Uršula Berlot - Cast to the Bottom (02:38)
Production: Uršula Berlot, 2017
Video created for the track Cast to the Bottom from the album The Great Crater by Scanner (Glacial Movements, 2017). Composed of landscape 3d digital simulation and digitally processed video recordings, the video shows a virtual journey through an imaginary underwater landscape. Landscape segments are reminiscent of Berlot’s previously realized works of art – the topography of magnetic fluids and light sculptures. The dreamlike quality of video comes from the uncertainty of recognizing tem...
DIVA Works
1174 results in works
Uršula Berlot - Liquid Solidity (05:06)
Production: Uršula Berlot, 2017
The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure which periodically resembles a virus structure, complex proteins or carbon fullerenes, is being decomposed, transformed and re-shaped in a string of regulatory processes. The fusion of elements according to the rule of shape and anti-shape (the key–lock principle), chain formation, deformation with multiplied symmetry, or a simulation of the Brownian motion crea...
Production: Uršula Berlot, 2017
The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure which periodically resembles a virus structure, complex proteins or carbon fullerenes, is being decomposed, transformed and re-shaped in a string of regulatory processes. The fusion of elements according to the rule of shape and anti-shape (the key–lock principle), chain formation, deformation with multiplied symmetry, or a simulation of the Brownian motion crea...
Uršula Berlot - Observatory: Carbon Nanotubes (00:40)
Production: Uršula Berlot, 2016
The sound-kinetic diorama submerged within and enhanced by the audio environment observed through an opening in the surface of a crystal-shaped object imitates the structural makeup of carbon nanotubes visible through a microscope. A hub of tubes creates a nano-topographic simulation, whose technical attributes reveal another specific characteristic uncovered within the domain of light technology: carbon nanotubes, which represent a compelling potential, since they allow, indeed facilitate the transformatio...
Production: Uršula Berlot, 2016
The sound-kinetic diorama submerged within and enhanced by the audio environment observed through an opening in the surface of a crystal-shaped object imitates the structural makeup of carbon nanotubes visible through a microscope. A hub of tubes creates a nano-topographic simulation, whose technical attributes reveal another specific characteristic uncovered within the domain of light technology: carbon nanotubes, which represent a compelling potential, since they allow, indeed facilitate the transformatio...
Uršula Berlot - Observatory: Magnetic Fluid (00:30)
Production: Uršula Berlot, 2014-2016
A miniature silver landscape in motion that can be viewed through the observation perforation in the surface of a cristal-like object is based on the photographs of magnetic fluids that served as the basis for digital model development and the resulting 3D printed reliefs. In the act of viewing the framed panorama in the static position, the viewer loses a sense of scale; the tiny spiked structures of the kinetic surface take on the appearance of the surface topography of some distant planet. Dematerialized...
Production: Uršula Berlot, 2014-2016
A miniature silver landscape in motion that can be viewed through the observation perforation in the surface of a cristal-like object is based on the photographs of magnetic fluids that served as the basis for digital model development and the resulting 3D printed reliefs. In the act of viewing the framed panorama in the static position, the viewer loses a sense of scale; the tiny spiked structures of the kinetic surface take on the appearance of the surface topography of some distant planet. Dematerialized...
Uršula Berlot - Fluid Topography (06:33)
Production: Uršula Berlot, 2014
The recording of dynamic forms of magnetic fluids that are produced by invisible magnetic fields directs the experience of the material in relation to the immaterial. The ferrofluid structures, which are in reality only a few centimeters in height, being transposed into a digital environment operate as macro-scale phenomena that simulate characteristics of the organic, the animate. Fluid topography acts to simulate a natural living organism or process, which by revealing the sphere of unseen magnetic physic...
Production: Uršula Berlot, 2014
The recording of dynamic forms of magnetic fluids that are produced by invisible magnetic fields directs the experience of the material in relation to the immaterial. The ferrofluid structures, which are in reality only a few centimeters in height, being transposed into a digital environment operate as macro-scale phenomena that simulate characteristics of the organic, the animate. Fluid topography acts to simulate a natural living organism or process, which by revealing the sphere of unseen magnetic physic...
Uršula Berlot - Luminiscence (01:17)
Production: Uršula Berlot, 2012
Light-kinetic installation; turntable, silver plating plexiglass dim. 70 x 90 cm, light reflections variable dimensions sound: Scanner – Robin Rimbaud.
Production: Uršula Berlot, 2012
Light-kinetic installation; turntable, silver plating plexiglass dim. 70 x 90 cm, light reflections variable dimensions sound: Scanner – Robin Rimbaud.
Uršula Berlot - Bodyscope (02:52)
Production: Uršula Berlot, 2012
The repeated kaleidoscopic video was created on the basis of X-ray image of a spine and projected back over the original radiological image printed on aluminum support. Such projection creates layering, a kind of spatial superposition into a repetitive hypnotic pattern. The image in motion is periodically decomposed and reassembled into a coherent original image. (Source: Uršula Berlot)video projection (2,50′), print on aluminumdim: 150 x 200 cmsound: Scanner – Robin Rimbaud
Production: Uršula Berlot, 2012
The repeated kaleidoscopic video was created on the basis of X-ray image of a spine and projected back over the original radiological image printed on aluminum support. Such projection creates layering, a kind of spatial superposition into a repetitive hypnotic pattern. The image in motion is periodically decomposed and reassembled into a coherent original image. (Source: Uršula Berlot)video projection (2,50′), print on aluminumdim: 150 x 200 cmsound: Scanner – Robin Rimbaud
Lealudvik - Fish Love (13:15)
Production: Lealudvik, 2019
The video is a single-channel version of a three-channel spatial installation at the Lealudvik: As it is, so be it exhibition at the Škuc Gallery in 2020. It consists of three scenes of a video performance in which the artists eats a cast of his/her partner's body. The side scenes, placed in a perspective, were placed on opposite walls in the gallery space. Each aimed at one protagonist. The frontal scene shows a top-down view of the castings of half of the two bodies, which together make up the...
Production: Lealudvik, 2019
The video is a single-channel version of a three-channel spatial installation at the Lealudvik: As it is, so be it exhibition at the Škuc Gallery in 2020. It consists of three scenes of a video performance in which the artists eats a cast of his/her partner's body. The side scenes, placed in a perspective, were placed on opposite walls in the gallery space. Each aimed at one protagonist. The frontal scene shows a top-down view of the castings of half of the two bodies, which together make up the...
Lealudvik - Safe Haven (02:30)
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video shows the author, this time in the role of a dominatrix...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video shows the author, this time in the role of a dominatrix...
Lealudvik - Safe Haven II (02:01)
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video is full of glitches creating notches, fractures, and un...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video is full of glitches creating notches, fractures, and un...