Luka Dekleva - FeedForward Cinema (00:05:25)
Production: codeep, 2007
Video dokumentacija performansa iz Kinodvor dne 19. oktobra 2007. Delo Feedforward Cinema nastaja z interakcijo dveh video naprav, ki si vzajemno pošiljajo signale in tvorijo zaprt krog informacij. Rezultat spominja na različne vzorce od zelo organskih oblik do strogo geometričnih in točno omejenih polj, ki v določenem trenutku raspadejo in odprejo polje za nove oblike. Vzorci so vedno ne-narativni. Če je na začetku tvorba, ki spominja na molekulano strukturo, proti koncu postaja vse bolj grafična. Vs...
DIVA Works
1219 results in works
Luka Dekleva - City Off Season (00:05:44)
Production: 2006
City of Season je video za istoemenski glasbeno delo beograjskega umetnika za hrupno glasbo (noise) WoO. Luka Dekleva generira video pokrajino na podlagi počasnega zvočnega ritma, ki je povezan z manipulacijo mozaičnih priključkov v programu PureData. Iz grafičnega vzorca oblikuje trodimenzionalni prostor. Bolj kot slika "razpada", bolj prisotna je tretja dimenzija, vse do trenutka, ko se v preplatanju prostorskih osi, slika spet poenoti v eni ravni površini raspadajočega vzorca.
Production: 2006
City of Season je video za istoemenski glasbeno delo beograjskega umetnika za hrupno glasbo (noise) WoO. Luka Dekleva generira video pokrajino na podlagi počasnega zvočnega ritma, ki je povezan z manipulacijo mozaičnih priključkov v programu PureData. Iz grafičnega vzorca oblikuje trodimenzionalni prostor. Bolj kot slika "razpada", bolj prisotna je tretja dimenzija, vse do trenutka, ko se v preplatanju prostorskih osi, slika spet poenoti v eni ravni površini raspadajočega vzorca.
Luka Dekleva - lOw/Tuning (00:07:08)
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...
Luka Dekleva, Luka Prinčič - Schizogram (00:14:22)
Production: 2009
Schizogram is the consequence of the abuse, of the conscious incorrect usage of analogue and digital technology, which produces unforseenable images. Schizogram presents the abstract aesthetics of computer's errors.
Production: 2009
Schizogram is the consequence of the abuse, of the conscious incorrect usage of analogue and digital technology, which produces unforseenable images. Schizogram presents the abstract aesthetics of computer's errors.
Luka Dekleva, Elena Fajt - The Memory (00:02:01)
Production: E. F., L. D., 2009
The photo animation was designed by Elena Fajt (installation), Luka Dekleva (photo), Luka Prinčič (sound) at the time of the II. Biennial of Sloevene Independent Illustration in 2009. Fajt set up ice cubes in three open-air locations containing the frozen ink that gradually changed the image. Time-based installations and abstract illustration were the result of the author's reflection on developing a specific method for graphic printing. The colour was frozen in an ice cube, under which the textile w...
Production: E. F., L. D., 2009
The photo animation was designed by Elena Fajt (installation), Luka Dekleva (photo), Luka Prinčič (sound) at the time of the II. Biennial of Sloevene Independent Illustration in 2009. Fajt set up ice cubes in three open-air locations containing the frozen ink that gradually changed the image. Time-based installations and abstract illustration were the result of the author's reflection on developing a specific method for graphic printing. The colour was frozen in an ice cube, under which the textile w...
Luka Dekleva - Sen/za Televizijo/a (00:28:38)
Production:
The video is a result of artistic collaboration with Miha Vipotnik during the Sen/za Televizijo/a project at Jakopič Gallery, marking 30 years to the date after the first transmission of Vipotnik's television video project Videograma 4 on May 4th, 1979. Dekleva's work is a re-make of Videograma 4. The image has been deformed with an oscillator in order to achieve an entirely abstract video, thus making the image and sound completely illegible and seemingly playing in a slowed down mode as though...
Production:
The video is a result of artistic collaboration with Miha Vipotnik during the Sen/za Televizijo/a project at Jakopič Gallery, marking 30 years to the date after the first transmission of Vipotnik's television video project Videograma 4 on May 4th, 1979. Dekleva's work is a re-make of Videograma 4. The image has been deformed with an oscillator in order to achieve an entirely abstract video, thus making the image and sound completely illegible and seemingly playing in a slowed down mode as though...
Luka Dekleva - Singing Bridges EDIT (00:04:14)
Production: 2008
The author uses audio and video field material recorded by the artist Jodi Rose. Manipulation of video recordings of a hanging bridge construction is used as a visual background for an experimental electronic music created from sound recordings of the bridge and its surroundings.
Production: 2008
The author uses audio and video field material recorded by the artist Jodi Rose. Manipulation of video recordings of a hanging bridge construction is used as a visual background for an experimental electronic music created from sound recordings of the bridge and its surroundings.
Emil Memon - Blue Movie/Schizophrenia (00:05:37)
Production: Emil Memon, 1983/95
Video "Blue Movie/Schizophrenia" is a shorter edited version of Emil Memon's silent movie "1983/Blue movie" shot in NYC in 1983, reconceptualized as a music video (music by Emil Memon and Robert Aaron). (Music video for Emil Memon's Szhizophrenia track , featuring Robert Aaron, recorded at Dubway studio, NYC, 1994.) ]"1983/Blue movie" was made on the basis of Memon's Diploma Work at the Florence Academy entitled 'History of Art and Non-Narrative Cinema'...
Production: Emil Memon, 1983/95
Video "Blue Movie/Schizophrenia" is a shorter edited version of Emil Memon's silent movie "1983/Blue movie" shot in NYC in 1983, reconceptualized as a music video (music by Emil Memon and Robert Aaron). (Music video for Emil Memon's Szhizophrenia track , featuring Robert Aaron, recorded at Dubway studio, NYC, 1994.) ]"1983/Blue movie" was made on the basis of Memon's Diploma Work at the Florence Academy entitled 'History of Art and Non-Narrative Cinema'...
Luka Dekleva, Luka Prinčič - Singing Bizovik Bridge (00:04:07)
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Samo Gosarič - Komad za Matjaža Hanžka (00:36:45)
Production:
Komad za Matjaža Hanžka je hommage konkretni poeziji Matjaža Hanžka iz zgodnjih 70. let. Plesni recital ima izhodišče v prvem delu njegove pesniške zbirke "Iščemo pesmi, kje so?" (1971), od koder prevzema postopke programiranja in naključja, ki nato služijo kot osnova avtorskim koreografijam vsake od treh plesalk.
Production:
Komad za Matjaža Hanžka je hommage konkretni poeziji Matjaža Hanžka iz zgodnjih 70. let. Plesni recital ima izhodišče v prvem delu njegove pesniške zbirke "Iščemo pesmi, kje so?" (1971), od koder prevzema postopke programiranja in naključja, ki nato služijo kot osnova avtorskim koreografijam vsake od treh plesalk.
