Igor Zupe, - Uršula Noordung (Medij v mediju) (00:00:45)
Production: TV Slovenija, SCCA-Ljubljana, 1996
Reklamni spot za projekt Uršula Noordung skupine Irwin. Igračo - plišastega medvedka so izdelali v okviru razstavnega projekta Urbanaria SCCA-Ljubljana (1994-1997). Z njimi so opremili izložbe trgovin z igračami in knjigarn, kjer so bili tudi v prodaji. V TV spotu medvedek z rdečim križem na beli rutki, zvezani okoli rame, sedi pred tipkovnico računalnika in poskuša tipkati.
DIVA Works
1168 results in works
Damijan Kracina - Kocka / Cube (0:03:39)
Production: 1995
A group event staged in public spaces - at a bus stop and in the garden of the Academy of Fine Arts in Ljubljana - took place on 22 March, World Water Day. The event was intended to draw attention to this day not by moralising, but by emphasising the joy of living. The main element in the video is a sponge cube with holes, which hides the artist. The water theme is further emphasised by the prevailing blue colour of the picture. The members of the group water the sponge at both locations – the bus sto...
Production: 1995
A group event staged in public spaces - at a bus stop and in the garden of the Academy of Fine Arts in Ljubljana - took place on 22 March, World Water Day. The event was intended to draw attention to this day not by moralising, but by emphasising the joy of living. The main element in the video is a sponge cube with holes, which hides the artist. The water theme is further emphasised by the prevailing blue colour of the picture. The members of the group water the sponge at both locations – the bus sto...
Damijan Kracina - Koncert za bas kitaro in gipsasto kocko (00:01:04)
Production: 1995
The Concert for Bass Guitar and Plaster Cube was performed by the artist in 1993 at the Academy of Fine Arts in Ljubljana, where he studied sculpture between 1991 and 1995. The brief performance refers to the main issues of contemporary sculpture, exploring the relationship between the static nature of sculpting material and the experimental sound landscape. The performance projects several procedures which can be detected in the artist’s later work, a mixture of experimental and elementary sculpture,...
Production: 1995
The Concert for Bass Guitar and Plaster Cube was performed by the artist in 1993 at the Academy of Fine Arts in Ljubljana, where he studied sculpture between 1991 and 1995. The brief performance refers to the main issues of contemporary sculpture, exploring the relationship between the static nature of sculpting material and the experimental sound landscape. The performance projects several procedures which can be detected in the artist’s later work, a mixture of experimental and elementary sculpture,...
Damijan Kracina - Točka nič / Point Zero (00:02:07)
Production: 1996
The video consists of three parallel strips showing the same footage in different time frames. It seems that we are following a video of the countryside shot from a moving car. The upper and lower strips follow the same timeline, while the strip in the centre is of the same footage, but on rewind. In the central strip, the video slows down. Both timelines meet, which is indicated by a red line, which merges and draw the point zero.
Production: 1996
The video consists of three parallel strips showing the same footage in different time frames. It seems that we are following a video of the countryside shot from a moving car. The upper and lower strips follow the same timeline, while the strip in the centre is of the same footage, but on rewind. In the central strip, the video slows down. Both timelines meet, which is indicated by a red line, which merges and draw the point zero.
Damijan Kracina - Kurca / Little Hen (00:02:55)
Production: 1996
The work was made in the studio of the sculpture department at the Academy of Fine Arts. A hen appears in the studio and waddles across the room. The prevailing colours of the image are various shades of blue. The hen is caught in a sculpture installation with a television set screening scenes from current Slovenian politics, with swastikas and church services. At the end, the picture completely disintegrates, with only the footage of the hen remaining, liberated from the media field/television. Animal righ...
Production: 1996
The work was made in the studio of the sculpture department at the Academy of Fine Arts. A hen appears in the studio and waddles across the room. The prevailing colours of the image are various shades of blue. The hen is caught in a sculpture installation with a television set screening scenes from current Slovenian politics, with swastikas and church services. At the end, the picture completely disintegrates, with only the footage of the hen remaining, liberated from the media field/television. Animal righ...
Zmago Lenardič - Fireworks (00:10:10)
Production: Zmago Lenardič, 2006
Video documentation of an installation presented in the exhibition Liquid Space II in 2006, shot with a static camera positioned in front of the work. A series of blinking red-light spots that switch on and off one after the other creates a rhythmic correspondence between the light and the music. The light seems challenging the perceptive faculties of the viewer by drawing a visual interpretation of Bach's Kleine Preludien and at the same time evoking the mechanism of a piano key. The spot reflections and t...
Production: Zmago Lenardič, 2006
Video documentation of an installation presented in the exhibition Liquid Space II in 2006, shot with a static camera positioned in front of the work. A series of blinking red-light spots that switch on and off one after the other creates a rhythmic correspondence between the light and the music. The light seems challenging the perceptive faculties of the viewer by drawing a visual interpretation of Bach's Kleine Preludien and at the same time evoking the mechanism of a piano key. The spot reflections and t...
Zmago Lenardič - Network (00:12:47)
Production: Zmago Lenardič, 2006
Video documentation of an installation presented at the exhibition Liquid Space II in 2006, where the three-dimensional shape of a human body realized with a thin wire interweave is moving and projecting its shadow on a white surface. The video shows the overlapping of these shapes, creating a new layer where the body seems contested between real dimension and shadow. The movements of the camera around the installation make the newly established relationship between the two entities become more and more con...
Production: Zmago Lenardič, 2006
Video documentation of an installation presented at the exhibition Liquid Space II in 2006, where the three-dimensional shape of a human body realized with a thin wire interweave is moving and projecting its shadow on a white surface. The video shows the overlapping of these shapes, creating a new layer where the body seems contested between real dimension and shadow. The movements of the camera around the installation make the newly established relationship between the two entities become more and more con...
Damijan Kracina - BasketVideo (00:19:41)
Production: 2001
A group activity – playing basketball in public. All the participants hold the rights to show the video: Borut Korošec, Jaka Mihelič, Damjan Švara, Grega Kregar, Damijan Kracina, Mojca Senegačnik, Katarina K. Toman, and Sara Hughes. Before dawn, the group gathered for a game of basketball on one hoop in the semi-rural suburbs of Ljubjana, where church bells ring in the evening. The work establishes a relationship between body movement, spending free time, and professional careers. A dy...
Production: 2001
A group activity – playing basketball in public. All the participants hold the rights to show the video: Borut Korošec, Jaka Mihelič, Damjan Švara, Grega Kregar, Damijan Kracina, Mojca Senegačnik, Katarina K. Toman, and Sara Hughes. Before dawn, the group gathered for a game of basketball on one hoop in the semi-rural suburbs of Ljubjana, where church bells ring in the evening. The work establishes a relationship between body movement, spending free time, and professional careers. A dy...
Damijan Kracina - Kracina TV (00:06:24)
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Damijan Kracina - Thylacinus Cynocephalus (00:01:09)
Production: 2000
The video reconstructs the movements of the Tasmanian tiger (Thylacinus cynocephalus), which became extinct in 1936. A year before the video was created, the Australian Museum in Sydney began developing methods for preserving the genetic material of the animal in order to clone it in the 21st century, when appropriate technological procedures become available. Kracina watched the final footage of the Tasmanian tiger on TV and filmed it. He coloured the black-and-white shots and simulated the animal’s...
Production: 2000
The video reconstructs the movements of the Tasmanian tiger (Thylacinus cynocephalus), which became extinct in 1936. A year before the video was created, the Australian Museum in Sydney began developing methods for preserving the genetic material of the animal in order to clone it in the 21st century, when appropriate technological procedures become available. Kracina watched the final footage of the Tasmanian tiger on TV and filmed it. He coloured the black-and-white shots and simulated the animal’s...
Damijan Kracina - Aquarium (00:01:12)
Production: 1997
Underwater footage of a flock of rainbow trout, one of the species that, due to man's excessive and irresponsible exploitation of nature, began to displace the Soča trout. The swimming fish opening their mouths are silent witnesses of human actions.
Production: 1997
Underwater footage of a flock of rainbow trout, one of the species that, due to man's excessive and irresponsible exploitation of nature, began to displace the Soča trout. The swimming fish opening their mouths are silent witnesses of human actions.
Damijan Kracina - A collage of excepts by Kracina (00:03:09)
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Nataša Prosenc Stearns - Disk / Disc (00:02:57)
Production: TV Slovenija, 1995
This video in black-and-white presents people participating in mass rituals, primarily wars and the glorification of leaders, which are constant and universal documents of the world. The global and temporal association of these images is emphasised by the graphic sign of a disc, the only colourful object on the screen, which emerges into our view and disappears from it, until finally it is destroyed by a lizard, another - and the last - colourful creature in the records of the world. Every artist's cre...
Production: TV Slovenija, 1995
This video in black-and-white presents people participating in mass rituals, primarily wars and the glorification of leaders, which are constant and universal documents of the world. The global and temporal association of these images is emphasised by the graphic sign of a disc, the only colourful object on the screen, which emerges into our view and disappears from it, until finally it is destroyed by a lizard, another - and the last - colourful creature in the records of the world. Every artist's cre...
Nataša Prosenc Stearns - Meja / Border (0:04:32)
Production: Center RTV Maribor, TV Slovenija, 1997
The video focuses on the concept of skin, which is the borderline between the body and its surroundings. The picture consciously rejects all sophisticated visual manipulation and instead uses basic visual effects: the play of light and shadow, and colour changes. The varying rhythm of the editing changes the vibration of skin - the image animates its life.
Production: Center RTV Maribor, TV Slovenija, 1997
The video focuses on the concept of skin, which is the borderline between the body and its surroundings. The picture consciously rejects all sophisticated visual manipulation and instead uses basic visual effects: the play of light and shadow, and colour changes. The varying rhythm of the editing changes the vibration of skin - the image animates its life.
Nataša Prosenc Stearns - Dvojnik / A Double (0:03:25)
Production: TV Slovenija, 1995
The idea of time connects with the image inherent in video, the encrustation of the picture, which allows for the free exchange of images from different worlds and periods. The double silhouette of a person delineates two time segments: the passing of daily life, and nocturnal fireworks. Both worlds pass from one shape to another, until they finally freeze into what they actually represent: a human statue.
Production: TV Slovenija, 1995
The idea of time connects with the image inherent in video, the encrustation of the picture, which allows for the free exchange of images from different worlds and periods. The double silhouette of a person delineates two time segments: the passing of daily life, and nocturnal fireworks. Both worlds pass from one shape to another, until they finally freeze into what they actually represent: a human statue.
Andrej Lupinc - Odvrženi (00:42:42)
Subtitle: Adaptacija gledališke igre Roberto Zucco
Production: TV Slovenija, 1997
The story of a tourist who gets lost in a South American metropolis. He wanders into a dangerous suburb, where he meets a strange family and Roberto Zucco - the adventurer, poet and murderer.
Subtitle: Adaptacija gledališke igre Roberto Zucco
Production: TV Slovenija, 1997
The story of a tourist who gets lost in a South American metropolis. He wanders into a dangerous suburb, where he meets a strange family and Roberto Zucco - the adventurer, poet and murderer.
Marko Peljhan - The Park of Culture (TV situation) (00:07:44)
Subtitle: part of Media in Media exhibition
Production: Projekt Atol, SCCA-Ljubljana, VPK, 1996
If television bombards us with information, then this TV situation explicitly shows it. Images of earths' surface and human, especially technological activities on it are described in double captions, which look like stock quotes and differ in language (English and Slovene) and speed. The first line is describing, the second is explaining. The TV situation can be understood as a cradle for somebody discovering the world. The textual material is the translation of Sun Tzu's The Art of War and the compendium...
Subtitle: part of Media in Media exhibition
Production: Projekt Atol, SCCA-Ljubljana, VPK, 1996
If television bombards us with information, then this TV situation explicitly shows it. Images of earths' surface and human, especially technological activities on it are described in double captions, which look like stock quotes and differ in language (English and Slovene) and speed. The first line is describing, the second is explaining. The TV situation can be understood as a cradle for somebody discovering the world. The textual material is the translation of Sun Tzu's The Art of War and the compendium...
Nataša Prosenc Stearns - Vertikalni horizont / Vertical Horizon (0:03:20)
Production: TV Slovenija, 1994
The video film replicates the labyrinth presented in the installation of the same title. Bricks are placed on the floor, and they pass into the labyrinth on the screen. The figures never come from 'behind the walls' of the labyrinth, we can only hear the sound of their fleeting steps.
Production: TV Slovenija, 1994
The video film replicates the labyrinth presented in the installation of the same title. Bricks are placed on the floor, and they pass into the labyrinth on the screen. The figures never come from 'behind the walls' of the labyrinth, we can only hear the sound of their fleeting steps.
Nataša Prosenc Stearns - One Way (00:05:31)
Production: TV Slovenija, 1995
A man and a woman aim to fulfil their desire for power, beauty, supremacy and other similar human attributes. The male and the female are represented through archetypal images: a strong man's body fighting against the crude force of nature, and a woman's body and its clothing reflected in a mirror. The video image presents these archetypes in duplicate, in slow-motion and replication, and thus it assembles the collective visual memory of human inclinations.
Production: TV Slovenija, 1995
A man and a woman aim to fulfil their desire for power, beauty, supremacy and other similar human attributes. The male and the female are represented through archetypal images: a strong man's body fighting against the crude force of nature, and a woman's body and its clothing reflected in a mirror. The video image presents these archetypes in duplicate, in slow-motion and replication, and thus it assembles the collective visual memory of human inclinations.
