Sašo Podgoršek - Koza je preživela (00:09:03)
Production: 1992
Posnetki prikazujejo posameznike, ki se zbirajo pred zapornico: oseba v avtomobilu, ki čaka na svoje dekle, oseba na vozu, oseba na motorju in nekdo s kozo v naročju. Kolona pred zapornico čaka na vlak, vname se pretep, koza pa se v zmedi znajde privezana na zapornico, ki se, ko vlak odide, dvigne s kozo vred. Video predstavlja zrežirane komične prizore, ki prikazujejo resničnost sodobne družbe.
DIVA Art video
658 results in works
Sašo Podgoršek - Videospoti Saša Podgorška (00:43:14)
Production: 1997
Videspoti različnih izvajalcev. Adagio in Basin street blues sta iz kratkega filma Vrtoglavi ptič. Glasbeni sporti po vrstnem redu so: Demolition group: Cry baby, Model, U tvojim očima, You never cry. Vlado Kreslin: Joužek. Anja Rupel: Odšla bom še to noč. Komputer: Valentina. Laibach: God is god. Enzo Fabiani Kvartet: Adagio. Aleš Hadalin: Basin Street blues. Produkcija od leta 1993 do 1997.
Production: 1997
Videspoti različnih izvajalcev. Adagio in Basin street blues sta iz kratkega filma Vrtoglavi ptič. Glasbeni sporti po vrstnem redu so: Demolition group: Cry baby, Model, U tvojim očima, You never cry. Vlado Kreslin: Joužek. Anja Rupel: Odšla bom še to noč. Komputer: Valentina. Laibach: God is god. Enzo Fabiani Kvartet: Adagio. Aleš Hadalin: Basin Street blues. Produkcija od leta 1993 do 1997.
Marko Peljhan - Egoritem I, II, III / Egorhythm I, II, III (0:30:13)
Production: 1993
Three Egorhythms, rhythm and scene structures were the material for Peljhan's final production of the Project Atol, the first project by which he began to transfer his activities from theater to the expanded sphere of contemporary art. NOTE: On the artist's request, the full video is not published on-line; it is kept and on view only in the DIVA Station Mediatheque at Metelkova 6, Ljubljana.
Production: 1993
Three Egorhythms, rhythm and scene structures were the material for Peljhan's final production of the Project Atol, the first project by which he began to transfer his activities from theater to the expanded sphere of contemporary art. NOTE: On the artist's request, the full video is not published on-line; it is kept and on view only in the DIVA Station Mediatheque at Metelkova 6, Ljubljana.
Nataša Prosenc Stearns - Čas? / Time? (0:01:18 in 0:01:17, na št. 69 0:01:18)
Production: TV Slovenija, 1990
The repeated use of a media image gives it the status of stereotype - in this case a clock announcing the beginning of the television news. The artist wishes to undermine the 'freezing' of the stereotypical media image; she transforms it and thus reinstates time in its natural and constant flow. The concept and form of the work are characterised by irony. (VD)
Production: TV Slovenija, 1990
The repeated use of a media image gives it the status of stereotype - in this case a clock announcing the beginning of the television news. The artist wishes to undermine the 'freezing' of the stereotypical media image; she transforms it and thus reinstates time in its natural and constant flow. The concept and form of the work are characterised by irony. (VD)
Nataša Prosenc Stearns - Tam (Framski slap) / Over There (Fram Waterfall) (0:07:25)
Production: Eurospekter (koprodukcija) & Otroški in mladinski program TV Slovenija, 1991
This video can be viewed as a video fairy-tale: it contains all the elements of one. The happening takes place in a forest. We see a dwarf that never shows its face, but on its travels it often encounters other incredible beings. Graphic signs are component parts of the image, and they are accentuated by Saba Skaberne's and Tamara Sevčnikar's sculptures, which also form part of the installation of the same title.
Production: Eurospekter (koprodukcija) & Otroški in mladinski program TV Slovenija, 1991
This video can be viewed as a video fairy-tale: it contains all the elements of one. The happening takes place in a forest. We see a dwarf that never shows its face, but on its travels it often encounters other incredible beings. Graphic signs are component parts of the image, and they are accentuated by Saba Skaberne's and Tamara Sevčnikar's sculptures, which also form part of the installation of the same title.
Rok Sieberer Kuri - Dobrodošli (00:06:36)
Production: Media Teror, Forum Ljubljana, 1996
Welcome is a short experimental video film which combines computer graphics and video image. The resulting new picture produces a new and different vision and meaning. The product of metamorphosis leaves the viewer with his/her own understanding of the work. (VD)
Production: Media Teror, Forum Ljubljana, 1996
Welcome is a short experimental video film which combines computer graphics and video image. The resulting new picture produces a new and different vision and meaning. The product of metamorphosis leaves the viewer with his/her own understanding of the work. (VD)
Rok Sieberer Kuri - Bombo ob 12h (00:03:28, na vhs 197: 00:04:23)
Production: Media Teror, V.S. Video, Forum Ljubljana, 1995
One of the typical features of the author is the use of non-professional technology to show everyday reality. On the basis of daily reality he aims to form conclusions pointing to the insanity of modern man. Perhaps a solution cannot be reached merely through an artistic attitude, but rather through radical activity. (VD)
Production: Media Teror, V.S. Video, Forum Ljubljana, 1995
One of the typical features of the author is the use of non-professional technology to show everyday reality. On the basis of daily reality he aims to form conclusions pointing to the insanity of modern man. Perhaps a solution cannot be reached merely through an artistic attitude, but rather through radical activity. (VD)
Rok Sieberer Kuri - Vivisekcija (00:03:32)
Production: V.S. Video / Forum Ljubljana, 1997
Vivisection... the title tells us all.(VD)
Production: V.S. Video / Forum Ljubljana, 1997
Vivisection... the title tells us all.(VD)
Rok Sieberer Kuri - Chroma Quart Mix I (00:34:15)
Production: V.S. Video / Forum Ljubljana, 1997
The video collage has a firm structure defined in the scenario. Several videos with different basic messages, accompanied by wild and loud music, are combined into a peculiar, but unique story (A Bomb at Noon, Welcome, Chroma Qart Mix, Vivisection).
Production: V.S. Video / Forum Ljubljana, 1997
The video collage has a firm structure defined in the scenario. Several videos with different basic messages, accompanied by wild and loud music, are combined into a peculiar, but unique story (A Bomb at Noon, Welcome, Chroma Qart Mix, Vivisection).
Rok Sieberer Kuri - Technotime (00:30:11)
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.