Mirko Simić - T.A.N.Z. (00:14:17)
Production: Bris, 1993
A document of the direct broadcast of the T.A.N.Z. Dance Machine night from the K4 Club with: DJ Aldo Ivančić, MC Brane, Strip Core, hairdressers of the Meta Salon, Intakt, Beilthron, Anna Lies, God Garden, Random Logic and Cell Block. (VD)
DIVA Experimental video
323 results in works
Miha Vipotnik - Path of Crazy Wisdom (09:20)
Production: CalArts, Los Angeles, 1988/1996
A short dramatic story in the form of an interview with the sculptor Eric Orr about his life and work in the sixties and seventies contucted by the musician Jim Rohing. The interviewer bombards his subject with questions, almost simulating a police investigation. The artist defends his positions and concepts. At another level, the story narrates the imaginative disappearance of Johnny. Citations from Orr's book are inscribed simultaneously onto the screen, presenting to the viewer the double dynamics of the...
Production: CalArts, Los Angeles, 1988/1996
A short dramatic story in the form of an interview with the sculptor Eric Orr about his life and work in the sixties and seventies contucted by the musician Jim Rohing. The interviewer bombards his subject with questions, almost simulating a police investigation. The artist defends his positions and concepts. At another level, the story narrates the imaginative disappearance of Johnny. Citations from Orr's book are inscribed simultaneously onto the screen, presenting to the viewer the double dynamics of the...
Miha Vipotnik - Videogram 4 (28:22)
Production: RTV Ljubljana, 1976/79
Video is a final result of performative events conducted at TV studio, which were recorded by the author with five cameras. The study of the limits of video, using painting and performative elements, achieves an effect of an innovative and unique visual and sonic experience by exploring image and sound. (DIVA)
Production: RTV Ljubljana, 1976/79
Video is a final result of performative events conducted at TV studio, which were recorded by the author with five cameras. The study of the limits of video, using painting and performative elements, achieves an effect of an innovative and unique visual and sonic experience by exploring image and sound. (DIVA)
Miha Vipotnik - Video grafike (17:20)
Production: RTV Slovenija, 1976/77
The video is the first attempt at computer animation by means of the interaction of the camera and the monitor. The graphic sign is constantly moving, the effects are changing with the interventions of the hand in front of the monitor. (source: Videodokument) The work approaches painting in geistzeit and offers it experimental dimension unreachable to classical painting. Unpredictability of the experiment changes political stance of the artist, for he does not control the whole process of work, but only set...
Production: RTV Slovenija, 1976/77
The video is the first attempt at computer animation by means of the interaction of the camera and the monitor. The graphic sign is constantly moving, the effects are changing with the interventions of the hand in front of the monitor. (source: Videodokument) The work approaches painting in geistzeit and offers it experimental dimension unreachable to classical painting. Unpredictability of the experiment changes political stance of the artist, for he does not control the whole process of work, but only set...
Miha Vipotnik - Andrej from Stražišče (49:00)
Production: RTV Ljubljana, 1984
An experimental music show about singer-songwriter Andrej Šifrer, with the participation of Marjan Paternoster.
Production: RTV Ljubljana, 1984
An experimental music show about singer-songwriter Andrej Šifrer, with the participation of Marjan Paternoster.
Apolonija Šušteršič - Production of Desire (0:04:19)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
The video clip relates handbags and shoes produced by world famous fashion companies (Armani, Gucci, etc.) to a brick of wax produced by Apolonija d.o.o. The material of the brick reveals the recycling procedure that characterises the entire artist's production. The video clip advertisement forms part of an installation placed in a prestigious shop. (VD)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
The video clip relates handbags and shoes produced by world famous fashion companies (Armani, Gucci, etc.) to a brick of wax produced by Apolonija d.o.o. The material of the brick reveals the recycling procedure that characterises the entire artist's production. The video clip advertisement forms part of an installation placed in a prestigious shop. (VD)
Apolonija Šušteršič - Perspectives emouvantes (0:03:39)
Subtitle: MTV for La Tourette
Production: Rijksakademie van beeldende kunsten Amsterdam, 1996
This is a compilation of four short video films, made in the La Tourette Dominican monastery near Lyon, which was constructed in the early sixties according to the plans of Le Corbusier and with the participation of mathematician, musician, and composer Iannis Xenakis. Through the clearly visible car window, which eliminates the simulation of the viewer's direct contact with the landscape in motion, we see a series of serene passing scenes of the countryside. The only disturbance in this idyll is t...
Subtitle: MTV for La Tourette
Production: Rijksakademie van beeldende kunsten Amsterdam, 1996
This is a compilation of four short video films, made in the La Tourette Dominican monastery near Lyon, which was constructed in the early sixties according to the plans of Le Corbusier and with the participation of mathematician, musician, and composer Iannis Xenakis. Through the clearly visible car window, which eliminates the simulation of the viewer's direct contact with the landscape in motion, we see a series of serene passing scenes of the countryside. The only disturbance in this idyll is t...
Mirko Simić - Anti Nazy Mix - krajša verzija (00:09:11)
Production: V.S. Video / Forum, Strip Core & BRIS, 1993
A collage of documentary shots of totalitarian regimes of various periods and places.
Production: V.S. Video / Forum, Strip Core & BRIS, 1993
A collage of documentary shots of totalitarian regimes of various periods and places.
Miha Vipotnik - Auto-Vision (14:54)
Subtitle: TV program on video art in Slovenia
Production: M.A.X. M.A.X., 1986
Auto-Vision was TV program produced by Miha Vipotnik as director and Marijan Osole–Max as editor in M.A.X. M.A.X. (Brut)studio for RTV Ljubljana (in frame of Integrali series). It was announced as »the only program about artistic videos by video artists on video art in Slovenia«. It includes Vipotnik's statement/talking head about television’s negative attitude to video (makers). Auto-Vision was an early example of a creative usage of techology, combining the segments of video art wo...
Subtitle: TV program on video art in Slovenia
Production: M.A.X. M.A.X., 1986
Auto-Vision was TV program produced by Miha Vipotnik as director and Marijan Osole–Max as editor in M.A.X. M.A.X. (Brut)studio for RTV Ljubljana (in frame of Integrali series). It was announced as »the only program about artistic videos by video artists on video art in Slovenia«. It includes Vipotnik's statement/talking head about television’s negative attitude to video (makers). Auto-Vision was an early example of a creative usage of techology, combining the segments of video art wo...
Zmago Lenardič, Jasna Hribernik - Three Wishes (00:01:05)
Subtitle: Fulfill My Wish
Production: 2000
Unedited recording of a performative action is following one of the authors holding a golden fish in his hand, hitting it on a white surface as he repeats a chant: “Grant me wish”. A light bulb is shining above the artist. Video perfomance “Grant me a wish” was a part of an exhibition “Tre desideri (Three wishes)”, which contains two other video elements: an edited video recording of a tropical fish and documentary recordings of winter fishing. Each of all three video wor...
Subtitle: Fulfill My Wish
Production: 2000
Unedited recording of a performative action is following one of the authors holding a golden fish in his hand, hitting it on a white surface as he repeats a chant: “Grant me wish”. A light bulb is shining above the artist. Video perfomance “Grant me a wish” was a part of an exhibition “Tre desideri (Three wishes)”, which contains two other video elements: an edited video recording of a tropical fish and documentary recordings of winter fishing. Each of all three video wor...
Rok Sieberer Kuri - Ljubjana Trafik (00:05:12)
Production: V.S. - D.V., 1990
Promet v Ljubljani poteka (z montažo) počasneje kakor sicer: avtomobili, dolgi avtobusi in kolesarji, ki pogled usmerjajo v kamero. Spremlja jih bučna glasba, ki s hitrejšim ritmom daje slow motionu slike še večji kontrast. Sporočilo glasbe je: It's nothing you can do.
Production: V.S. - D.V., 1990
Promet v Ljubljani poteka (z montažo) počasneje kakor sicer: avtomobili, dolgi avtobusi in kolesarji, ki pogled usmerjajo v kamero. Spremlja jih bučna glasba, ki s hitrejšim ritmom daje slow motionu slike še večji kontrast. Sporočilo glasbe je: It's nothing you can do.
Rok Sieberer Kuri - Rollins (00:01:03)
Production: V.S. - D.V., 1990
Posnetki lobanj in človeškega okostja preidejo k posnetkom medveda, sove; nagačenih živali. Glas Henrya Rollinsa poda citat Henrya Millerja iz leta 1934: "Tomorrow you may bring about the destruction of your world. Tomorrow you sing in paradise above the smoking ruins of your world-cities. But tonight I would like to think of one man, a lone individual, a man without name or country, a man whom i respect because he has absolutely nothing in common with you - myself. Tonight i shall meditate upon that wh...
Production: V.S. - D.V., 1990
Posnetki lobanj in človeškega okostja preidejo k posnetkom medveda, sove; nagačenih živali. Glas Henrya Rollinsa poda citat Henrya Millerja iz leta 1934: "Tomorrow you may bring about the destruction of your world. Tomorrow you sing in paradise above the smoking ruins of your world-cities. But tonight I would like to think of one man, a lone individual, a man without name or country, a man whom i respect because he has absolutely nothing in common with you - myself. Tonight i shall meditate upon that wh...
Rok Sieberer Kuri - Krimi krimič (00:01:21)
Production: V.S. - D.V., 1990
Posnetki figuric-igrač avtomobilčkov, majhnih avionov in vojakov, ki s pištolami merijo eden na drugega. Manipulacija z medijskimi, filmskimi podobami, ki jih avtor pogosto vključuje - akcijo prekine insert streljanja iz akcijskega filma. Figurica nato sede v avto in se odpelje.
Production: V.S. - D.V., 1990
Posnetki figuric-igrač avtomobilčkov, majhnih avionov in vojakov, ki s pištolami merijo eden na drugega. Manipulacija z medijskimi, filmskimi podobami, ki jih avtor pogosto vključuje - akcijo prekine insert streljanja iz akcijskega filma. Figurica nato sede v avto in se odpelje.
Rok Sieberer Kuri - Rop bakice (00:02:53)
Production: V.S. - D.V., 1990
Zamaskiran moški oropa babico, tako da jo najprej fizično napade, iz njene košare pada nakupljeno sadje, ona pa se po svojih močeh, a neuspešno brani.
Production: V.S. - D.V., 1990
Zamaskiran moški oropa babico, tako da jo najprej fizično napade, iz njene košare pada nakupljeno sadje, ona pa se po svojih močeh, a neuspešno brani.
Rok Sieberer Kuri - Preveč slepi, da bi videli / Too Blind To See (00:06:42)
Production: Media Teror, 2000
Kompilacija zmanipulirane slike in zvoka, ki se med seboj ne ujemata in vsaka na svoj način tematizirata sodobno odvisnost od množičnih medijev (v največji meri televizije). V video delu smo priča zvočnim zapisom vročih linij, poročilom, punk glasbi in napovedovalcu poljudnoznanstvene dokumentarne serije, istočasno se ne-ujemajoče z zvokom odvijajo podobe pornografskih filmov, sadističnih prizorov, klavnice, vojn ter informativnih oddaj, vmesne prostore pa polni siva megla in močan šum. A...
Production: Media Teror, 2000
Kompilacija zmanipulirane slike in zvoka, ki se med seboj ne ujemata in vsaka na svoj način tematizirata sodobno odvisnost od množičnih medijev (v največji meri televizije). V video delu smo priča zvočnim zapisom vročih linij, poročilom, punk glasbi in napovedovalcu poljudnoznanstvene dokumentarne serije, istočasno se ne-ujemajoče z zvokom odvijajo podobe pornografskih filmov, sadističnih prizorov, klavnice, vojn ter informativnih oddaj, vmesne prostore pa polni siva megla in močan šum. A...
Rok Sieberer Kuri - Media Teror Chroma Quart Mix III (00:11:54)
Production: Media Teror / V.S. video / Forum Ljubljana, 1998
Kratek video kolaž kot zaključek video trilogije Media Teror Chroma Quart Mix - skrajšana verzija Media Teror Chroma Quart Mix II.
Production: Media Teror / V.S. video / Forum Ljubljana, 1998
Kratek video kolaž kot zaključek video trilogije Media Teror Chroma Quart Mix - skrajšana verzija Media Teror Chroma Quart Mix II.
Miha Vipotnik - Video 8 Sketch Tape No. 1 (00:39)
Production: CalArts, 1988
A video sketch of the performer Dee McMillan and her project Log On poetically discusses the undeniable human freedom of creation. An insignificant sound from the background triggers a flow of associations and changes the course of editing. The banality of electricity cable is erased with a metaphor of umbilical cord and at the same time the cable defines the duration of the video. (Source: Videodokument)
Production: CalArts, 1988
A video sketch of the performer Dee McMillan and her project Log On poetically discusses the undeniable human freedom of creation. An insignificant sound from the background triggers a flow of associations and changes the course of editing. The banality of electricity cable is erased with a metaphor of umbilical cord and at the same time the cable defines the duration of the video. (Source: Videodokument)
Miha Vipotnik - Video 8 Sketch Tape No. 3 (01:25)
Production: CalArts, 1988
The mechanical measurement of time presented by a non-functioning clock is the background for the circling of the camera, and thus for the measuring of time. Noises of hammering and of editing procedures are heard in the background. The circling of the camera rhythmically cuts the frozen image. The suspense is growing and the image changes into a female body with the sounds from the background. A movement of the prone body, like the stretching of a ballerina's legs, gives the impression of lightness, which...
Production: CalArts, 1988
The mechanical measurement of time presented by a non-functioning clock is the background for the circling of the camera, and thus for the measuring of time. Noises of hammering and of editing procedures are heard in the background. The circling of the camera rhythmically cuts the frozen image. The suspense is growing and the image changes into a female body with the sounds from the background. A movement of the prone body, like the stretching of a ballerina's legs, gives the impression of lightness, which...
Miha Vipotnik - Lenora (04:50)
Subtitle: From TV show with Matejo Koležnik and her friends
Production: RTV Ljubljana, 1983
A folk song about a girl and her deceased lover, sung by Mateja Koležnik and Jani Kovačič. The dialogue of the two singers is followed by a sublime transition from one face to the other. With a constant turning of positives and negatives of images the faces are placed into spaces, which indirectly follow the text of the song. Dynamics of the image show an unconcerned approach to a problem of a portrait, as the latter sporadically almost blends with the colours of the landscape. Due to complete reduction...
Subtitle: From TV show with Matejo Koležnik and her friends
Production: RTV Ljubljana, 1983
A folk song about a girl and her deceased lover, sung by Mateja Koležnik and Jani Kovačič. The dialogue of the two singers is followed by a sublime transition from one face to the other. With a constant turning of positives and negatives of images the faces are placed into spaces, which indirectly follow the text of the song. Dynamics of the image show an unconcerned approach to a problem of a portrait, as the latter sporadically almost blends with the colours of the landscape. Due to complete reduction...
Zemira Alajbegović, Neven Korda - Autobus (00:11:10)
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...
