Nataša Skušek - Ecstasy (00:11:28)
Production: 2005
The video consists of ten close-up shots of the author's face while breastfeeding her daughter. The author got inflammation of the tissue in her breast or mastitis and shows the unpleasant, painful part of motherhood, which is usually depicted with idealized scenes of tenderness. Close-ups are mixed with video image disintegration effects (dissolve).
DIVA Experimental video
333 results in works
Nataša Skušek - Fliperautomat (00:02:47)
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Nataša Skušek - Lebdenje (00:04:31)
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Nataša Skušek - Toaleta 1 / 36 (00:03:31)
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Nataša Skušek - Wedding (00:01:00)
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Nataša Skušek - Venezia 1 (00:12:05)
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.
Nataša Skušek - Venezia 2 (00:12:05)
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Nataša Skušek - You Will See... (00:04:23)
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Janez Janša, Darij Kreuh - Brainscore (00:17:30)
Subtitle: incorporeal communication
Production: Forum Ljubljana / Cankarjev dom / Kibla / Galerija Kapelica �OU Ljubljana, 2000
Video razlaga projekt Brainscore - performans dveh akterjev, ki delujeta v virtualnem prostoru preko avatarjev. Gre za prvi tovrstni poskus izogniti se fizični udeležbi akterjev pri vodenju avatarjev: sprožanje ukazov na konzoli prek sistema, ki temelji na akterjevih možganskih signalih (ti. nevrofeedback tehnologija) in sistemu za zaznavanje očesnega gibanja. Cilj performansa je ustvariti nadzorovan tok informacij, avdio-vizualnih sporočil, da bi vzpostavili komunikacijo z občinstvom. Informacije se...
Subtitle: incorporeal communication
Production: Forum Ljubljana / Cankarjev dom / Kibla / Galerija Kapelica �OU Ljubljana, 2000
Video razlaga projekt Brainscore - performans dveh akterjev, ki delujeta v virtualnem prostoru preko avatarjev. Gre za prvi tovrstni poskus izogniti se fizični udeležbi akterjev pri vodenju avatarjev: sprožanje ukazov na konzoli prek sistema, ki temelji na akterjevih možganskih signalih (ti. nevrofeedback tehnologija) in sistemu za zaznavanje očesnega gibanja. Cilj performansa je ustvariti nadzorovan tok informacij, avdio-vizualnih sporočil, da bi vzpostavili komunikacijo z občinstvom. Informacije se...
Miha Vipotnik - Eight (24:52)
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
