Marko A. Kovačič - The Four Horsemen (3:47)
Production: Marko A. Kovačič, 1993
The video was created on the basis of a group performance in the urban environment Bellum contra solem of the Fusnet Association, which was staged in a block settlement in Nova Gorica on the summer solstice in 1991. The arrival of the Four Horsemen of the Apocalypse in fantastic futuristic costumes - the Conquest, War, Hunger, and Death - in a Ljubljana sand pit illustrates the time around the declaration of Slovenian independence and the break away from the Yugoslav state. (Source: DIVA Station)
DIVA 1990-1999
192 results in works
Marko A. Kovačič - Thirst (12:30)
Production: Marko A. Kovačič, Gledališče Ane Monro, 1993
The happening takes place in the real environment of Mrs. Salendrova's half-destroyed apartment and presents a kind of visual record of the performance of the Ana Monro Theatre. The film is made up of various gags of Monro's eccentric protagonists, who differ from the boring but at the same time cruel collapsed walls and urban environment with their bizarre appearance and gestures. (Source: DIVA Station)
Production: Marko A. Kovačič, Gledališče Ane Monro, 1993
The happening takes place in the real environment of Mrs. Salendrova's half-destroyed apartment and presents a kind of visual record of the performance of the Ana Monro Theatre. The film is made up of various gags of Monro's eccentric protagonists, who differ from the boring but at the same time cruel collapsed walls and urban environment with their bizarre appearance and gestures. (Source: DIVA Station)
Marko Košnik - Membrane Bauhaus Ostranenie (12:34)
Subtitle: Phase 2
Production: Inštitut Egon March , 1993
Documentary camera, cuts of visual parts (the rest of the performance in darkness) of 30 minutes program – opening performance of the 1st Ostranenie festival, Bauhaus, Dessau, November 1993 Marko Košnik – directing, development of instrument, performance, production (co-produced with Ostranenie festival – Stephen Kovats)Silvo Zupančič – electronics, performanceAndrej Kregar – video graphicsBorut Savski – sound engineerŠpela Virant – organizational h...
Subtitle: Phase 2
Production: Inštitut Egon March , 1993
Documentary camera, cuts of visual parts (the rest of the performance in darkness) of 30 minutes program – opening performance of the 1st Ostranenie festival, Bauhaus, Dessau, November 1993 Marko Košnik – directing, development of instrument, performance, production (co-produced with Ostranenie festival – Stephen Kovats)Silvo Zupančič – electronics, performanceAndrej Kregar – video graphicsBorut Savski – sound engineerŠpela Virant – organizational h...
Nataša Prosenc Stearns - Vertikalni horizont / Vertical Horizon (0:03:20)
Production: TV Slovenija, 1994
The video film replicates the labyrinth presented in the installation of the same title. Bricks are placed on the floor, and they pass into the labyrinth on the screen. The figures never come from 'behind the walls' of the labyrinth, we can only hear the sound of their fleeting steps.
Production: TV Slovenija, 1994
The video film replicates the labyrinth presented in the installation of the same title. Bricks are placed on the floor, and they pass into the labyrinth on the screen. The figures never come from 'behind the walls' of the labyrinth, we can only hear the sound of their fleeting steps.
Marko Peljhan - LADOMIR-ФАКТУРА: FIRST SURFACE-MICROLAB V1.0 (23:02)
Production: Projekt Atol, A Team of Three Production, Aster, 1994
Računalniška video animacija v živo je bila zamišljena kot gledališka igra brez igralcev v kibernetičnem prostoru. S podobno idejo je Vasilij Kandinski leta 1928 na podlagi skladbe Modesta Mussorgskega Slike z rastave (Bilder einer Ausstellung) zasnoval programsko gledališko predstavo, ki je bila docela sestavljena iz mehaniziranih slik in objektov brez igralcev. Video animacija je bila pripravljena, modelirana in rendrirana s pomočjo programa, ki so ga posebej napisali z oro...
Production: Projekt Atol, A Team of Three Production, Aster, 1994
Računalniška video animacija v živo je bila zamišljena kot gledališka igra brez igralcev v kibernetičnem prostoru. S podobno idejo je Vasilij Kandinski leta 1928 na podlagi skladbe Modesta Mussorgskega Slike z rastave (Bilder einer Ausstellung) zasnoval programsko gledališko predstavo, ki je bila docela sestavljena iz mehaniziranih slik in objektov brez igralcev. Video animacija je bila pripravljena, modelirana in rendrirana s pomočjo programa, ki so ga posebej napisali z oro...
Sašo Podgoršek - The Model (00:04:58, 00:05:14)
Production: Nord Cross Production, Mute Film, TV Slovenija, 1994
Music video for the song The Model, cover of legendary Kraftwerk, by the Slovenian band Demolition Group.
Production: Nord Cross Production, Mute Film, TV Slovenija, 1994
Music video for the song The Model, cover of legendary Kraftwerk, by the Slovenian band Demolition Group.
Mirko Simić - Out of Memory (00:04:47)
Production: Bris, VPK, V.S. Video / Forum & KUD Naprej Idrija, 1994
Precise editing and sharp cuts stress the sense of hopelessness and isolation of the world. The main hero moves through urban areas, but finally finds himself in the midst of the 'endlessness' of nature, none the less strange and unpredictable. Dreams of a different life are complemented by graphics and computer animation, additionally perfecting a visually rich and conceptually 'old-fashioned' video. (VD)
Production: Bris, VPK, V.S. Video / Forum & KUD Naprej Idrija, 1994
Precise editing and sharp cuts stress the sense of hopelessness and isolation of the world. The main hero moves through urban areas, but finally finds himself in the midst of the 'endlessness' of nature, none the less strange and unpredictable. Dreams of a different life are complemented by graphics and computer animation, additionally perfecting a visually rich and conceptually 'old-fashioned' video. (VD)
Mirko Simić - Radiorama (00:00:36)
Production: ZM, 1994
Dekle in fant se s terenskim avtomobilom vozita po kolovozni poti. Dekle nenadoma ustavi, izstopi iz vozila in prične plesati, fant se ji medtem približa in jo ustavi. Roki se sklenejo in oba akterja se umirita. V video delu je prisotna dinamična kamera in dolgi kadri, ki želijo ujeti razpoloženje in psihološko karakterizacijo igralcev.
Production: ZM, 1994
Dekle in fant se s terenskim avtomobilom vozita po kolovozni poti. Dekle nenadoma ustavi, izstopi iz vozila in prične plesati, fant se ji medtem približa in jo ustavi. Roki se sklenejo in oba akterja se umirita. V video delu je prisotna dinamična kamera in dolgi kadri, ki želijo ujeti razpoloženje in psihološko karakterizacijo igralcev.
Mirko Simić - No. 6565 (00:00:25)
Production: Strip Core / Forum Ljubljana & VPK, 1994
Inserti iz snemanja videospota skupine 2227, neobdelani in neuporabljeni posnetki. Nekakšen neformalni 'behind the scenes' video spota No Brains No Tumors, kjer člani zasedbe 2227 usklajeno plešejo.
Production: Strip Core / Forum Ljubljana & VPK, 1994
Inserti iz snemanja videospota skupine 2227, neobdelani in neuporabljeni posnetki. Nekakšen neformalni 'behind the scenes' video spota No Brains No Tumors, kjer člani zasedbe 2227 usklajeno plešejo.
Jasna Hribernik - Petra Varl Simončič - Nos ob nos - Metelkova 1994 (0:06:34)
Production: 1994
Video documents an event accompanying setting up of a composed photocopied painting Nos ob nos by Petra Varl Simončič measuring 30 meters depicting a man and a woman with a poem by Andrej Rozman. We are guided around the set by a commentator. The video is accompanied by a music by a group Lolita, who performed live at the event.
Production: 1994
Video documents an event accompanying setting up of a composed photocopied painting Nos ob nos by Petra Varl Simončič measuring 30 meters depicting a man and a woman with a poem by Andrej Rozman. We are guided around the set by a commentator. The video is accompanied by a music by a group Lolita, who performed live at the event.
