Ana Sluga - Still Life II (00:02:30)
Production: 2011
Statičen posnetek travnika z drevesi v jesenskem jutru. Megla se počasi dviga in svetloba se komaj zaznavno spreminja. V podlagi se vrti posnetek intervjuja z znanim ekonomistom Miltonom Friedmanom, zagovornikom prostega trga in liberalnega kapitalizma. Friedman razlaga o štirih načinih porabe in skrbnosti z upravljanjem denarja: lasten denar porabiš zase, lasten denar porabiš za druge, tuj denar porabiš zase in tuj denar porabiš za druge.
V kadru vidimo več dreves. Drug poleg drugega v vrsti st...
DIVA Art video
658 results in works
Martina Bastarda - Umetniški projekt (01:30:00)
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Tomaž Furlan - Wear I (00:03:23)
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Uršula Berlot - Attractions (0:56:43)
Production: Uršula Berlot, 2005
Video has a simple concept, as it works like a primitive animation based on magnetism. The presence of some higher power is actualized indirectly, through a movement of small iron particles. Shapes that are formed by the movement of an invisible magnet are seen as a process of concretizing images. But concrete, suggestive shapes are never formed and therefore the viewer is left to his own imagination and brings these abstract forms to some personal space. (Source: DIVA)
Production: Uršula Berlot, 2005
Video has a simple concept, as it works like a primitive animation based on magnetism. The presence of some higher power is actualized indirectly, through a movement of small iron particles. Shapes that are formed by the movement of an invisible magnet are seen as a process of concretizing images. But concrete, suggestive shapes are never formed and therefore the viewer is left to his own imagination and brings these abstract forms to some personal space. (Source: DIVA)
Uršula Berlot - Pulsation (0:02:41)
Production: Uršula Berlot, 2007
The video combines medical recordings of the brain and computer manipulation of those images. This animated image becomes symmetrical and dehumanized. We get a completely abstract arena, which reminds us of outer space. The author's cerebral area becomes the starting point for the unpredictable travel of light beams. (Source: DIVA)
Production: Uršula Berlot, 2007
The video combines medical recordings of the brain and computer manipulation of those images. This animated image becomes symmetrical and dehumanized. We get a completely abstract arena, which reminds us of outer space. The author's cerebral area becomes the starting point for the unpredictable travel of light beams. (Source: DIVA)
Zoran Srdić Janežič - Brezna v srcih (0:21:13)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2005
Brezna v srcih je eksperimentalen video kot odgovor na film Srce v breznu. V videu je smešno prikazan odgovor na fašističen film Srce v breznu, ki ga je istega leta posnela italijanska televizija. Izhodišče je vprašanje kako odgovor na provokacijo ni nujno napadalen, ampak se pri tem samoreflektivno sprašuje o lastnem nacionalizmu. (Zoran Srdič Janežič)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2005
Brezna v srcih je eksperimentalen video kot odgovor na film Srce v breznu. V videu je smešno prikazan odgovor na fašističen film Srce v breznu, ki ga je istega leta posnela italijanska televizija. Izhodišče je vprašanje kako odgovor na provokacijo ni nujno napadalen, ampak se pri tem samoreflektivno sprašuje o lastnem nacionalizmu. (Zoran Srdič Janežič)
Zoran Srdić Janežič - Akvarel (00:37: 27)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2002
Video documents painting of public ground. Author follows a painter creating with dry pigments. Totals of work in progress are exchanging with details of the painting. Occasional grading affects diversify otherwise unedited recordings.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2002
Video documents painting of public ground. Author follows a painter creating with dry pigments. Totals of work in progress are exchanging with details of the painting. Occasional grading affects diversify otherwise unedited recordings.
Zoran Srdić Janežič - Meta (00:25:00)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video takes a Slovene film classic Blossoms in Autumn as its subject. Film ends tragically with the death of the protagonist Meta, who suffers a cardiac arrest, caused by extreme happyness. Author focuses on scenes, in which the fatal accident could happen even before the ending, by reediting the material.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video takes a Slovene film classic Blossoms in Autumn as its subject. Film ends tragically with the death of the protagonist Meta, who suffers a cardiac arrest, caused by extreme happyness. Author focuses on scenes, in which the fatal accident could happen even before the ending, by reediting the material.
Zoran Srdić Janežič - Moja pot v šolo (00:32:20)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video after a talk with individual students of the Academy of fine arts and design in Ljubljana, follows their way from home to school. The author approaches each of the paths with a different editing process, stressing the uniqueness of each of them.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video after a talk with individual students of the Academy of fine arts and design in Ljubljana, follows their way from home to school. The author approaches each of the paths with a different editing process, stressing the uniqueness of each of them.
Zoran Srdić Janežič - Počečkane besede (00:05:15)
Production: Zavod za sodobne umetnosti in kulture GULAG, 2005
Video was made as a presentation of poems by Jana Putrle Srdić. Computer graphics, lines, drawings and monochrome colour surfaces are added to simple fast-forwarded shots of pages from a book of poems. Video is accompanied by a recitation of the poetry in subject and electronic music.
Production: Zavod za sodobne umetnosti in kulture GULAG, 2005
Video was made as a presentation of poems by Jana Putrle Srdić. Computer graphics, lines, drawings and monochrome colour surfaces are added to simple fast-forwarded shots of pages from a book of poems. Video is accompanied by a recitation of the poetry in subject and electronic music.