Mirko Simić - Buga Up (00:06:21)
Production: Škuc - Forum, 1989
Documentary shots of the concert of group The Blach in Ljubljana (?-F)
DIVA Works
1133 results in works
Bratko Bibič - In The Family Garden (00:56:15)
Production: Zavod Alcedo, Slovenska kinoteka, Filmski arhiv RS, 2005
In the first half of 2004, Bratko Bibič and his collaborators produced the third part of the film-music series In the Family Garden, which has been produced since 1999 and ended on the occasion of the 100th anniversary of Slovenian and 110th anniversary of film in general. part of the project, which also bears the title The role, meaning and image of the accordion in war, peace and revolution, was part of the Vienna Jazz Festival in Vienna on 8 July 2004, where a film with Bratko Bibič's original music an...
Production: Zavod Alcedo, Slovenska kinoteka, Filmski arhiv RS, 2005
In the first half of 2004, Bratko Bibič and his collaborators produced the third part of the film-music series In the Family Garden, which has been produced since 1999 and ended on the occasion of the 100th anniversary of Slovenian and 110th anniversary of film in general. part of the project, which also bears the title The role, meaning and image of the accordion in war, peace and revolution, was part of the Vienna Jazz Festival in Vienna on 8 July 2004, where a film with Bratko Bibič's original music an...
Damijan Kracina - Kracina TV (00:05:48)
Production: 1995
Hiperrealističen kip avtorja iz lateksa stoji sredi prostora v Galeriji Kapelica, kjer je umetnik prvič postavil instalacijo. Nizek podstavek kipa je povezan s sedmimi monitorji, v katere je uprt pogled figure. Na svetlobnih objektih so prikazane fotografije povoženih mačk. Instalacija prikazuje dvojno smrt oziroma dvojno odsotnost življenja. Mrtve so povožene mačke, neživ pa je tudi kip umetnika. S podobami mrtvih mačk umetnik ni opozoril zgolj na krut odnost človeka do živali, na davek človeko...
Production: 1995
Hiperrealističen kip avtorja iz lateksa stoji sredi prostora v Galeriji Kapelica, kjer je umetnik prvič postavil instalacijo. Nizek podstavek kipa je povezan s sedmimi monitorji, v katere je uprt pogled figure. Na svetlobnih objektih so prikazane fotografije povoženih mačk. Instalacija prikazuje dvojno smrt oziroma dvojno odsotnost življenja. Mrtve so povožene mačke, neživ pa je tudi kip umetnika. S podobami mrtvih mačk umetnik ni opozoril zgolj na krut odnost človeka do živali, na davek človeko...
Borut Savski - Bowlfuls of Sound (00:03:34)
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with human it could be...
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with human it could be...
Borut Savski, Luka Prinčič - Problemloss Orchestra. Before the performance in Berlin (00:04:52)
Production: 2006
Problemloss Orchestra was a project group ( PMS: Luka Prinčič, Matjaž Manček and Borut Savski), which performed in 2005 and 2006. The recording took place in Berlin and was recorded by Neven Korda.
Production: 2006
Problemloss Orchestra was a project group ( PMS: Luka Prinčič, Matjaž Manček and Borut Savski), which performed in 2005 and 2006. The recording took place in Berlin and was recorded by Neven Korda.
Borut Savski - Sonic Point of View (00:08:46)
Production: 2002
Sonic Point of View is an event in-between a concert and performance where, through the interaction of sound and visual, the metaphors of universal opposites of the sky and the earth are created. For this occasion, the author made a mixing board that, due to its random functioning, prevents the virtuosic action, and thus it makes possible for anyone be a virtuoso. (DIVA)
Production: 2002
Sonic Point of View is an event in-between a concert and performance where, through the interaction of sound and visual, the metaphors of universal opposites of the sky and the earth are created. For this occasion, the author made a mixing board that, due to its random functioning, prevents the virtuosic action, and thus it makes possible for anyone be a virtuoso. (DIVA)
Borut Savski - Sound Biotope (00:14:07)
Production: Galerija Kapelica, 1999
Biotope could be described as a self-regulating system of several micro phonies (eight in total), which filled the frequency domain of the gallery. The changes in the sound were a combination of the motion of the microphones, the motion of the space, the absorption bodies in the room and the sound in the room. In short: the installation "listened" to the sound in the space (and thus of itself), and this translates into the movement of microphones. This led to a change in the frequency spectrum in the whole...
Production: Galerija Kapelica, 1999
Biotope could be described as a self-regulating system of several micro phonies (eight in total), which filled the frequency domain of the gallery. The changes in the sound were a combination of the motion of the microphones, the motion of the space, the absorption bodies in the room and the sound in the room. In short: the installation "listened" to the sound in the space (and thus of itself), and this translates into the movement of microphones. This led to a change in the frequency spectrum in the whole...
Borut Savski - Videographics 18 (00:07:16)
Production: KUD Trivia / Trivia Art [Association], 2006
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Production: KUD Trivia / Trivia Art [Association], 2006
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Borut Savski - Videographics 19 (00:04:23)
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context. In Videographic 19, pairs of words are associated with video variations of "The Shroud of Turin". (DIVA)
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context. In Videographic 19, pairs of words are associated with video variations of "The Shroud of Turin". (DIVA)
Borut Savski - Videographics 22 (00:03:44)
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Bojan Anđelković, Borut Savski - XL Eksperiment
Subtitle: Enotedensko medijsko in zvočno dogajanje v galeriji Kapelica Ljubljana ob 40. obletnici Radia Študent
Production: Radio Študent, galerija Kapelica, 2009
Video documentation of the web-streams of a week of events called XL eksperiment that took place at Kapelica gallery in Ljubljana from 4th to 8th May 2009 - on the occasion of 40 years of Radio Student Ljubljana. Project was run by Bojan Andjelković and Borut Savski, with many participants. The keyword here is XL Experiment - Re-inventing the radio - pointing to the 40 years of our local radio station Radio Student. The title appeared at that time as a book published by Kunstradio Vienna. But since the pri...
Subtitle: Enotedensko medijsko in zvočno dogajanje v galeriji Kapelica Ljubljana ob 40. obletnici Radia Študent
Production: Radio Študent, galerija Kapelica, 2009
Video documentation of the web-streams of a week of events called XL eksperiment that took place at Kapelica gallery in Ljubljana from 4th to 8th May 2009 - on the occasion of 40 years of Radio Student Ljubljana. Project was run by Bojan Andjelković and Borut Savski, with many participants. The keyword here is XL Experiment - Re-inventing the radio - pointing to the 40 years of our local radio station Radio Student. The title appeared at that time as a book published by Kunstradio Vienna. But since the pri...
son:DA, Erinc Seymen - Performance for a Poem 2 (00:08:48)
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Ema Kugler - For the End of Time (02:05:28)
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
Marko A. Kovačič - Back to the USA (00:04:37)
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Marko A. Kovačič - Metelkova Network (00:37:14)
Production: Mreža za Metelkovo, 1990
Video documents a project "Mreža za Metelkovo", in which 200 partners gathered in 1990. Spatial needs of participating artists were presented in a programme, which came out in October 1990. All the corresponding institutions including the headquarters of the National Yugoslav Army were informed about the project. Mreža za Metelkova was as a society formally founded on 22.12.1990 on a National Yugoslav Army holiday. Although National Yugoslav Army was still placed in all barracks in Slovenia which made the...
Production: Mreža za Metelkovo, 1990
Video documents a project "Mreža za Metelkovo", in which 200 partners gathered in 1990. Spatial needs of participating artists were presented in a programme, which came out in October 1990. All the corresponding institutions including the headquarters of the National Yugoslav Army were informed about the project. Mreža za Metelkova was as a society formally founded on 22.12.1990 on a National Yugoslav Army holiday. Although National Yugoslav Army was still placed in all barracks in Slovenia which made the...
Metod Frlic - Svetloba kože / Brightness of Skin (00:05:10)
Production: VPK, 1997
Pred nami so kože. Pravzaprav tako podobne druga drugi, pa najsi pokrivajo človeške obraze, ponavadi dolgočasne in utrujene, ali pa mlada telesa in telesca, takorekoč igrače, pripravljene za igranje, da lahko ugotovimo, da gre za eno samo kožo. Da gre za eno samo stvaritev, gnilo od zamaščenosti, izsušeno, organo in obleteno obenem. Koža razsvetljena z razkrajanjem. Samo po različni umazanosti svetlobe se razlikujejo krpe te kože med seboj. Pod njimi se skriva ena sama rasa. Nobenih belcev in n...
Production: VPK, 1997
Pred nami so kože. Pravzaprav tako podobne druga drugi, pa najsi pokrivajo človeške obraze, ponavadi dolgočasne in utrujene, ali pa mlada telesa in telesca, takorekoč igrače, pripravljene za igranje, da lahko ugotovimo, da gre za eno samo kožo. Da gre za eno samo stvaritev, gnilo od zamaščenosti, izsušeno, organo in obleteno obenem. Koža razsvetljena z razkrajanjem. Samo po različni umazanosti svetlobe se razlikujejo krpe te kože med seboj. Pod njimi se skriva ena sama rasa. Nobenih belcev in n...
Nataša Prosenc Stearns - Tango za ribe / Tango for Fish (00:04:21)
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Sašo Podgoršek - Pot / Path (00:11:01)
Production: PTL / postprodukcija Studio Tivoli, 1993
The dance video is a play of contrasts: East against West, nature against the city, meditation against energy - a haiku born out of simplicity. (VD)
Production: PTL / postprodukcija Studio Tivoli, 1993
The dance video is a play of contrasts: East against West, nature against the city, meditation against energy - a haiku born out of simplicity. (VD)
Neven Korda, Zemira Alajbegović - Icht (00:24:25)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Jasna Hribernik - Stopnišče / Starcase (0:16:07)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
