Nataša Prosenc Stearns - Meja / Border (0:04:32)
Production: Center RTV Maribor, TV Slovenija, 1997
The video focuses on the concept of skin, which is the borderline between the body and its surroundings. The picture consciously rejects all sophisticated visual manipulation and instead uses basic visual effects: the play of light and shadow, and colour changes. The varying rhythm of the editing changes the vibration of skin - the image animates its life.
DIVA Art video
657 results in works
Nataša Prosenc Stearns - Dvojnik / A Double (0:03:25)
Production: TV Slovenija, 1995
The idea of time connects with the image inherent in video, the encrustation of the picture, which allows for the free exchange of images from different worlds and periods. The double silhouette of a person delineates two time segments: the passing of daily life, and nocturnal fireworks. Both worlds pass from one shape to another, until they finally freeze into what they actually represent: a human statue.
Production: TV Slovenija, 1995
The idea of time connects with the image inherent in video, the encrustation of the picture, which allows for the free exchange of images from different worlds and periods. The double silhouette of a person delineates two time segments: the passing of daily life, and nocturnal fireworks. Both worlds pass from one shape to another, until they finally freeze into what they actually represent: a human statue.
Andrej Lupinc - Odvrženi (00:42:42)
Subtitle: Adaptacija gledališke igre Roberto Zucco
Production: TV Slovenija, 1997
The story of a tourist who gets lost in a South American metropolis. He wanders into a dangerous suburb, where he meets a strange family and Roberto Zucco - the adventurer, poet and murderer.
Subtitle: Adaptacija gledališke igre Roberto Zucco
Production: TV Slovenija, 1997
The story of a tourist who gets lost in a South American metropolis. He wanders into a dangerous suburb, where he meets a strange family and Roberto Zucco - the adventurer, poet and murderer.
Marko Peljhan - The Park of Culture (TV situation) (00:07:44)
Subtitle: part of Media in Media exhibition
Production: Projekt Atol, SCCA-Ljubljana, VPK, 1996
If television bombards us with information, then this TV situation explicitly shows it. Images of earths' surface and human, especially technological activities on it are described in double captions, which look like stock quotes and differ in language (English and Slovene) and speed. The first line is describing, the second is explaining. The TV situation can be understood as a cradle for somebody discovering the world. The textual material is the translation of Sun Tzu's The Art of War and the compendium...
Subtitle: part of Media in Media exhibition
Production: Projekt Atol, SCCA-Ljubljana, VPK, 1996
If television bombards us with information, then this TV situation explicitly shows it. Images of earths' surface and human, especially technological activities on it are described in double captions, which look like stock quotes and differ in language (English and Slovene) and speed. The first line is describing, the second is explaining. The TV situation can be understood as a cradle for somebody discovering the world. The textual material is the translation of Sun Tzu's The Art of War and the compendium...
Nataša Prosenc Stearns - Vertikalni horizont / Vertical Horizon (0:03:20)
Production: TV Slovenija, 1994
The video film replicates the labyrinth presented in the installation of the same title. Bricks are placed on the floor, and they pass into the labyrinth on the screen. The figures never come from 'behind the walls' of the labyrinth, we can only hear the sound of their fleeting steps.
Production: TV Slovenija, 1994
The video film replicates the labyrinth presented in the installation of the same title. Bricks are placed on the floor, and they pass into the labyrinth on the screen. The figures never come from 'behind the walls' of the labyrinth, we can only hear the sound of their fleeting steps.
Nataša Prosenc Stearns - One Way (00:05:31)
Production: TV Slovenija, 1995
A man and a woman aim to fulfil their desire for power, beauty, supremacy and other similar human attributes. The male and the female are represented through archetypal images: a strong man's body fighting against the crude force of nature, and a woman's body and its clothing reflected in a mirror. The video image presents these archetypes in duplicate, in slow-motion and replication, and thus it assembles the collective visual memory of human inclinations.
Production: TV Slovenija, 1995
A man and a woman aim to fulfil their desire for power, beauty, supremacy and other similar human attributes. The male and the female are represented through archetypal images: a strong man's body fighting against the crude force of nature, and a woman's body and its clothing reflected in a mirror. The video image presents these archetypes in duplicate, in slow-motion and replication, and thus it assembles the collective visual memory of human inclinations.
Amir Muratović - Napeto v kabinetu (00:01:00)
Production: 2007
Video rekonstruira proces nastajanja umetniškega dela Irene Romih za razstavo v Kabinetu, ki je med letoma 2005 in 2008 gostoval v degradiranem dvoriščnem prostoru Galerije Škuc na Starem trgu 21 v Ljubljani. Kabinet je razvilo Društvo za domače raziskave za potrebe svojega delovanja kot premični razstavni prostor, ki je občasno gostil tudi druge umetnike. Umetnica Irena Romih je portretirana v različnih zankah, njeno telo pa je tako "vpeto" v prostor, ki ga določajo skulpture.
Production: 2007
Video rekonstruira proces nastajanja umetniškega dela Irene Romih za razstavo v Kabinetu, ki je med letoma 2005 in 2008 gostoval v degradiranem dvoriščnem prostoru Galerije Škuc na Starem trgu 21 v Ljubljani. Kabinet je razvilo Društvo za domače raziskave za potrebe svojega delovanja kot premični razstavni prostor, ki je občasno gostil tudi druge umetnike. Umetnica Irena Romih je portretirana v različnih zankah, njeno telo pa je tako "vpeto" v prostor, ki ga določajo skulpture.
Media Teror, Rok Sieberer Kuri - Media Teror Chroma Quart Mix (mix II.) (00:03:39)
Production: Media Teror, 1998
Fast changing images of a city, TV recordings, nature and objects inside nature, which are completed with art forms by different editing techniques. Dynamic hand held camera shots are processed with overlaps and chroma key effect. The content is hidden in the gaps: in the symbolic forms and association leaps in the selection of the shots, atmospheres and surroundings. Synchronous image and sound make the work resemble a music video.
Production: Media Teror, 1998
Fast changing images of a city, TV recordings, nature and objects inside nature, which are completed with art forms by different editing techniques. Dynamic hand held camera shots are processed with overlaps and chroma key effect. The content is hidden in the gaps: in the symbolic forms and association leaps in the selection of the shots, atmospheres and surroundings. Synchronous image and sound make the work resemble a music video.
Media Teror, Rok Sieberer Kuri - Media Teror Croma Quart Mix (mix III.) (00:06:44)
Production: Media Teror, 1998
Hitro menjujoče podobe mesta, televizijskih posnetkov, narave in objektov v naravi, ki jih z različnimi montažnimi tehnikami dopolnjujejo likovne forme. Gre za prekrivanje in croma key, posnetki kamere so večinoma iz roke in so dinamični, izgleda da gre za naključno lovljenje materiala. Vsebina je skrita v vrzelih: simbolnih formah in asociacijskih preskokih izbire posnetkov, ambientov in okolja. Gmote posnetkov prehajajo in se kopičijo - prekrivanje v izbranih kompozicijah, ki so zelo likovne. Na vi...
Production: Media Teror, 1998
Hitro menjujoče podobe mesta, televizijskih posnetkov, narave in objektov v naravi, ki jih z različnimi montažnimi tehnikami dopolnjujejo likovne forme. Gre za prekrivanje in croma key, posnetki kamere so večinoma iz roke in so dinamični, izgleda da gre za naključno lovljenje materiala. Vsebina je skrita v vrzelih: simbolnih formah in asociacijskih preskokih izbire posnetkov, ambientov in okolja. Gmote posnetkov prehajajo in se kopičijo - prekrivanje v izbranih kompozicijah, ki so zelo likovne. Na vi...
Marko Peljhan - RSS Atol - Projection (00:58:03)
Production: Projekt Atol, 1993
The video works for EGORHYTHMS and ATOL were conceived as the integral part of these projects. They were thought of as pictures from the inner screens of actors, rhythmical images, which interplay with alchemical symbols and abstract visualisations of communication lines. For theL Egorhythm III video, the main motive is Slovene poet Srečko Kosovel's poem Kons 5, and the rss ATOL - projection ends with a photo sequence of Serbian policeman executioning a Muslim inhabitant of the town of Brčko during t...
Production: Projekt Atol, 1993
The video works for EGORHYTHMS and ATOL were conceived as the integral part of these projects. They were thought of as pictures from the inner screens of actors, rhythmical images, which interplay with alchemical symbols and abstract visualisations of communication lines. For theL Egorhythm III video, the main motive is Slovene poet Srečko Kosovel's poem Kons 5, and the rss ATOL - projection ends with a photo sequence of Serbian policeman executioning a Muslim inhabitant of the town of Brčko during t...