Uršula Berlot - Transitoriness (02:13)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
DIVA Works
1168 results in works
Borut Savski - The Sisters Karamazov (00:56:26)
Production: KUD Trivia / Trivia Art, 2006, 2007
Music is produced in a rhytmic style, a kind of free techno. Of course, since it originates exclusively from the computer. It is also algoritmic, meaning that the author left much of the parameters to the decision of the computer program. The roots of such approach lead to around 1996. There are some other such “historic” productions. All things told - the author did play one song directly on the computer keyboard. Cd Sisters Karamazov is sometimes accompanied by an essey entitled The Art of Ba...
Production: KUD Trivia / Trivia Art, 2006, 2007
Music is produced in a rhytmic style, a kind of free techno. Of course, since it originates exclusively from the computer. It is also algoritmic, meaning that the author left much of the parameters to the decision of the computer program. The roots of such approach lead to around 1996. There are some other such “historic” productions. All things told - the author did play one song directly on the computer keyboard. Cd Sisters Karamazov is sometimes accompanied by an essey entitled The Art of Ba...
Milena Kosec - Marička B. Pomagaj ante portas (00:09:10)
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Robertina Šebjanič - Cona D (0:11:59)
Production: 2005
The project was made under the wing of the TEMP group and their exploration of the use of space of public and private properties in the city. Video begins with an animation of Ljubljana, where key points of degraded points - empty spaces available for new contents for example art practises, are marked. Focusing on each of the points is followed by documentary shot of noted locations.
Production: 2005
The project was made under the wing of the TEMP group and their exploration of the use of space of public and private properties in the city. Video begins with an animation of Ljubljana, where key points of degraded points - empty spaces available for new contents for example art practises, are marked. Focusing on each of the points is followed by documentary shot of noted locations.
Nika Autor, Robertina Šebjanič - Niro (0:02:15)
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Robertina Šebjanič - Bubble I (0:01:00)
Production: 2007
Video work is a display of unknown stylized objects, by which the author establishes a sensual and intimate atmosphere. Unidentified, unusual, soft, moving matter reminds of a living creature, an organ or a completely irrational, inorganic object unable to identify. Video is accompanied by an ambient sound.
Production: 2007
Video work is a display of unknown stylized objects, by which the author establishes a sensual and intimate atmosphere. Unidentified, unusual, soft, moving matter reminds of a living creature, an organ or a completely irrational, inorganic object unable to identify. Video is accompanied by an ambient sound.
Jože Spacal - Svetloba in senca (0:24:48)
Subtitle: Televizijska scenografija Jožeta Spacala
Production: TV Slovenija, 1993
Dokumentarni film, ki prikazuje izseke najpomembnejših in najodmevnejših scenografskih postavitev za televizijo Ljubljana (kasneje Televizija Slovenija) ter razstavnih postavitev televizijskih scenografij.
Subtitle: Televizijska scenografija Jožeta Spacala
Production: TV Slovenija, 1993
Dokumentarni film, ki prikazuje izseke najpomembnejših in najodmevnejših scenografskih postavitev za televizijo Ljubljana (kasneje Televizija Slovenija) ter razstavnih postavitev televizijskih scenografij.
Vesna Čadež - Slika / Painting (0:03:24)
Production: 2007
Video is focusing on a way of display of painting surfaces, fragments of author's paintings. Latter are shown as animation and collage, when surfaces are built one upon the other, in the under-paintings and color ratios. Canvas is substituted by computer screen, where the author is gradually coming towards a full visual surface, painting. Shapes and motif are connected to the natural world and its elements.
Production: 2007
Video is focusing on a way of display of painting surfaces, fragments of author's paintings. Latter are shown as animation and collage, when surfaces are built one upon the other, in the under-paintings and color ratios. Canvas is substituted by computer screen, where the author is gradually coming towards a full visual surface, painting. Shapes and motif are connected to the natural world and its elements.
Vesna Čadež - Med vožnjo / During the Drive (0:02:19)
Production: 2007
Video is following a journey with a train. The author uses image to explore movement, surroundings, the game of fast and slower movement reflected on the traces of speed of the outer, natural occurrence. Video is deliberately made in black and white technique, which emphasizes the graphic appearance of the structures and traces of the journey. The author explores the eternal search of innumerable and unrepeatable possibilities of gazes through the window following each other in a story of journey through a...
Production: 2007
Video is following a journey with a train. The author uses image to explore movement, surroundings, the game of fast and slower movement reflected on the traces of speed of the outer, natural occurrence. Video is deliberately made in black and white technique, which emphasizes the graphic appearance of the structures and traces of the journey. The author explores the eternal search of innumerable and unrepeatable possibilities of gazes through the window following each other in a story of journey through a...
Vesna Čadež - Sencasvetloba / Shadowlight (0:01:25)
Production: 2007
Video shows light patterns following each other in certain sequences. Different perspectives of light and shadow in nature go from direct ones for example light shining through the leafs, the sky playing with the natural shapes, to the ones caused by different structures of man's living habitat.
Production: 2007
Video shows light patterns following each other in certain sequences. Different perspectives of light and shadow in nature go from direct ones for example light shining through the leafs, the sky playing with the natural shapes, to the ones caused by different structures of man's living habitat.
Zmago Lenardič - Waiting for Changes (0:32:03)
Production: Zmago Lenardič, 2007
In the video, the author presents documentary-experimental images of the erupting volcano Etna in Sicily. The scene is almost static, showing a volcano that was active again after a long period, and the author found himself at the foot of the mountain at that time. The video defines the kinematic experience supported by dramatic music from which media space-time emerges. (Source: DIVA)
Production: Zmago Lenardič, 2007
In the video, the author presents documentary-experimental images of the erupting volcano Etna in Sicily. The scene is almost static, showing a volcano that was active again after a long period, and the author found himself at the foot of the mountain at that time. The video defines the kinematic experience supported by dramatic music from which media space-time emerges. (Source: DIVA)
Miha Vipotnik - Človek poslušanja (19:18)
Production: RTV Slovenija, 2008
Eksperimentalna video-zvočna kompozicija je portret komponista Bora Turela, enega najvidnejših slovenskih skladateljev eksperimentalne in elektroakustične glasbe. Avtor se prek dela skladatelja ukvarja z zvokom v povezavi in primerjavi s sliko, ga raziskuje in ugotavlja njegov pomen. Glasbena partitura postane del vizualizacije, kjer tekste, ki se izpisujejo po ekranu, animirajo vizualne senzacije raznih oblik in črkovnih sistemov. Ti neprestano proizvajajo in ustvarjajo nove anagrame, besede, mis...
Production: RTV Slovenija, 2008
Eksperimentalna video-zvočna kompozicija je portret komponista Bora Turela, enega najvidnejših slovenskih skladateljev eksperimentalne in elektroakustične glasbe. Avtor se prek dela skladatelja ukvarja z zvokom v povezavi in primerjavi s sliko, ga raziskuje in ugotavlja njegov pomen. Glasbena partitura postane del vizualizacije, kjer tekste, ki se izpisujejo po ekranu, animirajo vizualne senzacije raznih oblik in črkovnih sistemov. Ti neprestano proizvajajo in ustvarjajo nove anagrame, besede, mis...
Tanja Vujinović - Extagram-ST807 (0:03:15)
Production: Exstat/Ultramono, 2007
Extagram/Oscilo is devised as a digital library of recycled frequencies, anthropomorphic shapes, mutating glitches, flux mapping, digital vibrations, and trajectories of test-signals and particles of toy sounds. (Source: Tanja Vujinović)
Production: Exstat/Ultramono, 2007
Extagram/Oscilo is devised as a digital library of recycled frequencies, anthropomorphic shapes, mutating glitches, flux mapping, digital vibrations, and trajectories of test-signals and particles of toy sounds. (Source: Tanja Vujinović)
Ana Sluga - Away (0:01:13)
Production: 2006
Video work is a demonstration of a thundering demolition of an old building, symbolizing a destruction of something old, of the end of an era. The tragedy of the demolition is stressed with close-ups and melancholy music. Video, using seemingly infinite repetition, follows the demolition of solid material with static persistence and unusual composition.
Production: 2006
Video work is a demonstration of a thundering demolition of an old building, symbolizing a destruction of something old, of the end of an era. The tragedy of the demolition is stressed with close-ups and melancholy music. Video, using seemingly infinite repetition, follows the demolition of solid material with static persistence and unusual composition.
Ana Sluga - Still Life II (00:02:30)
Production: 2011
Statičen posnetek travnika z drevesi v jesenskem jutru. Megla se počasi dviga in svetloba se komaj zaznavno spreminja. V podlagi se vrti posnetek intervjuja z znanim ekonomistom Miltonom Friedmanom, zagovornikom prostega trga in liberalnega kapitalizma. Friedman razlaga o štirih načinih porabe in skrbnosti z upravljanjem denarja: lasten denar porabiš zase, lasten denar porabiš za druge, tuj denar porabiš zase in tuj denar porabiš za druge. V kadru vidimo več dreves. Drug poleg drugega v vrsti st...
Production: 2011
Statičen posnetek travnika z drevesi v jesenskem jutru. Megla se počasi dviga in svetloba se komaj zaznavno spreminja. V podlagi se vrti posnetek intervjuja z znanim ekonomistom Miltonom Friedmanom, zagovornikom prostega trga in liberalnega kapitalizma. Friedman razlaga o štirih načinih porabe in skrbnosti z upravljanjem denarja: lasten denar porabiš zase, lasten denar porabiš za druge, tuj denar porabiš zase in tuj denar porabiš za druge. V kadru vidimo več dreves. Drug poleg drugega v vrsti st...
Martina Bastarda - TV dražba / TV Auction (0:59:44)
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.
Martina Bastarda - Umetniški projekt (01:30:00)
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Tomaž Furlan - Wear I (00:03:23)
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Uršula Berlot - Attractions (0:56:43)
Production: Uršula Berlot, 2005
Video has a simple concept, as it works like a primitive animation based on magnetism. The presence of some higher power is actualized indirectly, through a movement of small iron particles. Shapes that are formed by the movement of an invisible magnet are seen as a process of concretizing images. But concrete, suggestive shapes are never formed and therefore the viewer is left to his own imagination and brings these abstract forms to some personal space. (Source: DIVA)
Production: Uršula Berlot, 2005
Video has a simple concept, as it works like a primitive animation based on magnetism. The presence of some higher power is actualized indirectly, through a movement of small iron particles. Shapes that are formed by the movement of an invisible magnet are seen as a process of concretizing images. But concrete, suggestive shapes are never formed and therefore the viewer is left to his own imagination and brings these abstract forms to some personal space. (Source: DIVA)
Uršula Berlot - Pulsation (0:02:41)
Production: Uršula Berlot, 2007
The video combines medical recordings of the brain and computer manipulation of those images. This animated image becomes symmetrical and dehumanized. We get a completely abstract arena, which reminds us of outer space. The author's cerebral area becomes the starting point for the unpredictable travel of light beams. (Source: DIVA)
Production: Uršula Berlot, 2007
The video combines medical recordings of the brain and computer manipulation of those images. This animated image becomes symmetrical and dehumanized. We get a completely abstract arena, which reminds us of outer space. The author's cerebral area becomes the starting point for the unpredictable travel of light beams. (Source: DIVA)
