abstraktnimi vzorci, ki jih tvori svetloba. Menjajo se letni časi in pokrajina. Glasba v podlagi prispeva k ustvarjanju nostalgičnega vzdušja. Film govori krhkosti ljubeze...
Production: 2015
Eksperimentalni kratki film je sestavljen iz niza kratkih sekvenc, posnetih s telefonom in kamero. Posnetki pogledov skozi okno ob potovanju z vlakom, avtobusom in gondolo se izmenjujejo z izpisovanjem besedila na temni podlagi – vsebino kratkih telefonskih sporočil. Tresoča in nemirna slika posnetkov narave se prepleta z abstraktnimi vzorci, ki jih tvori svetloba. Menjajo se letni časi in pokrajina. Glasba v podlagi prispeva k ustvarjanju nostalgičnega vzdušja. Film govori krhkosti ljubeze...
Toni Poljanec - Growing Wings (00:23:55)
Production: Kulturno umetniško društvo Teater na konfini, 2016
A short experimental film dances on a thin border that separates the real from the imaginary. Through the exploration of the structure of an internal monologue, it examines the sense of loneliness in society and reflects anxiety. The film methodologically interferes with the means of psychodrama, which help him to discover paradoxical actions that shake everyday life and act as a surreal poetry of dreams of everyday life. (Source: Toni Poljanec) NOTE: On the artist's request, the full video is not publishe...
Production: Kulturno umetniško društvo Teater na konfini, 2016
A short experimental film dances on a thin border that separates the real from the imaginary. Through the exploration of the structure of an internal monologue, it examines the sense of loneliness in society and reflects anxiety. The film methodologically interferes with the means of psychodrama, which help him to discover paradoxical actions that shake everyday life and act as a surreal poetry of dreams of everyday life. (Source: Toni Poljanec) NOTE: On the artist's request, the full video is not publishe...
Miha Mohorič - 3o1a (00:07:10)
Production: Sagar Kolektiv, 2013
One day of multicultural roommates in their rented apartment... (Source: Miha Mohorič)
Production: Sagar Kolektiv, 2013
One day of multicultural roommates in their rented apartment... (Source: Miha Mohorič)
Neven Korda - Young Prisoners (00:04:18)
Production: M.A.X., 1990
Music video on the song of Borghesia group.
Production: M.A.X., 1990
Music video on the song of Borghesia group.
Kaja & Sava Kosmač - Nosferatu (00:02:35)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Kaja & Sava Kosmač - Please Don't Follow Me Into the Sun (00:04:48)
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
Kaja & Sava Kosmač - To Paul & Friends (00:02:36)
Production: Kaja Kosmač in Sava Kosmač, 2009
With the background music by The Beatles, unclear slow-motion images are gradually identified as fragments of body and colourful clothing. When the yellow road line enters the game, the speed is accelerating and the image is approaching. The spotlight that accompanies the human figure isolates the image and places it in counterpoint with the richness of colour fragments, which creates a melancholic atmosphere. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2009
With the background music by The Beatles, unclear slow-motion images are gradually identified as fragments of body and colourful clothing. When the yellow road line enters the game, the speed is accelerating and the image is approaching. The spotlight that accompanies the human figure isolates the image and places it in counterpoint with the richness of colour fragments, which creates a melancholic atmosphere. (Diva)
Kristina Kokalj - Memory Machine (00:04:25)
Production: ALUO, 2018
The video is a collage of black and white images shot on a 35mm analog film. Images are exchanged at a rapid pace and, according to the principle of stop-motion animation, create the illusion of flickering and hectic movement. Images of nature (tree branches) and urban (street lights, graffiti, fences, roads) are intertwined. Open aperture shots produce a branch-like linear light drawing that transitions and flashes alternately with close-ups of bare branches. Stroboscopic flashes of images are accompanied...
Production: ALUO, 2018
The video is a collage of black and white images shot on a 35mm analog film. Images are exchanged at a rapid pace and, according to the principle of stop-motion animation, create the illusion of flickering and hectic movement. Images of nature (tree branches) and urban (street lights, graffiti, fences, roads) are intertwined. Open aperture shots produce a branch-like linear light drawing that transitions and flashes alternately with close-ups of bare branches. Stroboscopic flashes of images are accompanied...
Peter Cerovšek, Matevž Jerman, Luksuz produkcija - We have all been here since forever (12:29)
Production: Luksuz produkcija, 2016
"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." H.P. Lovecraft (Source: Luksuz produkcija)
Production: Luksuz produkcija, 2016
"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." H.P. Lovecraft (Source: Luksuz produkcija)
Peter Cerovšek, Luksuz produkcija - The Runner (5:39)
Production: Luksuz produkcija, 2015
The first breath is a decision. Each subsequent breath is a struggle for a goal that remains unseen. A struggle for life. He is a former long distance runner. He reveals his suffering, pain, and effort, all of which are crucial elements of each and every race. (Source: Luksuz produkcija)
Production: Luksuz produkcija, 2015
The first breath is a decision. Each subsequent breath is a struggle for a goal that remains unseen. A struggle for life. He is a former long distance runner. He reveals his suffering, pain, and effort, all of which are crucial elements of each and every race. (Source: Luksuz produkcija)
Peter Cerovšek - Fundaments (trailer) (1:41)
Production: EnaBanda, 2018
The director of the film follows the construction of a luxury hotel through his kitchen window. Fragments of the dissolution of his relationship unintentionally sneak into the recorded material and shake the very foundations of the film. (Source: EnaBanda)
Production: EnaBanda, 2018
The director of the film follows the construction of a luxury hotel through his kitchen window. Fragments of the dissolution of his relationship unintentionally sneak into the recorded material and shake the very foundations of the film. (Source: EnaBanda)