Nataša Skušek - Ekstaza (00:11:28)
Production: 2005
Video obsega deset bližnjih (close-up) posnetkov obraza med avtoričinim dojenjem hčerke. Avtorica je dobila vnetje tkiva v dojki oz. mastitis in prikazuje neprijetni, boleči del materinstva, ki ga sicer ponavadi prikazujejo z idealiziranimi prizori nežnosti. Bližnji posnetki se mešajo z efekti razpadanja video slike (dissolve).
DIVA Experimental video
312 results in works
Nataša Skušek - Fliperautomat (00:02:47)
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Nataša Skušek - Lebdenje (00:04:31)
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Nataša Skušek - Toaleta 1 / 36 (00:03:31)
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Nataša Skušek - Wedding (00:01:00)
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Nataša Skušek - Venezia 1 (00:12:05)
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.
Nataša Skušek - Venezia 2 (00:12:05)
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Nataša Skušek - You Will See... (00:04:23)
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Janez Janša, Darij Kreuh - Brainscore (00:17:30)
Subtitle: incorporeal communication
Production: Forum Ljubljana / Cankarjev dom / Kibla / Galerija Kapelica �OU Ljubljana, 2000
Video razlaga projekt Brainscore - performans dveh akterjev, ki delujeta v virtualnem prostoru preko avatarjev. Gre za prvi tovrstni poskus izogniti se fizični udeležbi akterjev pri vodenju avatarjev: sprožanje ukazov na konzoli prek sistema, ki temelji na akterjevih možganskih signalih (ti. nevrofeedback tehnologija) in sistemu za zaznavanje očesnega gibanja. Cilj performansa je ustvariti nadzorovan tok informacij, avdio-vizualnih sporočil, da bi vzpostavili komunikacijo z občinstvom. Informacije se...
Subtitle: incorporeal communication
Production: Forum Ljubljana / Cankarjev dom / Kibla / Galerija Kapelica �OU Ljubljana, 2000
Video razlaga projekt Brainscore - performans dveh akterjev, ki delujeta v virtualnem prostoru preko avatarjev. Gre za prvi tovrstni poskus izogniti se fizični udeležbi akterjev pri vodenju avatarjev: sprožanje ukazov na konzoli prek sistema, ki temelji na akterjevih možganskih signalih (ti. nevrofeedback tehnologija) in sistemu za zaznavanje očesnega gibanja. Cilj performansa je ustvariti nadzorovan tok informacij, avdio-vizualnih sporočil, da bi vzpostavili komunikacijo z občinstvom. Informacije se...
Miha Vipotnik - Eight (24:52)
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
Duba Sambolec - Lights & Pipes (05:24)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
The authors put on the camera and film lights and pipes with one of them filming and the other holding her. The situation is entertaining for both of them, as we hear them laughing. The first one dictates hot the other should hold her in order for her to move up and film the lights and pipes. Movement of the hand held camera is impulsive, fast and improvised. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljublj...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
The authors put on the camera and film lights and pipes with one of them filming and the other holding her. The situation is entertaining for both of them, as we hear them laughing. The first one dictates hot the other should hold her in order for her to move up and film the lights and pipes. Movement of the hand held camera is impulsive, fast and improvised. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljublj...
Duba Sambolec - Airport 2 (31:46)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Duba Sambolec - Collectors #2 (15:15)
Production: Duba Sambolec, 2001/2002
Video work is a research in the field of personal memories, their collected fragments, of the articulation of holes in the memory and missing evidence. The whispering of the author follows the whole line of recordings in a nondramatic, mystical and calming manner and works as a narration. Shots transition from focused to blurry in a slow rhythm. The video is limited with a round frame. In a series of works Collectors the author deals with an individual trapped in a subordinate position and with personal mem...
Production: Duba Sambolec, 2001/2002
Video work is a research in the field of personal memories, their collected fragments, of the articulation of holes in the memory and missing evidence. The whispering of the author follows the whole line of recordings in a nondramatic, mystical and calming manner and works as a narration. Shots transition from focused to blurry in a slow rhythm. The video is limited with a round frame. In a series of works Collectors the author deals with an individual trapped in a subordinate position and with personal mem...
Duba Sambolec - Airport Revisited (01:19)
Production: Duba Sambolec, 2004
Video deals with conjugation of a sentence "I am the center" in a form of animated red text circling over the screen. The animation warns us that repeating paroles are a productive tool for political indoctrination, profit marketing and the seeming satisfaction of the needs and wants created by the market. The video has no sound.NoHomeVideos© video performances, altogether created 14 by the author, are dealing with the experience of being manipulated by the agents of power and control. Performances str...
Production: Duba Sambolec, 2004
Video deals with conjugation of a sentence "I am the center" in a form of animated red text circling over the screen. The animation warns us that repeating paroles are a productive tool for political indoctrination, profit marketing and the seeming satisfaction of the needs and wants created by the market. The video has no sound.NoHomeVideos© video performances, altogether created 14 by the author, are dealing with the experience of being manipulated by the agents of power and control. Performances str...
Duba Sambolec - Collectors #4 (12:02)
Subtitle: *Revisited*
Production: Duba Sambolec, 2003/2005
Paralelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o z...
Subtitle: *Revisited*
Production: Duba Sambolec, 2003/2005
Paralelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o z...
Ema Kugler - Phantom (87:45)
Production: Zavod ZANK / VPK, Cankarjev dom, RTV Slovenija, 2003
»The Phantom« is a film about death that does not ask, »Who am I?«, but »Have I ever really been there ... in my life? Have I ever really lived? Wasn’t everything just an illusion, an illusion of a false existence? Is it even possible to die? How to escape from this chain of unbearable repetitions; to be a soul and to be flesh over and over again! Is it even possible to see another, such as he is? Isn't this other just an illusion as well, our mental construct we need it...
Production: Zavod ZANK / VPK, Cankarjev dom, RTV Slovenija, 2003
»The Phantom« is a film about death that does not ask, »Who am I?«, but »Have I ever really been there ... in my life? Have I ever really lived? Wasn’t everything just an illusion, an illusion of a false existence? Is it even possible to die? How to escape from this chain of unbearable repetitions; to be a soul and to be flesh over and over again! Is it even possible to see another, such as he is? Isn't this other just an illusion as well, our mental construct we need it...
Ema Kugler - Le Grand Macabre (01:40:44)
Production: ZANK / Ljudmila, 2005
Experimental video is made after sound recording of Le Grand Macabre opera, recorded live at the Parisian Theatre du Chatelet in fabruary 1998, performed by London Sinfonietta Voices Philharmonic Orchestra. Composer György Ligeti, avant-gardist of the contemporary classic left a big impression in the musical and also film universe. Ligeti was the author of unforgettable passages in Kubrick's films 2001: A Space Odyssey (1968), The Shining (1980) in Eyes Wide Shut (1999). Film has no dialogs, it is a st...
Production: ZANK / Ljudmila, 2005
Experimental video is made after sound recording of Le Grand Macabre opera, recorded live at the Parisian Theatre du Chatelet in fabruary 1998, performed by London Sinfonietta Voices Philharmonic Orchestra. Composer György Ligeti, avant-gardist of the contemporary classic left a big impression in the musical and also film universe. Ligeti was the author of unforgettable passages in Kubrick's films 2001: A Space Odyssey (1968), The Shining (1980) in Eyes Wide Shut (1999). Film has no dialogs, it is a st...
Marko A. Kovačič - Živel 1. maj - Praznik dela / May Day Forever (00:01:20)
Production: 2000
Short one-minute video showing clippings from newspaper articles about the celebration of May 1th, followed by sections and close-ups of certain motifs and communist symbols.
Production: 2000
Short one-minute video showing clippings from newspaper articles about the celebration of May 1th, followed by sections and close-ups of certain motifs and communist symbols.
Marko A. Kovačič - Katastropolis (00:01:04)
Production: M. A. Kovačič, 1997
One-minute long overview of the set of project Katastropolis, composed of different actions and art works in different media. It is one of the basic sets for the authors video Forth into the past.
Production: M. A. Kovačič, 1997
One-minute long overview of the set of project Katastropolis, composed of different actions and art works in different media. It is one of the basic sets for the authors video Forth into the past.
Damijan Kracina, Vladimir Leben - Galapagos (00:05:39)
Production: 2005
The video was created for a joint exhibition by Leban and Kracina entitled Galapagos. We see close-ups of an artificial installation of Galapagos Island, with a volcano at its centre. When individual animal species or motifs appear, the shots of the Island gently shift to a shot of Vladimir Leben, with adorable but strange animals with huge eyes. The sound of mechanical humming is replaced by recordings of animal sounds. The video includes a fragment from the Ape Boys, which is followed by shots of fantasy...
Production: 2005
The video was created for a joint exhibition by Leban and Kracina entitled Galapagos. We see close-ups of an artificial installation of Galapagos Island, with a volcano at its centre. When individual animal species or motifs appear, the shots of the Island gently shift to a shot of Vladimir Leben, with adorable but strange animals with huge eyes. The sound of mechanical humming is replaced by recordings of animal sounds. The video includes a fragment from the Ape Boys, which is followed by shots of fantasy...
