Luka Dekleva - Singing Bridges EDIT (00:04:14)
Production: 2008
The author uses audio and video field material recorded by the artist Jodi Rose. Manipulation of video recordings of a hanging bridge construction is used as a visual background for an experimental electronic music created from sound recordings of the bridge and its surroundings.
DIVA Works
1038 results in works
Emil Memon - Blue Movie/Schizophrenia (00:05:37)
Production: Emil Memon, 1983/95
Video "Blue Movie/Schizophrenia" is a shorter edited version of Emil Memon's silent movie "1983/Blue movie" shot in NYC in 1983, reconceptualized as a music video (music by Emil Memon and Robert Aaron). (Music video for Emil Memon's Szhizophrenia track , featuring Robert Aaron, recorded at Dubway studio, NYC, 1994.) ]"1983/Blue movie" was made on the basis of Memon's Diploma Work at the Florence Academy entitled 'History of Art and Non-Narrative Cinema'...
Production: Emil Memon, 1983/95
Video "Blue Movie/Schizophrenia" is a shorter edited version of Emil Memon's silent movie "1983/Blue movie" shot in NYC in 1983, reconceptualized as a music video (music by Emil Memon and Robert Aaron). (Music video for Emil Memon's Szhizophrenia track , featuring Robert Aaron, recorded at Dubway studio, NYC, 1994.) ]"1983/Blue movie" was made on the basis of Memon's Diploma Work at the Florence Academy entitled 'History of Art and Non-Narrative Cinema'...
Luka Dekleva, Luka Prinčič - Singing Bizovik Bridge (00:04:07)
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Samo Gosarič - Komad za Matjaža Hanžka (00:36:45)
Production:
Komad za Matjaža Hanžka je hommage konkretni poeziji Matjaža Hanžka iz zgodnjih 70. let. Plesni recital ima izhodišče v prvem delu njegove pesniške zbirke "Iščemo pesmi, kje so?" (1971), od koder prevzema postopke programiranja in naključja, ki nato služijo kot osnova avtorskim koreografijam vsake od treh plesalk.
Production:
Komad za Matjaža Hanžka je hommage konkretni poeziji Matjaža Hanžka iz zgodnjih 70. let. Plesni recital ima izhodišče v prvem delu njegove pesniške zbirke "Iščemo pesmi, kje so?" (1971), od koder prevzema postopke programiranja in naključja, ki nato služijo kot osnova avtorskim koreografijam vsake od treh plesalk.
Ana Nuša Dragan - Survey (14:00)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
Ana Nuša Dragan - ves svet je moder in zelen, ves svet je v modrino potopljen... (00:15.30)
Subtitle: Video artistični portret o Srečku Kosovelu
Production: Video Produkcija Kregar, 2001
Življenski krog Srečka Kosovela je kot dežna kaplja, kjer domuje poezija. Z njo se sreča že zelo zgodaj, v okolju, ki je njegov temelj za prve otroške podobe in spoznanje resnice. Njegovo bivanje pozna dva domova, dve središči: svetlobo in temo, bolest in radost, dom in tujino. Video slika se sprehaja po krasu, ki je izvor njegovih pesniških podob. Zgodba slike je konceptualistična, osnova ji je kraško okolje: narava, nebo, oblaki, vinogradi, oljke, rožmarin, morje, arhitektura hiš, dimnikov, v...
Subtitle: Video artistični portret o Srečku Kosovelu
Production: Video Produkcija Kregar, 2001
Življenski krog Srečka Kosovela je kot dežna kaplja, kjer domuje poezija. Z njo se sreča že zelo zgodaj, v okolju, ki je njegov temelj za prve otroške podobe in spoznanje resnice. Njegovo bivanje pozna dva domova, dve središči: svetlobo in temo, bolest in radost, dom in tujino. Video slika se sprehaja po krasu, ki je izvor njegovih pesniških podob. Zgodba slike je konceptualistična, osnova ji je kraško okolje: narava, nebo, oblaki, vinogradi, oljke, rožmarin, morje, arhitektura hiš, dimnikov, v...
Ana Nuša Dragan - In Medias Res (00:47:00)
Subtitle: Umetniški portret Metke Krašovec
Production: TV Slovenija, 1999/2000
Metka Krašovec je slikarka, je outsiderka, je samotarka, je svetovna popotnica, je profesorica in je žena. Je borka vendar kot ženska nima težav v svetu, ki je po moško determiniran. Nasprotno, to ji daje veliko svobode, ker se ji nii treba zapletati v igre moči, kar pomeni, da lahko v miru dela. Gonilna sila v njenem slikarstvu ni raziskava jazika ampak eksistencialna izkušnja, notranja nuja, ljubezen in iskanje boga. Njeno življansko zgodbo najprej vodi filmska slika, njeno slikarsko dvojnost, ko...
Subtitle: Umetniški portret Metke Krašovec
Production: TV Slovenija, 1999/2000
Metka Krašovec je slikarka, je outsiderka, je samotarka, je svetovna popotnica, je profesorica in je žena. Je borka vendar kot ženska nima težav v svetu, ki je po moško determiniran. Nasprotno, to ji daje veliko svobode, ker se ji nii treba zapletati v igre moči, kar pomeni, da lahko v miru dela. Gonilna sila v njenem slikarstvu ni raziskava jazika ampak eksistencialna izkušnja, notranja nuja, ljubezen in iskanje boga. Njeno življansko zgodbo najprej vodi filmska slika, njeno slikarsko dvojnost, ko...
Jasna Hribernik - Koncert za mobilne telefone in orkester (00:45:50)
Subtitle: Aldo Kumar in Slavoj Žižek
Production: 2005
Documentary video follows the work and ponderings of composer Aldo Kumar through a perspective of sounds of a mobile phone. We witness long scenes of the composer taking walks in idyllic landscapes and around the city, where everyone is rushing and talking on mobile phones. The author presents 8-bit low quality sound without directly valuating it. The contentious role of mobile phones is analyzed by Slavoj Žižek. He discusses about how mobile phones seemingly make communicating easy, but actually they e...
Subtitle: Aldo Kumar in Slavoj Žižek
Production: 2005
Documentary video follows the work and ponderings of composer Aldo Kumar through a perspective of sounds of a mobile phone. We witness long scenes of the composer taking walks in idyllic landscapes and around the city, where everyone is rushing and talking on mobile phones. The author presents 8-bit low quality sound without directly valuating it. The contentious role of mobile phones is analyzed by Slavoj Žižek. He discusses about how mobile phones seemingly make communicating easy, but actually they e...
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - Hiteti ali biti temeljit (00:03:25)
Production: Kolektiva, 2004
A Slovene sentence that translates into "To hurry or to be thorough" is being pronounced by English speaking people of different age. We witness drastically different pronunciations, which remind us about how relative the language is and about its power to create illusory differences in the society.
Production: Kolektiva, 2004
A Slovene sentence that translates into "To hurry or to be thorough" is being pronounced by English speaking people of different age. We witness drastically different pronunciations, which remind us about how relative the language is and about its power to create illusory differences in the society.
Vesna Bukovec - It Will Be OK (00:03:34)
Production: V.B., 2009
A woman sitting on a white sofa is petting a stuffed toy and in a slow rhythm convincing it and iherself that "it will be ok". This mantric exhortation works like a parody of the power of suggestive thoughts promoted by popular new age movements. We can only see the woman's torso. The dominant white color indicates innocence. Video has no music accompaniment.
Production: V.B., 2009
A woman sitting on a white sofa is petting a stuffed toy and in a slow rhythm convincing it and iherself that "it will be ok". This mantric exhortation works like a parody of the power of suggestive thoughts promoted by popular new age movements. We can only see the woman's torso. The dominant white color indicates innocence. Video has no music accompaniment.
Vesna Bukovec - Personal Advice (00:00:59)
Production: V.B., 2010
Personal advice first seems like a secret being revealed by a soft voice, telling us to take its advice. This advice is a completely absurd series of words, which as we soon find out is taken out of astrological forecasts. Visual representation of the video is completely impersonal. The screen is divided into two levels of text also read by an android voice saying: »This is not the best time for an activity plan which calls for art diplomacy and caution as you tend to be extremely simple direct and po...
Production: V.B., 2010
Personal advice first seems like a secret being revealed by a soft voice, telling us to take its advice. This advice is a completely absurd series of words, which as we soon find out is taken out of astrological forecasts. Visual representation of the video is completely impersonal. The screen is divided into two levels of text also read by an android voice saying: »This is not the best time for an activity plan which calls for art diplomacy and caution as you tend to be extremely simple direct and po...
Vesna Bukovec - Everything I eat turns to health, beauty and love (00:03:48)
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. The image of the video is clean, with the white color scheme emphasizing immaculateness. We see a woman eating and chanting a mantra, which is a parody of new age lifestyle which promotes the power of suggestive thoughts. Music is light and carefree.
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. The image of the video is clean, with the white color scheme emphasizing immaculateness. We see a woman eating and chanting a mantra, which is a parody of new age lifestyle which promotes the power of suggestive thoughts. Music is light and carefree.
Vesna Bukovec - I can create positive change (00:02:30)
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman cleaning and chanting a mantra, which is a parody pointing out the absurdity of work automatism especially with so called women chores like cleaning, putting on make-up or knitting. The mantra also reminds us of new age lifestyle which promotes the power of suggestive thoughts. Music is light and easygoing, image is clean and imm...
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman cleaning and chanting a mantra, which is a parody pointing out the absurdity of work automatism especially with so called women chores like cleaning, putting on make-up or knitting. The mantra also reminds us of new age lifestyle which promotes the power of suggestive thoughts. Music is light and easygoing, image is clean and imm...
Vesna Bukovec - I love myself for who I am (00:03:10)
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman trying to accent her beauty and her perfect appearance and chanting a mantra, which is supposed to help her accept and love herself. Video is a parody of new age lifestyle which promotes the power of suggestive thoughts. The mantra is pointing out the absurdity of work automatism especially with so called women chores like cleani...
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman trying to accent her beauty and her perfect appearance and chanting a mantra, which is supposed to help her accept and love herself. Video is a parody of new age lifestyle which promotes the power of suggestive thoughts. The mantra is pointing out the absurdity of work automatism especially with so called women chores like cleani...
Vesna Bukovec - I trust in the process of life (00:03:15)
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman knitting and chanting a mantra, which is supposed to help her accept and trust the natural flow of life. Video is a parody of new age lifestyle which promotes the power of suggestive thoughts. The mantra is pointing out the absurdity of work automatism especially with so called women chores like cleaning, putting on make-up or kn...
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman knitting and chanting a mantra, which is supposed to help her accept and trust the natural flow of life. Video is a parody of new age lifestyle which promotes the power of suggestive thoughts. The mantra is pointing out the absurdity of work automatism especially with so called women chores like cleaning, putting on make-up or kn...
Pila Rusjan - We are all Big Brother and Big Brother is just one of us (0:08:14)
Production: AKTO 4 in KUD PUNce, 2009
Video performans, ki ga je Pila Rusjan izvedla leta 2009 v Bitoli, je ustvarjen tako za naključno publiko v živo, kot za kamero oziroma video; na istem mestu se je kasneje predvajal ta isti video javne akcije. Video je ustvarjen v site specific maniri, saj je prvenstveno namenjen za specifičen prostor in kontekst. Avtorica je vzpostavila dvojni pogled: predvajanje videa ulice na tej isti ulici ter lastno prisotnost na mestu predvajanja videa. Video performans sestoji iz izmenjujočih se dolgih kadrov; pr...
Production: AKTO 4 in KUD PUNce, 2009
Video performans, ki ga je Pila Rusjan izvedla leta 2009 v Bitoli, je ustvarjen tako za naključno publiko v živo, kot za kamero oziroma video; na istem mestu se je kasneje predvajal ta isti video javne akcije. Video je ustvarjen v site specific maniri, saj je prvenstveno namenjen za specifičen prostor in kontekst. Avtorica je vzpostavila dvojni pogled: predvajanje videa ulice na tej isti ulici ter lastno prisotnost na mestu predvajanja videa. Video performans sestoji iz izmenjujočih se dolgih kadrov; pr...
Pila Rusjan - Herethere (0:03:02)
Subtitle: Mapping the Memory
Production: Famul Stuart & ArtEast, 2007
Herethere je skupek digitalnih fotografij in kratkih video sekvenc, povezanih v zaključeno delo hitro odvijaočega se narativa, ki govori zgodbo avtoričinega intimnega življenja. Pila Rusjan skozi serije snapshot fotografij, ki si v začetku sledijo v hitrem zaporedju in dajejo občutek gibljive slike ali stop-motion animacije, pripoveduje svojo osebno zgodbo o navezanosti na kraje, ki jih kot ustvarjalka obiskuje in v njih določen čas tudi biva: poleg fotografij se skozi delo pojavljajo tudi tekstovni...
Subtitle: Mapping the Memory
Production: Famul Stuart & ArtEast, 2007
Herethere je skupek digitalnih fotografij in kratkih video sekvenc, povezanih v zaključeno delo hitro odvijaočega se narativa, ki govori zgodbo avtoričinega intimnega življenja. Pila Rusjan skozi serije snapshot fotografij, ki si v začetku sledijo v hitrem zaporedju in dajejo občutek gibljive slike ali stop-motion animacije, pripoveduje svojo osebno zgodbo o navezanosti na kraje, ki jih kot ustvarjalka obiskuje in v njih določen čas tudi biva: poleg fotografij se skozi delo pojavljajo tudi tekstovni...
Pila Rusjan - If Only... (0:01:57)
Production: ECVP & KUD PUNce, 2009
Video 'If Only' v črno-beli tehniki prikazuje stiliziran avtoportret avtorice, ki repetitivno in agresivno premika glavo ter nakazuje gesto odkimovanja. Njen obraz je zamegljen in zgolj nakazan v podlagi. Preko podobe, ki je videti kot bi bila postavljena za steklom, roka izpisuje pomenljive stavke, ki se navezuejo na kompleksnost medsebojnih odnosov. Avtorica pripoveduje intimno zgodbo na temo vmesnika med zunanjim in notranjim svetom, med mislijo posameznika in stvarnostjo širše družbe. Vide...
Production: ECVP & KUD PUNce, 2009
Video 'If Only' v črno-beli tehniki prikazuje stiliziran avtoportret avtorice, ki repetitivno in agresivno premika glavo ter nakazuje gesto odkimovanja. Njen obraz je zamegljen in zgolj nakazan v podlagi. Preko podobe, ki je videti kot bi bila postavljena za steklom, roka izpisuje pomenljive stavke, ki se navezuejo na kompleksnost medsebojnih odnosov. Avtorica pripoveduje intimno zgodbo na temo vmesnika med zunanjim in notranjim svetom, med mislijo posameznika in stvarnostjo širše družbe. Vide...
Pila Rusjan - Po-vračanje (0:18:19)
Production: Visoka šola za umetnost Univerze v Novi Gorici; Famul Stuart & KUD PUNce, 2010
Delo Po-vračanje je dvokanalna video instalacija, ki sinhrono prikazuje dva vsebinsko in formalno povezana posnetka skozi specifično postavitev na način, da gledalec nikdar ne vidi obeh strani naenkrat, ter predstavlja metaforo posameznikovega podrejanja skupini oz. posameznikove vpetosti v širšo družbo. Videa sta posneta v studijskem okolju s popolnoma statično kamero, ki nepremično spremlja dogajanje v prostoru, razdeljenem na dve strogo ločeni strani. Osrednji motiv videa je slavnostna večerja...
Production: Visoka šola za umetnost Univerze v Novi Gorici; Famul Stuart & KUD PUNce, 2010
Delo Po-vračanje je dvokanalna video instalacija, ki sinhrono prikazuje dva vsebinsko in formalno povezana posnetka skozi specifično postavitev na način, da gledalec nikdar ne vidi obeh strani naenkrat, ter predstavlja metaforo posameznikovega podrejanja skupini oz. posameznikove vpetosti v širšo družbo. Videa sta posneta v studijskem okolju s popolnoma statično kamero, ki nepremično spremlja dogajanje v prostoru, razdeljenem na dve strogo ločeni strani. Osrednji motiv videa je slavnostna večerja...
Polonca Lovšin - Vseuporabnidežnik 2 (00:00:34)
Subtitle: Multipurpose umbrella 2
Production: Lovšin, Polonca, 2002
Akcija z naslovom 'Vseuporabni dežnik' predstavlja alternativne možnosti uporabe dežnika kot enega najbolj vsakdanjih in uporabnih predmetov v življenju posameznika. Avtorica s preprosto intervencijo spremeni običajno funkcijo dežnika, ki namesto zaščite pred dežjem postane zbiralnik vode, pri tem pa uporablja svoje telo kot nosilec celotne instalacije. V predstavitvenem videu – v funkciji dokumenta akcije – izpostavi praktične aplikacije tega večnamenskega dežnika: uporabi ga...
Subtitle: Multipurpose umbrella 2
Production: Lovšin, Polonca, 2002
Akcija z naslovom 'Vseuporabni dežnik' predstavlja alternativne možnosti uporabe dežnika kot enega najbolj vsakdanjih in uporabnih predmetov v življenju posameznika. Avtorica s preprosto intervencijo spremeni običajno funkcijo dežnika, ki namesto zaščite pred dežjem postane zbiralnik vode, pri tem pa uporablja svoje telo kot nosilec celotne instalacije. V predstavitvenem videu – v funkciji dokumenta akcije – izpostavi praktične aplikacije tega večnamenskega dežnika: uporabi ga...
