Zoran Srdić Janežič - Brezna v srcih (0:21:13)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2005
Brezna v srcih je eksperimentalen video kot odgovor na film Srce v breznu. V videu je smešno prikazan odgovor na fašističen film Srce v breznu, ki ga je istega leta posnela italijanska televizija. Izhodišče je vprašanje kako odgovor na provokacijo ni nujno napadalen, ampak se pri tem samoreflektivno sprašuje o lastnem nacionalizmu. (Zoran Srdič Janežič)
DIVA Works
1167 results in works
Zoran Srdić Janežič - Akvarel (00:37: 27)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2002
Video documents painting of public ground. Author follows a painter creating with dry pigments. Totals of work in progress are exchanging with details of the painting. Occasional grading affects diversify otherwise unedited recordings.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2002
Video documents painting of public ground. Author follows a painter creating with dry pigments. Totals of work in progress are exchanging with details of the painting. Occasional grading affects diversify otherwise unedited recordings.
Zoran Srdić Janežič - Grosuplje (00:09:26)
Subtitle: Mesto kipov
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video documents the work in progress at the first sculpture symposium in Grosuplje. In the document of this artistic happening, thematising sculpture in the public space, the author makes notes on the placement and productions of the sculptures, the work of individual artists and their statements.
Subtitle: Mesto kipov
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video documents the work in progress at the first sculpture symposium in Grosuplje. In the document of this artistic happening, thematising sculpture in the public space, the author makes notes on the placement and productions of the sculptures, the work of individual artists and their statements.
Zoran Srdić Janežič - Kapa (00:31:50)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2002
The video humorously plays with the concept of voyeurism. Observation of a sleeping woman takes the cameraman and consequently the viewer, who takes a part of a voyeur together with the first, into the opposite direction. At first they both witness a naked female figure, who completely covers herself by adding more and more layers of clothing.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2002
The video humorously plays with the concept of voyeurism. Observation of a sleeping woman takes the cameraman and consequently the viewer, who takes a part of a voyeur together with the first, into the opposite direction. At first they both witness a naked female figure, who completely covers herself by adding more and more layers of clothing.
Zoran Srdić Janežič - Meta (00:25:00)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video takes a Slovene film classic Blossoms in Autumn as its subject. Film ends tragically with the death of the protagonist Meta, who suffers a cardiac arrest, caused by extreme happyness. Author focuses on scenes, in which the fatal accident could happen even before the ending, by reediting the material.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video takes a Slovene film classic Blossoms in Autumn as its subject. Film ends tragically with the death of the protagonist Meta, who suffers a cardiac arrest, caused by extreme happyness. Author focuses on scenes, in which the fatal accident could happen even before the ending, by reediting the material.
Zoran Srdić Janežič - Moja pot v šolo (00:32:20)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video after a talk with individual students of the Academy of fine arts and design in Ljubljana, follows their way from home to school. The author approaches each of the paths with a different editing process, stressing the uniqueness of each of them.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2004
Video after a talk with individual students of the Academy of fine arts and design in Ljubljana, follows their way from home to school. The author approaches each of the paths with a different editing process, stressing the uniqueness of each of them.
Zoran Srdić Janežič - Počečkane besede (00:05:15)
Production: Zavod za sodobne umetnosti in kulture GULAG, 2005
Video was made as a presentation of poems by Jana Putrle Srdić. Computer graphics, lines, drawings and monochrome colour surfaces are added to simple fast-forwarded shots of pages from a book of poems. Video is accompanied by a recitation of the poetry in subject and electronic music.
Production: Zavod za sodobne umetnosti in kulture GULAG, 2005
Video was made as a presentation of poems by Jana Putrle Srdić. Computer graphics, lines, drawings and monochrome colour surfaces are added to simple fast-forwarded shots of pages from a book of poems. Video is accompanied by a recitation of the poetry in subject and electronic music.
Tomaž Tomažin - Mr. Thornhill (0:02:07)
Production: 2005
Mr.Thornhill is the main character in the Alfred Hitchcock movie North by Northwest. In his video the artist has replaced the actor Cary Grant's head with my own and appear in the important sequence where he is being chased by a crop duster. The viewer is frightened for the character and feels himself to be both the artist and the character at the same time.
Production: 2005
Mr.Thornhill is the main character in the Alfred Hitchcock movie North by Northwest. In his video the artist has replaced the actor Cary Grant's head with my own and appear in the important sequence where he is being chased by a crop duster. The viewer is frightened for the character and feels himself to be both the artist and the character at the same time.
Zoran Srdić Janežič - Skrivno pismo moji ženi (00:21:00)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2002
The secret letter is written on the magnetic tape of a video cassette. An unimportant video of several people typing a letter on a computer has the real letter hidden on its tape. The letter was erased in editing in order to get a somewhat acceptable quality of the recording. What is left is a distortion of the tape created by writing over the letters with a magnetic needle.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2002
The secret letter is written on the magnetic tape of a video cassette. An unimportant video of several people typing a letter on a computer has the real letter hidden on its tape. The letter was erased in editing in order to get a somewhat acceptable quality of the recording. What is left is a distortion of the tape created by writing over the letters with a magnetic needle.
Zoran Srdić Janežič - Vidno - nevidno (02:19:28)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, Klub študentov Kranj, 2001
Video deals with the cultural scene in the city of Kranj. Through a documentation of empty streets and conversations with young residents, city government and the creators of cultural contents the author establishes a critique of the cultural devastation of the city.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, Klub študentov Kranj, 2001
Video deals with the cultural scene in the city of Kranj. Through a documentation of empty streets and conversations with young residents, city government and the creators of cultural contents the author establishes a critique of the cultural devastation of the city.
Zoran Srdić Janežič - Zgodba o tački (0:31:50)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2005
Video is an animation of a same-name story by Matej Lavrenčič. The video connects animations by four authors.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2005
Video is an animation of a same-name story by Matej Lavrenčič. The video connects animations by four authors.
Marko A. Kovačič - Symposium for Sculpture Zreče 85 (00:01:32)
Production: 1985
Video is a document of an exhibition of two of authors sculptures made as a part of symposium by Forma viva community in Zreče. Totals and details of the statues are framed with a coloured mask.
Production: 1985
Video is a document of an exhibition of two of authors sculptures made as a part of symposium by Forma viva community in Zreče. Totals and details of the statues are framed with a coloured mask.
Marko A. Kovačič - AIDA 87 (00:03:22)
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Marko A. Kovačič - Sculptures 82-84 (00:01:47)
Production: 1984
Video documentation visually notes the author's sculpture work made in the years between 1982 and 1984.
Production: 1984
Video documentation visually notes the author's sculpture work made in the years between 1982 and 1984.
Marko A. Kovačič - Programming the Gaze (00:07:41)
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the title of each of them appears on the upper left corner of the screen. An important part of the exhibition introduced by a labyrinth construction, were sonic ambient (Egon March institute) and ambient lighting (Cian. kb).
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the title of each of them appears on the upper left corner of the screen. An important part of the exhibition introduced by a labyrinth construction, were sonic ambient (Egon March institute) and ambient lighting (Cian. kb).
Marko A. Kovačič - Prediction of Zeus (00:03:11)
Production: 1990
Black and white recording follows the process of the construction of an installation Prediction of Zeus in Sarajevo in 1989 to its final version. The monumental work combines elements of sculpture and video art for a sinister forecast of an apocalypse.
Production: 1990
Black and white recording follows the process of the construction of an installation Prediction of Zeus in Sarajevo in 1989 to its final version. The monumental work combines elements of sculpture and video art for a sinister forecast of an apocalypse.
Marko A. Kovačič - Sarcophagus,The Eye (00:02:49)
Production: Studio Brut, 1990
Black and white recording documents two space installations entitled Sarcophagus and The Eye, accompanied by opera music. The pieces were part of an exhibition Experience of the Object in Museum of Modern Art Ljubljana in 1989.
Production: Studio Brut, 1990
Black and white recording documents two space installations entitled Sarcophagus and The Eye, accompanied by opera music. The pieces were part of an exhibition Experience of the Object in Museum of Modern Art Ljubljana in 1989.
Marko A. Kovačič - Casus belli (video performance) (00:04:54)
Subtitle: Montage of video performance & performanse of the same title
Production: 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Subtitle: Montage of video performance & performanse of the same title
Production: 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Marko A. Kovačič - The Sacrifice of Jupiter (00:01:11)
Production: 1987
Video is a simple collage of photographs from a performance The sacrifice of Jupiter, done with Marko Košnikl and Borut Cajnko. Video is followed by a lively music typical for silent films of the first half of the previous century.
Production: 1987
Video is a simple collage of photographs from a performance The sacrifice of Jupiter, done with Marko Košnikl and Borut Cajnko. Video is followed by a lively music typical for silent films of the first half of the previous century.
Marko A. Kovačič - American Dream (00:06:43)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
