Nataša Prosenc Stearns - Caryatids (documentation) (00:01:23)
Production: Nataša Prosenc Stearns, 2017
Documentation of the installation Caryatids from the exhibition by Nataša Prosenc Stearns with the title Caryatids and Medusas at the UGM Studio Gallery in Maribor in 2017. The exhibition layout was a combination of video projections, prints and videos on LCD screens. With this project, the artist has discussed the position of a woman in contemporary media and changes in the treatment and perception of the female body and face.
DIVA Events
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Nataša Prosenc Stearns - Medusas (documentation) (00:01:40)
Production: Nataša Prosenc Stearns, 2017
Documentation of the installation Medusas from the exhibition by Nataša Prosenc Stearns with the title Caryatids and Medusas at the UGM Studio Gallery in Maribor in 2017. The exhibition layout was a combination of video projections, prints and videos on LCD screens. With this project, the artist has discussed the position of a woman in contemporary media and changes in the treatment and perception of the female body and face.
Production: Nataša Prosenc Stearns, 2017
Documentation of the installation Medusas from the exhibition by Nataša Prosenc Stearns with the title Caryatids and Medusas at the UGM Studio Gallery in Maribor in 2017. The exhibition layout was a combination of video projections, prints and videos on LCD screens. With this project, the artist has discussed the position of a woman in contemporary media and changes in the treatment and perception of the female body and face.
Nataša Prosenc Stearns - Run City (documentation) (00:01:24)
Production: 2017
Installation/Projection was a part of Vladimir's Underpants, exhibition in public stairwells of Old Pasadena, Newtown Arts, Pasadena, USA on October 28, 2017.
Production: 2017
Installation/Projection was a part of Vladimir's Underpants, exhibition in public stairwells of Old Pasadena, Newtown Arts, Pasadena, USA on October 28, 2017.
Barbara Borčić - From art in the urban context to fictional distopia (00:01:20)
Subtitle: Projected Visions
Production: SCCA-Ljubljana, Apollonia, 2018
Projected Visions. From art in the urban context to fictional distopia (in frame of the project e.city-Ljubljana) Selection from SCCA-Ljubljana video archive DIVA Station Curator: Barbara Borčić Espace Apollonia / Apollonia, échanges artistiques européens,Strasbourg 27 January–25 February 2018 The exhibition consists of eighteen video works and one film, bound to the theme of urban and public space in their everyday dimension but also in its utopian and dystopic aspects. Participating artis...
Subtitle: Projected Visions
Production: SCCA-Ljubljana, Apollonia, 2018
Projected Visions. From art in the urban context to fictional distopia (in frame of the project e.city-Ljubljana) Selection from SCCA-Ljubljana video archive DIVA Station Curator: Barbara Borčić Espace Apollonia / Apollonia, échanges artistiques européens,Strasbourg 27 January–25 February 2018 The exhibition consists of eighteen video works and one film, bound to the theme of urban and public space in their everyday dimension but also in its utopian and dystopic aspects. Participating artis...
Barbara Borčić - Multimedia Practices and Venues of Production
Subtitle: The Eighties through the Prism of Events, Exhibitions, and Discourses – Part 2
Production: SCCA-Ljubljana, MSUM, 2017
Videodokument from "Multimedia Practices and Venues of Production" exhibition, Museum of Contemporary Art Metelkova, Ljubljana April 5 - June 11, 2017. The exhibition shows how expanded the field of art was in the 1980s, with practices characterized by multimedia, self-organization, interdisciplinarity, trans-generational work, and collective authorship. The display concept foregrounds the typical venues and events, putting additional emphasis on selected artistic installations. The multimedia th...
Subtitle: The Eighties through the Prism of Events, Exhibitions, and Discourses – Part 2
Production: SCCA-Ljubljana, MSUM, 2017
Videodokument from "Multimedia Practices and Venues of Production" exhibition, Museum of Contemporary Art Metelkova, Ljubljana April 5 - June 11, 2017. The exhibition shows how expanded the field of art was in the 1980s, with practices characterized by multimedia, self-organization, interdisciplinarity, trans-generational work, and collective authorship. The display concept foregrounds the typical venues and events, putting additional emphasis on selected artistic installations. The multimedia th...
Zemira Alajbegović - Laterna magica
Subtitle: TV oddaja
Production: RTV Slovenija, 1995
TV show about a exhibition project Laterna magica by Marko Kovačič (Moderna galerija - Mala galerija, Ljubljana, 1995). Presentation of the exhibition concept, the realised exhibition and the statements by artist Marko Kovačič, critics Miha Zadnikar and Bogdan Lešnik and curator Nadja Zgonik. It is Osmi dan (Eight Day) TV show on TV Slovenia.
Subtitle: TV oddaja
Production: RTV Slovenija, 1995
TV show about a exhibition project Laterna magica by Marko Kovačič (Moderna galerija - Mala galerija, Ljubljana, 1995). Presentation of the exhibition concept, the realised exhibition and the statements by artist Marko Kovačič, critics Miha Zadnikar and Bogdan Lešnik and curator Nadja Zgonik. It is Osmi dan (Eight Day) TV show on TV Slovenia.
Christopher Krause - Faces and Structures
Production: SCCA-Ljubljana, 2018
The essay was the basis for the performative lecture by Christopher Krause accompanied by the screening of selected video works (April 25, 2018, SCCA Project Room, Ljubljana). C. K. was then completing his postgraduate studies in theatrology at the Institute for Applied Theatrological Studies in Gießen, Germany. At SCCA-Ljubljana, he conducted a one-month study practice in April - he focused on researching the video and the new media archive of DIVA Station. As an object of his research, he chose the image...
Production: SCCA-Ljubljana, 2018
The essay was the basis for the performative lecture by Christopher Krause accompanied by the screening of selected video works (April 25, 2018, SCCA Project Room, Ljubljana). C. K. was then completing his postgraduate studies in theatrology at the Institute for Applied Theatrological Studies in Gießen, Germany. At SCCA-Ljubljana, he conducted a one-month study practice in April - he focused on researching the video and the new media archive of DIVA Station. As an object of his research, he chose the image...
Vesna Bukovec, KOLEKTIVA, Metka Zupanič - Secret Heart exhibition view (00:04:45)
Production: Kolektiva, 2010
A documentary video of the exhibition in the Program Gallery in Warsaw. The 'Secret Heart' exhibition is a project within the framework of the KOLEKTIVA's platform 'Special Place in the City'. The project takes as its starting point the information that Chopin's heart is kept in one of the Warsaw churches. The heart was rescued from the bombing of the city during World War II in an unclear circumstances. The authors published a public open call for a short story that would desc...
Production: Kolektiva, 2010
A documentary video of the exhibition in the Program Gallery in Warsaw. The 'Secret Heart' exhibition is a project within the framework of the KOLEKTIVA's platform 'Special Place in the City'. The project takes as its starting point the information that Chopin's heart is kept in one of the Warsaw churches. The heart was rescued from the bombing of the city during World War II in an unclear circumstances. The authors published a public open call for a short story that would desc...
Iva Tratnik, Andreja Džakušič, IvAn - Umetnik – birokrat (00:22:59)
Production: SCCA-Ljubljana, 2018
Posnetek performansa Umetnik – birokrat tandema IvAn (Iva Tratnik in Andreja Džakušič), ki sta ga avtorici izvedli na odprtju razstave Zavihajmo rokave v Likovnem salonu Celje 8. maja 2018. Umetnici sta v performansu, ki sta ga napovedali kot mehanično zvočno-vizualni dogodek, obravnavali neizbežno in neprijetno delo, ki smo ga vsi prisiljeni namenjati vse bolj obsežnim birokratskim postopkom. Sledenje objavam v Uradnjem listu, prijavljanje na razpise, izpolnjevanje obrazcev je naporno, frustriraj...
Production: SCCA-Ljubljana, 2018
Posnetek performansa Umetnik – birokrat tandema IvAn (Iva Tratnik in Andreja Džakušič), ki sta ga avtorici izvedli na odprtju razstave Zavihajmo rokave v Likovnem salonu Celje 8. maja 2018. Umetnici sta v performansu, ki sta ga napovedali kot mehanično zvočno-vizualni dogodek, obravnavali neizbežno in neprijetno delo, ki smo ga vsi prisiljeni namenjati vse bolj obsežnim birokratskim postopkom. Sledenje objavam v Uradnjem listu, prijavljanje na razpise, izpolnjevanje obrazcev je naporno, frustriraj...
Danilo Milovanović - (Dis)connection (00:04:48)
Production: D.M., 2017
This intervention is a humorous, but actual reaction to the laying concrete on the public, living space. The idea requires a specific location that contains a grassy section interrupted with a concrete section. The grassy part must contain everyday use of a formed organic path, a shortcut. The intervention occurs with the covering of a concrete area with grassland-shaped surfaces that connects two grassy entities. A continuous 'organic' path is drawn, which connects the grass surfaces on the one hand, and o...
Production: D.M., 2017
This intervention is a humorous, but actual reaction to the laying concrete on the public, living space. The idea requires a specific location that contains a grassy section interrupted with a concrete section. The grassy part must contain everyday use of a formed organic path, a shortcut. The intervention occurs with the covering of a concrete area with grassland-shaped surfaces that connects two grassy entities. A continuous 'organic' path is drawn, which connects the grass surfaces on the one hand, and o...
Danilo Milovanović - Intreeder (00:04:15)
Production: D.M. in Fotopub, 2017
Documentation of an intervention in a public space, performed by the artist together with the team of Fotopub festival in Novo mesto. In his public actions, Danilo Milovanović often criticizes capitalist-consumer urban reality in a humorous manner. With the help of nature he creates smybolic resistence. Young trees were planted in front of all the adversiting signs on a given street, thus obstructing the view to the advertising. The title of the video combines two English words: Tree and Intruder. The Intr...
Production: D.M. in Fotopub, 2017
Documentation of an intervention in a public space, performed by the artist together with the team of Fotopub festival in Novo mesto. In his public actions, Danilo Milovanović often criticizes capitalist-consumer urban reality in a humorous manner. With the help of nature he creates smybolic resistence. Young trees were planted in front of all the adversiting signs on a given street, thus obstructing the view to the advertising. The title of the video combines two English words: Tree and Intruder. The Intr...
Danilo Milovanović - Plastic Makes It Static (00:03:17)
Production: D.M. in Fotopub, 2017
Privatization and profit-making treatment of water resources is becoming an increasingly profitable business. Drinking water, which is vital for humans, should in no way be a commercial commodity that fills the shelves of supermarkets in hundreds of bottles of different brands. What would happen if all the water was packed and prevented from uninterrupted circulation in the nature? I recognized the fountain as an illustration of the hydrosphere in the urban area. That is the scene of my intervention. T...
Production: D.M. in Fotopub, 2017
Privatization and profit-making treatment of water resources is becoming an increasingly profitable business. Drinking water, which is vital for humans, should in no way be a commercial commodity that fills the shelves of supermarkets in hundreds of bottles of different brands. What would happen if all the water was packed and prevented from uninterrupted circulation in the nature? I recognized the fountain as an illustration of the hydrosphere in the urban area. That is the scene of my intervention. T...
Danilo Milovanović - Product (00:06:27)
Production: D.M., 2017
The goal of the intervention is to place the product, as a cell of consumer society, somewhere where it is not expected. The first step of the intervention is visiting supermarkets and collecting authentic brand labels found on imported fruit. This fruit represents the majority of accessible fruit on the market. The second step is to paste the stickers on the still groving fruits of a living tree. With this, I wanted to achieve 'branded' fruit effect before it became recognized as an 'edible product of natu...
Production: D.M., 2017
The goal of the intervention is to place the product, as a cell of consumer society, somewhere where it is not expected. The first step of the intervention is visiting supermarkets and collecting authentic brand labels found on imported fruit. This fruit represents the majority of accessible fruit on the market. The second step is to paste the stickers on the still groving fruits of a living tree. With this, I wanted to achieve 'branded' fruit effect before it became recognized as an 'edible product of natu...
Danilo Milovanović - Longcut (00:02:19)
Production: D.M., 2017
The idea of intervention arises from the question of the discourse of time in a modern society. This has "shrunk" at the mental level and it seems that 24 hours a day is no longer enough to perform all the tasks required by the pace of modern life. As a metaphor of the economy of time in the public space, I summarize the shortcuts - human traces across grass surfaces created with the aim of faster crossing. I intervene next to existing shortcuts by making 'longcut'. It is technically a transfer of Ric...
Production: D.M., 2017
The idea of intervention arises from the question of the discourse of time in a modern society. This has "shrunk" at the mental level and it seems that 24 hours a day is no longer enough to perform all the tasks required by the pace of modern life. As a metaphor of the economy of time in the public space, I summarize the shortcuts - human traces across grass surfaces created with the aim of faster crossing. I intervene next to existing shortcuts by making 'longcut'. It is technically a transfer of Ric...
Danilo Milovanović - Roundabout Park (00:07:45)
Production: D.M., 2017
This intervention deals with public space in general. How do we experience it, where are the limits of using it, how do we behave inside of this? I found roundabouts an interesting examples of non-reachable public spaces, due to their position surrounded by roads. There is no legal possibility to come there as a pedestrian, although they often look very attractive and built for human presence on it. What if there is something else inside the roundabout, which is obviously made to be used by people? This par...
Production: D.M., 2017
This intervention deals with public space in general. How do we experience it, where are the limits of using it, how do we behave inside of this? I found roundabouts an interesting examples of non-reachable public spaces, due to their position surrounded by roads. There is no legal possibility to come there as a pedestrian, although they often look very attractive and built for human presence on it. What if there is something else inside the roundabout, which is obviously made to be used by people? This par...
Cirkulacija 2 - Concourse = Discourse (00:16:45)
Subtitle: Expanded Cirkulacija at Alkatraz
Production: Galerija Alkatraz in Cirkulacija 2, 2010
Automatic computer montage of all documentation of the Expanded Cirkulacija 2 in Alkatraz gallery event entitled "Concourse = Discourse" with performative part from May 24th to 28th, 2010, and the exhibiting part from June 1st to 11th, 2010. Concourse meant that applications for participation of self-motivated individuals or initiatives to appear within the Cirkulacija 2 platform were open. A week-long performative event of advanced multimedia practices in the areas of technology related art cuisine. Anothe...
Subtitle: Expanded Cirkulacija at Alkatraz
Production: Galerija Alkatraz in Cirkulacija 2, 2010
Automatic computer montage of all documentation of the Expanded Cirkulacija 2 in Alkatraz gallery event entitled "Concourse = Discourse" with performative part from May 24th to 28th, 2010, and the exhibiting part from June 1st to 11th, 2010. Concourse meant that applications for participation of self-motivated individuals or initiatives to appear within the Cirkulacija 2 platform were open. A week-long performative event of advanced multimedia practices in the areas of technology related art cuisine. Anothe...
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Danilo Milovanović - Urban Plants Cu(l)t (00:03:43)
Production: D.M., 2017
The intervention is a reaction to the design of external plants in public and private spaces. They are usually trimed in geometric forms, thereby making their aesthetic value dominant over the organic nature and biological function of the plants. I am reacting to this cultural phenomenon with the symbolic design of wild, branched out plants in the urban environment. As a design guide I use visible architecture in the background of the plant. It is an optical work that requires a look at the treated plant fr...
Production: D.M., 2017
The intervention is a reaction to the design of external plants in public and private spaces. They are usually trimed in geometric forms, thereby making their aesthetic value dominant over the organic nature and biological function of the plants. I am reacting to this cultural phenomenon with the symbolic design of wild, branched out plants in the urban environment. As a design guide I use visible architecture in the background of the plant. It is an optical work that requires a look at the treated plant fr...
Danilo Milovanović - Cultivation (00:03:17)
Production: D.M. in Vstop prost, 2018
Simple street art intervention focuses on plants that have grown up from gaps or damages in architecture and streets. Due to their invasive nature they are usually automatically recognized as intruders among decorative plants shaped by people’s taste. However, we can notice them even in ordered urban areas at the spots we can just admire how they happened at. Through this intervention I played with term of cultivation followed by simple adaptation of these plants to form of ‘a nice green plant i...
Production: D.M. in Vstop prost, 2018
Simple street art intervention focuses on plants that have grown up from gaps or damages in architecture and streets. Due to their invasive nature they are usually automatically recognized as intruders among decorative plants shaped by people’s taste. However, we can notice them even in ordered urban areas at the spots we can just admire how they happened at. Through this intervention I played with term of cultivation followed by simple adaptation of these plants to form of ‘a nice green plant i...
Danilo Milovanović - Bitumenography (00:02:16)
Production: 2018
Video documentation of an intervention in a public space. The artist made a large-scale graphic print from a bitumen-coated street surface. He selected the surface from bitumen as an illustration of the presence of a heavy industry on which the city of Katowice developed.The print is entitled: KATOWICE 50° 15' 26.6112'' N 19° 1' 26.5008'' E, 140 x 160 cm, Acrylic on canvas / Bitumenography, 2018.
Production: 2018
Video documentation of an intervention in a public space. The artist made a large-scale graphic print from a bitumen-coated street surface. He selected the surface from bitumen as an illustration of the presence of a heavy industry on which the city of Katowice developed.The print is entitled: KATOWICE 50° 15' 26.6112'' N 19° 1' 26.5008'' E, 140 x 160 cm, Acrylic on canvas / Bitumenography, 2018.
Marko A. Kovačič - Casus Belli (Video performance, VIDEO CD 83 - DOKUMENT) (19:20)
Production: Video CD, 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Production: Video CD, 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
