Jasna Hribernik - Stopnišče / Starcase (0:16:07)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
DIVA Works
1167 results in works
Sašo Podgoršek - Mobitel WAP (00:00:33)
Production: Agencija 41 / Nord Cross, 2000
Oglas prikazuje projekt Makrolab avtorja Marka Peljhana. Makrolab je visoko tehnološka postaja, ki povezuje znanost in umetnost. Služi kot prenosnih telekomunikacijskih valov in se odziva na frekvenčne spremembe v okolju.
Production: Agencija 41 / Nord Cross, 2000
Oglas prikazuje projekt Makrolab avtorja Marka Peljhana. Makrolab je visoko tehnološka postaja, ki povezuje znanost in umetnost. Služi kot prenosnih telekomunikacijskih valov in se odziva na frekvenčne spremembe v okolju.
Maja Smrekar - Brain TV (00:31:36)
Subtitle: rcv:10.95–11.7GHz,snd 5.8GHz
Production: Galerija Kapelica, Zavod K6/4, 2008
Brain TV je interaktivni tehnološko pogojeni projekt, ki je bil postavljen v Galeriji Kapelica. Predstavljen je na podlagi video dokumentacije. Brain TV deluje na frekvencah med 10.95 in 11.7 gigahercev. To pomeni, da zbira elektromagnetna valovanja iz vesolja, jih zajema prek radijskega sprejemnika ter nato skozi kompleksne vmesnike pretvarja v zvok in sliko. Ker so signali iz neskončnega univerzuma večinoma šibki in statični, je avtorica za vmesnik uporabila človeško telo oziroma možgane kot enega...
Subtitle: rcv:10.95–11.7GHz,snd 5.8GHz
Production: Galerija Kapelica, Zavod K6/4, 2008
Brain TV je interaktivni tehnološko pogojeni projekt, ki je bil postavljen v Galeriji Kapelica. Predstavljen je na podlagi video dokumentacije. Brain TV deluje na frekvencah med 10.95 in 11.7 gigahercev. To pomeni, da zbira elektromagnetna valovanja iz vesolja, jih zajema prek radijskega sprejemnika ter nato skozi kompleksne vmesnike pretvarja v zvok in sliko. Ker so signali iz neskončnega univerzuma večinoma šibki in statični, je avtorica za vmesnik uporabila človeško telo oziroma možgane kot enega...
Zemira Alajbegović - Marko Peljhan's Invisible Territory (00:49:12)
Production: RTV Slovenija, 2007
Marko Peljhan's Invisible Territory is a documentary on multi media-artist Marko Peljhan and his project Makrolab, a mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and the environment, their mission is to create new, critical art.
Production: RTV Slovenija, 2007
Marko Peljhan's Invisible Territory is a documentary on multi media-artist Marko Peljhan and his project Makrolab, a mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and the environment, their mission is to create new, critical art.
Zemira Alajbegović - P.O.R. (00:00:29)
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of a series of eleven noise track videos by a music group BAST titled Burn Out. The camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of a series of eleven noise track videos by a music group BAST titled Burn Out. The camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
Zemira Alajbegović - Quick/Slow (00:11:47)
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Sašo Sedlaček, Lada Cerar - Toilets / Made in India (0:05:15)
Production: 2004
Video documents the making of gobelins in Indian streets. The work is a part of a bigger project, where the other part was an exhibition of gobelins with the motifs of toilets. Video is accompanied by occasional sounds of the street, in the foreground is the constant sound of the sawing machine embroidering the motifs.
Production: 2004
Video documents the making of gobelins in Indian streets. The work is a part of a bigger project, where the other part was an exhibition of gobelins with the motifs of toilets. Video is accompanied by occasional sounds of the street, in the foreground is the constant sound of the sawing machine embroidering the motifs.
Gorazd Krnc - No Title Yet (00:08:30)
Subtitle: (dream light - girl)
Production: z.guba produkcija, 2000
Video accompanied by electronic music and strongly present editing effects explores the facelessness and impersonality of a crowd. Indistinct anthropomorphic images are covered with a bunch of filters making the figures dreamlike and almost completely unrecognizable.
Subtitle: (dream light - girl)
Production: z.guba produkcija, 2000
Video accompanied by electronic music and strongly present editing effects explores the facelessness and impersonality of a crowd. Indistinct anthropomorphic images are covered with a bunch of filters making the figures dreamlike and almost completely unrecognizable.
Gorazd Krnc - Tri vrata (00:03:11)
Production: Gulag produkcija, 2007
Video collage is accompanied by a narration and a dialog from a film Barbarella (Roger Vadim, 1968). Cut out scenes from the film are with the usage of green screen applied to a background constructed from archive shots covered with different filters in editing. With this procedure the galactic content of the film is transmitted into the real world and a metaphor about the three doors on which Barbarella is based on gets a more realistic context.
Production: Gulag produkcija, 2007
Video collage is accompanied by a narration and a dialog from a film Barbarella (Roger Vadim, 1968). Cut out scenes from the film are with the usage of green screen applied to a background constructed from archive shots covered with different filters in editing. With this procedure the galactic content of the film is transmitted into the real world and a metaphor about the three doors on which Barbarella is based on gets a more realistic context.
Gorazd Krnc - Five AM. Light (00:04:32)
Production: z.guba produkcija, 2000
Video work is a part of a series of videos, which together create a oscillating rhythm of energy. Electronic musical score follows indistinct images covered with editing filters, which cause an impression of a dream vision and ecstasy. Anthropomorphic figures are shading one into another in the rhythm of music.
Production: z.guba produkcija, 2000
Video work is a part of a series of videos, which together create a oscillating rhythm of energy. Electronic musical score follows indistinct images covered with editing filters, which cause an impression of a dream vision and ecstasy. Anthropomorphic figures are shading one into another in the rhythm of music.
Gorazd Krnc - 14° 31' E 46° 02' N (00:09:42)
Production: 2000
Shots of panoramic views, public interiors, architectural facilities, nature and cultural sights are followed by electronic musical score. Scenes are covered with different filters and create a diverse repertoire of emotions and impressions. Video is marked with a cut up editing of inconsistent shots and due to the listed elements it has a hectic and somewhat anxious effect.
Production: 2000
Shots of panoramic views, public interiors, architectural facilities, nature and cultural sights are followed by electronic musical score. Scenes are covered with different filters and create a diverse repertoire of emotions and impressions. Video is marked with a cut up editing of inconsistent shots and due to the listed elements it has a hectic and somewhat anxious effect.
Gorazd Krnc - Fiksacijske točke mačke (00:01:51)
Production: 2003
Video applies scenes of cats while playing onto archive shots of almost naked girls playing in the pool. Symbolic comparison exposes a critical and humours contrast, which puts an unconcerned and instinctive world of cats on one side and artificial and insincere action of a human being on the other.
Production: 2003
Video applies scenes of cats while playing onto archive shots of almost naked girls playing in the pool. Symbolic comparison exposes a critical and humours contrast, which puts an unconcerned and instinctive world of cats on one side and artificial and insincere action of a human being on the other.
Gorazd Krnc - Keltinje (del projekta Archaios xenê) (00:00:52)
Production: 2006
A part of an extensive video project takes a narration, talking about the role of women in Celtic communities and about their bravery, following shots of violence in a modern completely patriarchist society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the role of women in Celtic communities and about their bravery, following shots of violence in a modern completely patriarchist society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Keošanke (del projekta Archaios xenê) (00:00:47)
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Perzijke (del projekta Archaios xenê) (00:01:03)
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Me V(isual)S(ound) You (00:02:35)
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.
Gorazd Krnc - Medena tedna (krajša verzija) (00:18:18)
Subtitle: video dnevnik
Production: Ping produkcija, 2006
Petja in Gorazd odpotujeta s kamero na poročno potovanje v Kenijo. Zbiranje pestrih kadrov je postavljeno v film, podprt z ustvarjalnim pristopom k montaži. Kenija, ki ostane v Afriki. (tekst: Kinootok 3) Snemanje kadrov poteka hitro in sunkovito, pristop je igriv.
Subtitle: video dnevnik
Production: Ping produkcija, 2006
Petja in Gorazd odpotujeta s kamero na poročno potovanje v Kenijo. Zbiranje pestrih kadrov je postavljeno v film, podprt z ustvarjalnim pristopom k montaži. Kenija, ki ostane v Afriki. (tekst: Kinootok 3) Snemanje kadrov poteka hitro in sunkovito, pristop je igriv.
Nataša Skušek, Mladen Stropnik - Free Time (00:06:42)
Production: 2007
Video work discusses time management in a modern family life. The authors document their holiday with their children and through personal experience explore the overload and expectations imposed upon an individual about themselves by modern society.
Production: 2007
Video work discusses time management in a modern family life. The authors document their holiday with their children and through personal experience explore the overload and expectations imposed upon an individual about themselves by modern society.
Martina Bastarda, Mateja Ocepek, Nataša Skušek - Pissing (0:04:28)
Production: 2002
Video work by three artists establishes a feministic social critique with an act of urinating in public. The authors in elegant costumes are placed into an idyllic snowy landscape. They take down their tights, lift their skirts and start urinating in a pose completely acceptable for a male. Seemingly vulgar scene deals with fixated roles, which are naturalized and as such attributed to sexes. (DIVA)
Production: 2002
Video work by three artists establishes a feministic social critique with an act of urinating in public. The authors in elegant costumes are placed into an idyllic snowy landscape. They take down their tights, lift their skirts and start urinating in a pose completely acceptable for a male. Seemingly vulgar scene deals with fixated roles, which are naturalized and as such attributed to sexes. (DIVA)
Vesna Čadež - Narava / Nature (00:11:07 (skupno))
Subtitle: Sinhronija (narava- Ljubljana) / Sinchrony (Nature- Ljubljana)
Production: 2005
The video captures two different video projections being played simultaneously presenting the contrast between urban and natural environment. They are viewed at separately, but grasped as a whole mimicking the viewer's division between perceiving and moving in the city as well as in the nature. Author takes the two opposing positions of man's living habitats, which complement one another, as her basis. Continuing with the concept of synchrony, she uses concurrence of action, simultaneousness of...
Subtitle: Sinhronija (narava- Ljubljana) / Sinchrony (Nature- Ljubljana)
Production: 2005
The video captures two different video projections being played simultaneously presenting the contrast between urban and natural environment. They are viewed at separately, but grasped as a whole mimicking the viewer's division between perceiving and moving in the city as well as in the nature. Author takes the two opposing positions of man's living habitats, which complement one another, as her basis. Continuing with the concept of synchrony, she uses concurrence of action, simultaneousness of...
