Jasna Hribernik - Petra Varl Simončič - Nos ob nos - Metelkova 1994 (0:06:34)
Production: 1994
Video documents an event accompanying setting up of a composed photocopied painting Nos ob nos by Petra Varl Simončič measuring 30 meters depicting a man and a woman with a poem by Andrej Rozman. We are guided around the set by a commentator. The video is accompanied by a music by a group Lolita, who performed live at the event.
DIVA 1990-1999
173 results in works
Marko Kovačič - Naprej v preteklost (razstava) / Forth Into the Past (exhibition) (00:05:38)
Production: 1994
Documentation of the exhibition in Škuc Gallery, Ljubljana, 1994
Production: 1994
Documentation of the exhibition in Škuc Gallery, Ljubljana, 1994
Barbara Borčić - From Alternative Scene to Art Video
Subtitle: Video Production in Slovenia 1992-1994
Production: SCCA-Ljubljana, 1994
The text is accompanying the video program entitled "From Alternative Scene to Art Video. Video Production in Slovenia 1992-1994", curated by Zemira Alajbegović, Barbara Borčić and Eva Rohrman in 1994. The program was produced by SCCA-Ljubljana and Škuc Gallery and screened on several occasions in Europe and USA.
Subtitle: Video Production in Slovenia 1992-1994
Production: SCCA-Ljubljana, 1994
The text is accompanying the video program entitled "From Alternative Scene to Art Video. Video Production in Slovenia 1992-1994", curated by Zemira Alajbegović, Barbara Borčić and Eva Rohrman in 1994. The program was produced by SCCA-Ljubljana and Škuc Gallery and screened on several occasions in Europe and USA.
Damijan Kracina - Žeblji / Nails (00:06:34)
Production: Akademija za likovno umetnost, Ljubljana, 1995
The black-and-white footage of a performance shot from a static camera dates to the time when the artist was studying at the Academy of Fine Arts in Ljubljana. The performer looks at sculpted busts, and hammers nails into them, seeking a way to examine the traditional sculptural format without employing a process of construction or deconstruction. The work is also humorous, as if the artist were trying to say that the sculpture is ‘hammered’ in the head.
Production: Akademija za likovno umetnost, Ljubljana, 1995
The black-and-white footage of a performance shot from a static camera dates to the time when the artist was studying at the Academy of Fine Arts in Ljubljana. The performer looks at sculpted busts, and hammers nails into them, seeking a way to examine the traditional sculptural format without employing a process of construction or deconstruction. The work is also humorous, as if the artist were trying to say that the sculpture is ‘hammered’ in the head.
Jasna Hribernik - Ballabende (00:21:46)
Production: TV Slovenija, 1995
At first glance the video works as a research of the past. An expressive study set in a nostalgic landscape takes music and dance as its medium. The protagonist is a dancer and the set is an old house full of memories. Scenes of ballet dancing and piano playing are combined with shots of old photographs due to associative montage. Passing of time is emphasized by scenes of water overflowing a well and of running clouds. Spirit of the past is strengthen by editing with shadows and sepia filter. This idyllic...
Production: TV Slovenija, 1995
At first glance the video works as a research of the past. An expressive study set in a nostalgic landscape takes music and dance as its medium. The protagonist is a dancer and the set is an old house full of memories. Scenes of ballet dancing and piano playing are combined with shots of old photographs due to associative montage. Passing of time is emphasized by scenes of water overflowing a well and of running clouds. Spirit of the past is strengthen by editing with shadows and sepia filter. This idyllic...
Marko Kovačič - Naprej v preteklost / Forth Into the Past (0:09:30)
Production: Forum Ljubljana, VPK, 1995
The video deals with our understanding of the distant future, presented through a concrete example of the 23rd century archaeology. A narration of a professor archaeologist leads us through the story as he guides his student through one of the main archaeological sites in the City of Catastropolis, where so-called Plastoses, who (will) survived the atomic catastrophe live. These half-organic half-mechanical creatures form a comprehensive civilisation of Plastos, which is the author's subject in a series of...
Production: Forum Ljubljana, VPK, 1995
The video deals with our understanding of the distant future, presented through a concrete example of the 23rd century archaeology. A narration of a professor archaeologist leads us through the story as he guides his student through one of the main archaeological sites in the City of Catastropolis, where so-called Plastoses, who (will) survived the atomic catastrophe live. These half-organic half-mechanical creatures form a comprehensive civilisation of Plastos, which is the author's subject in a series of...
Ema Kugler - Obiskovalec / The Visitor (00:26:41)
Production: V.S. Video / Forum Ljubljana, VPK & Viba film, 1995
The artist insists on the duality of human nature: the same dreadfulness is part of both the mythical and the real world. The duality is explicitly presented by means of electronic effects that can petrify a human face, or wall-up a human body in a few seconds. Human figures dressed in extravagant costumes are returned back to nature by means of electronic effects: a man in a costume reminiscent of a bird transforms into a real bird. The costumed and real birds are accentuated by the bird's eye view, which...
Production: V.S. Video / Forum Ljubljana, VPK & Viba film, 1995
The artist insists on the duality of human nature: the same dreadfulness is part of both the mythical and the real world. The duality is explicitly presented by means of electronic effects that can petrify a human face, or wall-up a human body in a few seconds. Human figures dressed in extravagant costumes are returned back to nature by means of electronic effects: a man in a costume reminiscent of a bird transforms into a real bird. The costumed and real birds are accentuated by the bird's eye view, which...
ZANK - The Sand Collectors (English version) (00:12:34)
Production: V.S. Video / Forum Ljubljana & TV Slovenija, 1995
Video work tells a story of an art collector as remembered by herself in her old age, and as narrated by her friend, a psychoanalyst. Thru this narrative the authors deal with the spirit of avant-garde art in the first half of the 20th century. By layering black and white and colour images and sounds the work creates a deep and lively emotional space. (Source: Videodokument)
Production: V.S. Video / Forum Ljubljana & TV Slovenija, 1995
Video work tells a story of an art collector as remembered by herself in her old age, and as narrated by her friend, a psychoanalyst. Thru this narrative the authors deal with the spirit of avant-garde art in the first half of the 20th century. By layering black and white and colour images and sounds the work creates a deep and lively emotional space. (Source: Videodokument)
Darij Kreuh - Bližina / Closeness (00:06:31)
Production: 1995
Kiparski pogled na človeka-moškega, ki se primerja z antičnim bogom in ki obenem skuša biti razumljen v sodobnem svetu. Telo je v črno-beli video podobi oživljen marmorni kip, ponovno zamrznjen in kot podoba oziroma koncept antično-renesančnega človeka postavljen kot zaslon in referenčni okvir, na katerega in v kontekst katerega se skozi prelive dveh slik projicira burno gibanje naravnih elementov. Prostor bivanjskega okolja ulice - posredovan skozi prvoosebni pogled empiričnga doživetja sprehod...
Production: 1995
Kiparski pogled na človeka-moškega, ki se primerja z antičnim bogom in ki obenem skuša biti razumljen v sodobnem svetu. Telo je v črno-beli video podobi oživljen marmorni kip, ponovno zamrznjen in kot podoba oziroma koncept antično-renesančnega človeka postavljen kot zaslon in referenčni okvir, na katerega in v kontekst katerega se skozi prelive dveh slik projicira burno gibanje naravnih elementov. Prostor bivanjskega okolja ulice - posredovan skozi prvoosebni pogled empiričnga doživetja sprehod...
Damijan Kracina - Kocka / Cube (0:03:39)
Production: 1995
A group event staged in public spaces - at a bus stop and in the garden of the Academy of Fine Arts in Ljubljana - took place on 22 March, World Water Day. The event was intended to draw attention to this day not by moralising, but by emphasising the joy of living. The main element in the video is a sponge cube with holes, which hides the artist. The water theme is further emphasised by the prevailing blue colour of the picture. The members of the group water the sponge at both locations – the bus sto...
Production: 1995
A group event staged in public spaces - at a bus stop and in the garden of the Academy of Fine Arts in Ljubljana - took place on 22 March, World Water Day. The event was intended to draw attention to this day not by moralising, but by emphasising the joy of living. The main element in the video is a sponge cube with holes, which hides the artist. The water theme is further emphasised by the prevailing blue colour of the picture. The members of the group water the sponge at both locations – the bus sto...
Damijan Kracina - Koncert za bas kitaro in gipsasto kocko (00:01:04)
Production: 1995
The Concert for Bass Guitar and Plaster Cube was performed by the artist in 1993 at the Academy of Fine Arts in Ljubljana, where he studied sculpture between 1991 and 1995. The brief performance refers to the main issues of contemporary sculpture, exploring the relationship between the static nature of sculpting material and the experimental sound landscape. The performance projects several procedures which can be detected in the artist’s later work, a mixture of experimental and elementary sculpture,...
Production: 1995
The Concert for Bass Guitar and Plaster Cube was performed by the artist in 1993 at the Academy of Fine Arts in Ljubljana, where he studied sculpture between 1991 and 1995. The brief performance refers to the main issues of contemporary sculpture, exploring the relationship between the static nature of sculpting material and the experimental sound landscape. The performance projects several procedures which can be detected in the artist’s later work, a mixture of experimental and elementary sculpture,...
Damijan Kracina - Kracina TV (00:06:24)
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Damijan Kracina - A collage of excepts by Kracina (00:03:09)
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Nataša Prosenc Stearns - Disk / Disc (00:02:57)
Production: TV Slovenija, 1995
This video in black-and-white presents people participating in mass rituals, primarily wars and the glorification of leaders, which are constant and universal documents of the world. The global and temporal association of these images is emphasised by the graphic sign of a disc, the only colourful object on the screen, which emerges into our view and disappears from it, until finally it is destroyed by a lizard, another - and the last - colourful creature in the records of the world. Every artist's cre...
Production: TV Slovenija, 1995
This video in black-and-white presents people participating in mass rituals, primarily wars and the glorification of leaders, which are constant and universal documents of the world. The global and temporal association of these images is emphasised by the graphic sign of a disc, the only colourful object on the screen, which emerges into our view and disappears from it, until finally it is destroyed by a lizard, another - and the last - colourful creature in the records of the world. Every artist's cre...
Nataša Prosenc Stearns - Dvojnik (0:03:25)
Production: TV Slovenija, 1995
The idea of time connects with the image inherent in video, the encrustation of the picture, which allows for the free exchange of images from different worlds and periods. The double silhouette of a person delineates two time segments: the passing of daily life, and nocturnal fireworks. Both worlds pass from one shape to another, until they finally freeze into what they actually represent: a human statue.
Production: TV Slovenija, 1995
The idea of time connects with the image inherent in video, the encrustation of the picture, which allows for the free exchange of images from different worlds and periods. The double silhouette of a person delineates two time segments: the passing of daily life, and nocturnal fireworks. Both worlds pass from one shape to another, until they finally freeze into what they actually represent: a human statue.
Nataša Prosenc Stearns - One Way (00:05:31)
Production: TV Slovenija, 1995
A man and a woman aim to fulfil their desire for power, beauty, supremacy and other similar human attributes. The male and the female are represented through archetypal images: a strong man's body fighting against the crude force of nature, and a woman's body and its clothing reflected in a mirror. The video image presents these archetypes in duplicate, in slow-motion and replication, and thus it assembles the collective visual memory of human inclinations.
Production: TV Slovenija, 1995
A man and a woman aim to fulfil their desire for power, beauty, supremacy and other similar human attributes. The male and the female are represented through archetypal images: a strong man's body fighting against the crude force of nature, and a woman's body and its clothing reflected in a mirror. The video image presents these archetypes in duplicate, in slow-motion and replication, and thus it assembles the collective visual memory of human inclinations.
Nataša Prosenc Stearns - Betonski človek (0:15:29)
Production: TV Slovenija, 1995
A woman's shoe gets stuck in concrete in the middle of the city. Her usual rhythm of life is disturbed. She is impatient to solve the problem. But a string of unexpected events interferes with her plans. Her world of fast living, obligations and errands turns into a pilgrimage to find the lost shoe... until she finally gives into the flow of events. At the end of the film she finds the shoe, which has by now lost its role as the primary motive for her search.
Production: TV Slovenija, 1995
A woman's shoe gets stuck in concrete in the middle of the city. Her usual rhythm of life is disturbed. She is impatient to solve the problem. But a string of unexpected events interferes with her plans. Her world of fast living, obligations and errands turns into a pilgrimage to find the lost shoe... until she finally gives into the flow of events. At the end of the film she finds the shoe, which has by now lost its role as the primary motive for her search.
Sašo Podgoršek - U tvojim očima (00:04:40)
Production: 1995
Music video for the song U tvojim očima (In Your Eyes) by the Slovenian band Demolition Group.
Production: 1995
Music video for the song U tvojim očima (In Your Eyes) by the Slovenian band Demolition Group.
Sašo Podgoršek - You Never Cry (00:03:55)
Production: 1995
Music video for the song You Never Cry by Slovenian band Demolition Group.
Production: 1995
Music video for the song You Never Cry by Slovenian band Demolition Group.
