Zvonka T Simčič - Silvana Paletti / Moja Rezija (00:07:00)
Subtitle: (Slovenska verzija)
Production: Zavod CCC & KUD Zbilje, 2014
A video that through the sung poetry by Silvana Paletti and the activation of black and white photographs enters the world of Resia. Silvana Paletti is a poet, a writer and a singer coming from the village of Ravance in the valley of Resia. She has been researching the Resian folk heritage for a long time. She is the winner of the Mira/2016 Award. Her poems were published in anthologies and magazines, as well as put into standard Slovenian or translated into Italian, Friulian, German, English and the Czech...
DIVA Works
1142 results in works
Zvonka T Simčič - Poezija / Poetry (00:07:41)
Subtitle: (English version)
Production: Zavod CCC, 2015
This video is a coming-nearer – between the camerawoman/the video camera and the singer, the poet – the subtle video-touches. The opening ups/pursuits of the soft spots in the poet’s world, and all this imbued with everydayness – commonness, custom/ariness. The earth is at the same time mother, She is mother of all that is natural, mother of all that is human. She is the mother of all, for contained in her are the seeds of all. (Hildegarde of Bingen) (Source: Zvonka T Simčič)
Subtitle: (English version)
Production: Zavod CCC, 2015
This video is a coming-nearer – between the camerawoman/the video camera and the singer, the poet – the subtle video-touches. The opening ups/pursuits of the soft spots in the poet’s world, and all this imbued with everydayness – commonness, custom/ariness. The earth is at the same time mother, She is mother of all that is natural, mother of all that is human. She is the mother of all, for contained in her are the seeds of all. (Hildegarde of Bingen) (Source: Zvonka T Simčič)
Tanja Vujinović - U_Sound_Objects (00:18:33)
Production: Ultramono, 2015-2017
U_sound_objects is a group consisting of six generative audio-visual works. They are made of constantly mutating 3D objects, partially transformed by six sounds appropriated from a well known library of unexplained sounds. Polygons of three-dimensional objects are being generated, fragmented and re-positioned in real time while different, random parameters of low frequency noise generators affect their surface textures. The inner trails of these abstract digital bodies envelop the unknown while their trajec...
Production: Ultramono, 2015-2017
U_sound_objects is a group consisting of six generative audio-visual works. They are made of constantly mutating 3D objects, partially transformed by six sounds appropriated from a well known library of unexplained sounds. Polygons of three-dimensional objects are being generated, fragmented and re-positioned in real time while different, random parameters of low frequency noise generators affect their surface textures. The inner trails of these abstract digital bodies envelop the unknown while their trajec...
Tanja Vujinović - Universal Objects: Explosions (00:16:00)
Production: Ultramono, 2015-2017
Universal Objects: Explosions is a work containing four scenes of exploding objects. Only for a brief fragment of time are we able to see the delicate objects before and after they start exploding. These events are silently observed by a group of avatars. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioral patterns through which the situations themselves become like an...
Production: Ultramono, 2015-2017
Universal Objects: Explosions is a work containing four scenes of exploding objects. Only for a brief fragment of time are we able to see the delicate objects before and after they start exploding. These events are silently observed by a group of avatars. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioral patterns through which the situations themselves become like an...
Tanja Vujinović - Universal Objects: Observers (00:01:44)
Production: Ultramono, 2015
In the series of works called Universal Objects: Observers, avatars observe iterations of themselves displayed in a gallery environment. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioural patterns through which the situations themselves become like an organism. The units of these works were made through data bending. This involves converting files to various formats,...
Production: Ultramono, 2015
In the series of works called Universal Objects: Observers, avatars observe iterations of themselves displayed in a gallery environment. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioural patterns through which the situations themselves become like an organism. The units of these works were made through data bending. This involves converting files to various formats,...
Katarina Rešek - Zvezdana (Napravi mi dete) (00:03:17)
Production: Kuklaxklan, 2014
Glasbeni video spot skladbe Zvezdana skupine Napravi mi dete.
Production: Kuklaxklan, 2014
Glasbeni video spot skladbe Zvezdana skupine Napravi mi dete.
Katarina Rešek - Napoleon (Napravi mi dete) (00:03:45)
Production: Napravi mi dete & UL AGRFT, 2016
Music video Napoleon tells the story of a young woman in search of love, lost in a violent relationship with another person, which results in a violent relationship with herself and further relationships of the same kind. The film opens up the issue of sexual identity and ends with a conclusion that this is and will continue to be a man’s world if women look at it through men’s eyes. (Source: Katarina Rešek)
Production: Napravi mi dete & UL AGRFT, 2016
Music video Napoleon tells the story of a young woman in search of love, lost in a violent relationship with another person, which results in a violent relationship with herself and further relationships of the same kind. The film opens up the issue of sexual identity and ends with a conclusion that this is and will continue to be a man’s world if women look at it through men’s eyes. (Source: Katarina Rešek)
Katarina Rešek - Meduze (Matter) (00:03:30)
Production: 2015
Music video for song Meduze by Matter. The scenes are dark, recorded at night, in dark interiors or in the early morning. The members of the band drive witha a car from the forest to a city, into an empty garage house. They walk through an underpass full of graffiti towards underground shops, all of them are closed. Next to band members stand two jellyfish - naked women, completely covered with silver color, with a big hat over the head. Throughout the whole video we see short scenes in a dark pool. The mys...
Production: 2015
Music video for song Meduze by Matter. The scenes are dark, recorded at night, in dark interiors or in the early morning. The members of the band drive witha a car from the forest to a city, into an empty garage house. They walk through an underpass full of graffiti towards underground shops, all of them are closed. Next to band members stand two jellyfish - naked women, completely covered with silver color, with a big hat over the head. Throughout the whole video we see short scenes in a dark pool. The mys...
Katarina Rešek - Anakonda (Matter) (00:04:40)
Production: 2016
Music video for song Anakonda by Matter is visually partly inspired by the film A Clockwork Orange by Stanly Kubrick. Members of the band are seen in the video, joined by KUKLA as guest artist (also the author of the video). Most of the scenes are shot in various illuminated interiors. Later members of the band find themselves in a tunnel and then in the exterior with a burning car in the background. The mysterious text is complemented by a carnival visual imagery with expressive makeup and clothing. Everyt...
Production: 2016
Music video for song Anakonda by Matter is visually partly inspired by the film A Clockwork Orange by Stanly Kubrick. Members of the band are seen in the video, joined by KUKLA as guest artist (also the author of the video). Most of the scenes are shot in various illuminated interiors. Later members of the band find themselves in a tunnel and then in the exterior with a burning car in the background. The mysterious text is complemented by a carnival visual imagery with expressive makeup and clothing. Everyt...
Katarina Rešek - Peter Movrin (00:00:51)
Production: 2016
Promotional film for fashion designer Peter Movrin. Shot by the sea and in a pine forest on the Adriatic coast. Play of light is emphasised by exchanging scenes with glittering clothes and scenes with reflections from the sea. Urban bodies as a contrast to nature.
Production: 2016
Promotional film for fashion designer Peter Movrin. Shot by the sea and in a pine forest on the Adriatic coast. Play of light is emphasised by exchanging scenes with glittering clothes and scenes with reflections from the sea. Urban bodies as a contrast to nature.
Katarina Rešek - Among the Lull (Your Gay Thoughts) (00:03:49)
Production: 2015
Music video for the song Among the Lull by Your Gay Thoughts. Recorded in the urban environment of large apartment buildings. Bored young people hang out on the playground and at the club. Stereotypic sexual roles are mixed, empowered girls behave typically masculine, they take on the podium on the playground and on the dance floor. Most of the shots are in slow motion, editing style fits the melancholic feeling of the song. The video ends with an underwater shot of a kiss.
Production: 2015
Music video for the song Among the Lull by Your Gay Thoughts. Recorded in the urban environment of large apartment buildings. Bored young people hang out on the playground and at the club. Stereotypic sexual roles are mixed, empowered girls behave typically masculine, they take on the podium on the playground and on the dance floor. Most of the shots are in slow motion, editing style fits the melancholic feeling of the song. The video ends with an underwater shot of a kiss.
Katarina Rešek - Swimming (00:23:43)
Production: UL AGRFT / RTV Slovenija, 2014
Kratki igrani študentski film. Dvanajstletna deklica Sanela je uspešna v plavanju in si želi tekmovati na šolskem plavalnem tekmovanju, a ji pot prekriža menstruacija, ki zanjo in za njeno tradicionalno muslimansko družino predstavlja korenito spremembo v življenju. Tema filma je versko-kulturni konflikt med Zahodom in islamom, kot ga doživljajo otroci in mladostniki, ki odraščajo razpeti med vrednotami zahodne družbe spektakla in islamske tradicije. (Vir: Festival slovenskega filma)
Production: UL AGRFT / RTV Slovenija, 2014
Kratki igrani študentski film. Dvanajstletna deklica Sanela je uspešna v plavanju in si želi tekmovati na šolskem plavalnem tekmovanju, a ji pot prekriža menstruacija, ki zanjo in za njeno tradicionalno muslimansko družino predstavlja korenito spremembo v življenju. Tema filma je versko-kulturni konflikt med Zahodom in islamom, kot ga doživljajo otroci in mladostniki, ki odraščajo razpeti med vrednotami zahodne družbe spektakla in islamske tradicije. (Vir: Festival slovenskega filma)
Evelin Stermitz - Into the Ceiling Part I (00:10:17)
Subtitle: A Theory of Everything (Sort Of) and the Hijacked Crisis in Part I – III
Production: E.S., 2011
Video is part of a 3 channel video installation. All three videos are composed of a static camera shot from windows in a New York City apartment on a rainy day. Animated text is rising towards the top of the frame on a gray sky background. The text is composed out of headlines from The New York Times in August 2011 and reflects a certain moment in space and time.
Subtitle: A Theory of Everything (Sort Of) and the Hijacked Crisis in Part I – III
Production: E.S., 2011
Video is part of a 3 channel video installation. All three videos are composed of a static camera shot from windows in a New York City apartment on a rainy day. Animated text is rising towards the top of the frame on a gray sky background. The text is composed out of headlines from The New York Times in August 2011 and reflects a certain moment in space and time.
Evelin Stermitz - Into the Ceiling Part II (00:02:44)
Subtitle: A Theory of Everything (Sort Of) and the Hijacked Crisis in Part I – III
Production: E.S., 2011
Video is part of a 3 channel video installation. All three videos are composed of a static camera shot from windows in a New York City apartment on a rainy day. Animated text is rising towards the top of the frame on a gray sky background. The text is composed out of headlines from The New York Times in August 2011 and reflects a certain moment in space and time.
Subtitle: A Theory of Everything (Sort Of) and the Hijacked Crisis in Part I – III
Production: E.S., 2011
Video is part of a 3 channel video installation. All three videos are composed of a static camera shot from windows in a New York City apartment on a rainy day. Animated text is rising towards the top of the frame on a gray sky background. The text is composed out of headlines from The New York Times in August 2011 and reflects a certain moment in space and time.
Evelin Stermitz - Into the Ceiling Part III (00:02:39)
Subtitle: A Theory of Everything (Sort Of) and the Hijacked Crisis in Part I – III
Production: Evelin Stermitz, 2011
Video is part of a 3 channel video installation. All three videos are composed of a static camera shot from windows in a New York City apartment on a rainy day. Animated text is rising towards the top of the frame on a gray sky background. The text is composed out of headlines from The New York Times in August 2011 and reflects a certain moment in space and time.
Subtitle: A Theory of Everything (Sort Of) and the Hijacked Crisis in Part I – III
Production: Evelin Stermitz, 2011
Video is part of a 3 channel video installation. All three videos are composed of a static camera shot from windows in a New York City apartment on a rainy day. Animated text is rising towards the top of the frame on a gray sky background. The text is composed out of headlines from The New York Times in August 2011 and reflects a certain moment in space and time.
Nataša Prosenc Stearns - Golden Curtain (00:02:05)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. Video formed an installation that was together with a series of videos Hotel Diary presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. Video formed an installation that was together with a series of videos Hotel Diary presented at the exhibition at Velenje Gallery in 2016.
Nataša Prosenc Stearns - Hotel Diary (Velenje Gallery) (00:01:55)
Production: 2016
Video installation of a series of videos entitled Hotel Diary was displayed together with a Golden Curtain video installation at the exhibition at Velenje Gallery in 2016. Videos were recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled.
Production: 2016
Video installation of a series of videos entitled Hotel Diary was displayed together with a Golden Curtain video installation at the exhibition at Velenje Gallery in 2016. Videos were recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled.
Nataša Prosenc Stearns - Hotel Diary: Dead End Corridor (00:02:11)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Nataša Prosenc Stearns - Hotel Diary: Bar (00:02:37)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Nataša Prosenc Stearns - Hotel Diary: Staircase (00:01:38)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.