Samo Gosarič - Kako narediti reistično predstavo? (00:47:26)
Production: 2011
To ni predstava o reizmu kot takem, temveč poskus prenesti teoretske tekste o reizmu v odrsko situacijo, v čas s človeškimi telesi. Prvotni namen je bil uprizoriti predsvateljski performans, čeprav reistični teksti ne prenesejo naracije. Ne prenesejo naracije iz točke vedenja in edina možna pomiritev je bila, da so postali skupaj s telesno-pomenskim materialom enakovredni material predstave.
DIVA Works
1167 results in works
Alenka Pirman - Naško Križnar - Drekec pekec, ok. 1966-2006 (00:00:23 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Dejan Habicht - Nemi film / Silent Film (00:11:30)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Silent Film is a video footage of disc defragmentation in Windows '95 environment. The artist has preserved the dead poetic of a dieing computer programmes.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Silent Film is a video footage of disc defragmentation in Windows '95 environment. The artist has preserved the dead poetic of a dieing computer programmes.
Dejan Habicht - Zvočni film / Sound Movie (00:05:22)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
The sound of an airplane over a forest.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
The sound of an airplane over a forest.
Dejan Habicht - Love is in the Air
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Love is in the Air is an electronic book in the size of 523KB. The story for the poem draws upon a strange script for NATO and PFP exercises from 1998: "After the fall of a dictatorial regime in a small country in southeastern Europe, a bloody power struggle between ethnic and religious militias broke out. The civilian population suffered the greatest number of casualties. Acting on the UN directive, NATO troops, aided by Partnership for Peace troops, entered the country, separated the warring sides, d...
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Love is in the Air is an electronic book in the size of 523KB. The story for the poem draws upon a strange script for NATO and PFP exercises from 1998: "After the fall of a dictatorial regime in a small country in southeastern Europe, a bloody power struggle between ethnic and religious militias broke out. The civilian population suffered the greatest number of casualties. Acting on the UN directive, NATO troops, aided by Partnership for Peace troops, entered the country, separated the warring sides, d...
Dejan Habicht - Nevarni vzorci
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2006
Dangerous Patterns is an electronic book, which can be printed at home (557KB). Beautiful patterns on black and white photographs of biopsy specimens found in the discarded archives of the Institute of Oncology in Ljubljana.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2006
Dangerous Patterns is an electronic book, which can be printed at home (557KB). Beautiful patterns on black and white photographs of biopsy specimens found in the discarded archives of the Institute of Oncology in Ljubljana.
Dejan Habicht - Rotkäppchen
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Pesem je elektronska knjiga, ki si jo lahko natisnemo sami. Sestavljena je iz serije barvnih in črno belih fotografij, ki prikazujejo nenavadni zabaviščni park v globokem gozdu na severu Nemčije, kjer je bil avtor na delovnem obisku. Park naj bi obiskovalca začaral v pravljico o Rdeči kapici (Rotkäppchen), ki ima v tradicijah zelo različne vsebinske in pripovedne oblike. Avtorja zanimajo morbidne variacije o težkem zorenju deklice v žensko.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Pesem je elektronska knjiga, ki si jo lahko natisnemo sami. Sestavljena je iz serije barvnih in črno belih fotografij, ki prikazujejo nenavadni zabaviščni park v globokem gozdu na severu Nemčije, kjer je bil avtor na delovnem obisku. Park naj bi obiskovalca začaral v pravljico o Rdeči kapici (Rotkäppchen), ki ima v tradicijah zelo različne vsebinske in pripovedne oblike. Avtorja zanimajo morbidne variacije o težkem zorenju deklice v žensko.
Dejan Habicht - das Dorf
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2004
19 color photographs in a long stripe present indescribable boredom and dramatics of a small German village by night, where the artist was on a residency. (10MB)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2004
19 color photographs in a long stripe present indescribable boredom and dramatics of a small German village by night, where the artist was on a residency. (10MB)
Dejan Habicht - die Heißeste Nummer
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2004/06
die Heißeste Nummer / The Hottest Number is an e-book that one can print at home. It is composed of black and white photographs of a television screen showing the sports channel DSF that starts to broadcast phone sex commercials at 11 p.m.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2004/06
die Heißeste Nummer / The Hottest Number is an e-book that one can print at home. It is composed of black and white photographs of a television screen showing the sports channel DSF that starts to broadcast phone sex commercials at 11 p.m.
Dejan Habicht - ich komme, ich komme... (00:10:00)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Zelo upočasnjeni posnetek pristajanja aviona. V podlagi se predvaja pesem zvoka sedmih avionov.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Zelo upočasnjeni posnetek pristajanja aviona. V podlagi se predvaja pesem zvoka sedmih avionov.
Dejan Habicht - 18:40:00 (00:18:40)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
The poem is a long sound track. It is inspired by the following passage: "At the time of Satie's death in 1925, absolutely nobody else had ever entered his room in Arcueil since he had moved there twenty-seven years earlier. What his friends would discover there, after Satie's burial at the Cimetiere d'Arcueil, had the allure of the opening of the grave of Tutankhamun; apart from the dust and the cobwebs (which among other things made clear that Satie never composed using his piano), they dis...
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
The poem is a long sound track. It is inspired by the following passage: "At the time of Satie's death in 1925, absolutely nobody else had ever entered his room in Arcueil since he had moved there twenty-seven years earlier. What his friends would discover there, after Satie's burial at the Cimetiere d'Arcueil, had the allure of the opening of the grave of Tutankhamun; apart from the dust and the cobwebs (which among other things made clear that Satie never composed using his piano), they dis...
Dejan Habicht - Uspavanka / Lullaby (00:02:31)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Lullaby is representation of repeating a pattern of behavior.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Lullaby is representation of repeating a pattern of behavior.
Dejan Habicht - Pasjansa (00:05:51)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
A card game played by one person is telling a story about ingenious ways of doing away with boredom.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
A card game played by one person is telling a story about ingenious ways of doing away with boredom.
Dejan Habicht - JPEG image
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Avtor je pretvoril jpg v txt datoteko. Fotografija je prikazovala njegovo hčerko, kako čez ograjo na letališču zre proti letalom. Delo raziskuje kodifikacijo jezika in reprezentacije. Ukvarja se z digitalno ontologijo.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Avtor je pretvoril jpg v txt datoteko. Fotografija je prikazovala njegovo hčerko, kako čez ograjo na letališču zre proti letalom. Delo raziskuje kodifikacijo jezika in reprezentacije. Ukvarja se z digitalno ontologijo.
Zemira Alajbegović, Neven Korda - Podoba 1: ŠKUC Forum (00:25:12)
Subtitle: Video produkcija 81-85
Production: Kanal A, 1992
The program consists of fragments of the numerous videotapes (documentary videos, videos d'auteur, and video clips) that were made by the protagonists of "the Ljubljana alternative scene" in the 1980s. They were all produced within the ŠKUC-Forum Video Production, the only independent production of the time, which acquired a specific position within the Slovene cultural context and cut deeply into the social consciousness. Podoba is a TV series on Slovene video production by Zemira Alajbegović and Ne...
Subtitle: Video produkcija 81-85
Production: Kanal A, 1992
The program consists of fragments of the numerous videotapes (documentary videos, videos d'auteur, and video clips) that were made by the protagonists of "the Ljubljana alternative scene" in the 1980s. They were all produced within the ŠKUC-Forum Video Production, the only independent production of the time, which acquired a specific position within the Slovene cultural context and cut deeply into the social consciousness. Podoba is a TV series on Slovene video production by Zemira Alajbegović and Ne...
Mark Požlep - Fireplace, Axe and a Banana Peel (00:11:46)
Production: White Cross Production, 2008
Igrani video zaključuje avtorjevo tematiziranje namišljenih in personificiranih superherojev. Dogajanje je postavljeno v tesen domačijski ambient, kjer tije protagonisti – superheroji - skušajo živeti v sožitju. Zaradi karakternih posebnosti in velikega ega vsakega izmed njih je medsebojna komunikacija napeta, sobivanje pa skoraj nemogoče. Poskus sobivanja preraste v nasilje, pogubno za vse tri protagoniste. Skozi ludistično igro se superheroji - Batman, Bananaman in Superman – začno pretepati,...
Production: White Cross Production, 2008
Igrani video zaključuje avtorjevo tematiziranje namišljenih in personificiranih superherojev. Dogajanje je postavljeno v tesen domačijski ambient, kjer tije protagonisti – superheroji - skušajo živeti v sožitju. Zaradi karakternih posebnosti in velikega ega vsakega izmed njih je medsebojna komunikacija napeta, sobivanje pa skoraj nemogoče. Poskus sobivanja preraste v nasilje, pogubno za vse tri protagoniste. Skozi ludistično igro se superheroji - Batman, Bananaman in Superman – začno pretepati,...
Mark Požlep, (Mrevlje - Pollak) Jaša - Time to Become Poets (0:08:00)
Production: 2009
Samostojno video delo, ki je bilo izvorno prikazano kot del razstavne instalacije na gostovanju v Marseillu, kjer sta avtorja zapolnila obsežen razstavni prostor z odsluženimi gledališkimi rekviziti. Video delo, ki je bilo predvajano v posebej zgrajeni projekcijski instalaciji na skrajnem koncu razstavišča, prikazuje predvsem proces nastajanja prostorske postavitve, ko sta avtorja izvajala performativne akcije (ustvarjene zgolj za kamero). Avtorja, ki sta tudi edina nastopajoča, se asociativno poigrav...
Production: 2009
Samostojno video delo, ki je bilo izvorno prikazano kot del razstavne instalacije na gostovanju v Marseillu, kjer sta avtorja zapolnila obsežen razstavni prostor z odsluženimi gledališkimi rekviziti. Video delo, ki je bilo predvajano v posebej zgrajeni projekcijski instalaciji na skrajnem koncu razstavišča, prikazuje predvsem proces nastajanja prostorske postavitve, ko sta avtorja izvajala performativne akcije (ustvarjene zgolj za kamero). Avtorja, ki sta tudi edina nastopajoča, se asociativno poigrav...
Mark Požlep - Is Anger Substitude for Love (0:08:15)
Production: 2010
Video je zasnovan kot minimalistična interakcija majhnih svetlobnih teles na temnen zaslonu, ki se repetitivno približujeta in oddaljujeta. Ob vsakem zbližanju, kjer pa še vedno ostaneta na varni ditanci, izmenjata nekaj besed, ki skušajo orisati in umestiti njun abstrahiran odnos. Po koncu kratkega, napetega in pomenljivega pogovora, ki se navezuje na kompleksnost medsebojnih (ljubezenskih) odnosov, začno skozi temo švigati ognjeni izstrelki ter z vztrajnostjo uspejo zanetiti požar. Iz teme se izvi...
Production: 2010
Video je zasnovan kot minimalistična interakcija majhnih svetlobnih teles na temnen zaslonu, ki se repetitivno približujeta in oddaljujeta. Ob vsakem zbližanju, kjer pa še vedno ostaneta na varni ditanci, izmenjata nekaj besed, ki skušajo orisati in umestiti njun abstrahiran odnos. Po koncu kratkega, napetega in pomenljivega pogovora, ki se navezuje na kompleksnost medsebojnih (ljubezenskih) odnosov, začno skozi temo švigati ognjeni izstrelki ter z vztrajnostjo uspejo zanetiti požar. Iz teme se izvi...
Mark Požlep - Soft Machine (0:09:53)
Production: 2010
Delo 'Soft Machine' je del večmedijske razstavne instalacije z naslovom 'Queens & Criminals', izvorno prikazane v Kibli Maribor leta 2010. Video prikazuje statične posnetke para med spolnim aktom iz treh različnih zornih kotov (v treh dolgih kadrih), kamera pa je vselej postavljena v položaj, kjer je pogled deloma zakrit z drevjem ali travnimi bilkami. Voajerski položaj kamere (avtorja) in gledalca pri spremljanju intimnega akta neznancev skuša zbujati nelagodje ob opazovanju druge...
Production: 2010
Delo 'Soft Machine' je del večmedijske razstavne instalacije z naslovom 'Queens & Criminals', izvorno prikazane v Kibli Maribor leta 2010. Video prikazuje statične posnetke para med spolnim aktom iz treh različnih zornih kotov (v treh dolgih kadrih), kamera pa je vselej postavljena v položaj, kjer je pogled deloma zakrit z drevjem ali travnimi bilkami. Voajerski položaj kamere (avtorja) in gledalca pri spremljanju intimnega akta neznancev skuša zbujati nelagodje ob opazovanju druge...
Mark Požlep - Maybe Weird and Dark but Certainly Alive (0:05:00)
Subtitle: Maybe Weird and dark but certainly alive; Never Exactly sure what i will find, never exactly sure what i will search; Is my cock big enough, is my brain small enough, for you to make me a star; Disco fever killed my beaver; It is never too late to have a
Production: 2010
Video predstavlja dokumentacijo glasbenega performansa ob otvoritvi razstave ‘Maybe Weird and Dark but Certainly Alive’ v galeriji Plevnik-Kronkowska v Celju. Skupina v volkodlake maskiranih glasbenikov v izložbenem oknu galerije izvaja hrupne minutne kompozicije (avtor Gašper Piano). Sleherna skladba kljub svoji instrumentalni naravi predstavlja refleksijo na določeno temo, saj so se izvajalci z zvokom odzvali na predlagane naslove: 'Maybe Weird and Dark but Certainly Alive', 'Never E...
Subtitle: Maybe Weird and dark but certainly alive; Never Exactly sure what i will find, never exactly sure what i will search; Is my cock big enough, is my brain small enough, for you to make me a star; Disco fever killed my beaver; It is never too late to have a
Production: 2010
Video predstavlja dokumentacijo glasbenega performansa ob otvoritvi razstave ‘Maybe Weird and Dark but Certainly Alive’ v galeriji Plevnik-Kronkowska v Celju. Skupina v volkodlake maskiranih glasbenikov v izložbenem oknu galerije izvaja hrupne minutne kompozicije (avtor Gašper Piano). Sleherna skladba kljub svoji instrumentalni naravi predstavlja refleksijo na določeno temo, saj so se izvajalci z zvokom odzvali na predlagane naslove: 'Maybe Weird and Dark but Certainly Alive', 'Never E...
