Klon:Art:Resistance - Klon Art (00:05:05)
Subtitle: Dokumentarni prispevek na Gajba TV
Production: Gajba TV
Dokumentarni prispevek Gajba TV* o skupini grafitarjev in uličnih umetnikov KlonArt. Prispevek spremlja rap komad z naslovom Ilegal d.o.o., dinamična kamera, hitra menjava kadrov in nasičen kolorit, ki je značilen za ulično umetnost. Govorjeni tekst v prispevku predstavi nekatera idejna izhodišča umetniške skupine in pojasnjuje področje njihovega delovanja. Grafitarstvo predstavi kot življenjski stil, ki presega dualizme lepega in grdega in nastopa proti gentrificirani podobi mestne pokrajine. Gra...
DIVA activism
24 results in works
Neven Korda, Dario Seraval, Zemira Alajbegović - The Wild Bunch (00:02:56)
Subtitle: From the "So Young" compilation
Production: FV Video / ŠKD Forum, 1984
Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavia by the FV Label and successfully distributed via alternative channels. Videos are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of them presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedi...
Subtitle: From the "So Young" compilation
Production: FV Video / ŠKD Forum, 1984
Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavia by the FV Label and successfully distributed via alternative channels. Videos are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of them presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedi...
Marko A. Kovačič - Metelkova Network (00:37:14)
Production: Mreža za Metelkovo, 1990
Video documents a project "Mreža za Metelkovo", in which 200 partners gathered in 1990. Spatial needs of participating artists were presented in a programme, which came out in October 1990. All the corresponding institutions including the headquarters of the National Yugoslav Army were informed about the project. Mreža za Metelkova was as a society formally founded on 22.12.1990 on a National Yugoslav Army holiday. Although National Yugoslav Army was still placed in all barracks in Slovenia which made the...
Production: Mreža za Metelkovo, 1990
Video documents a project "Mreža za Metelkovo", in which 200 partners gathered in 1990. Spatial needs of participating artists were presented in a programme, which came out in October 1990. All the corresponding institutions including the headquarters of the National Yugoslav Army were informed about the project. Mreža za Metelkova was as a society formally founded on 22.12.1990 on a National Yugoslav Army holiday. Although National Yugoslav Army was still placed in all barracks in Slovenia which made the...
Milena Kosec - Marička B. Pomagaj ante portas (00:09:10)
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Maja Slavec - Woman Beauty Power Less (00:04:40)
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
Ana Grobler - Beautiful (00:01:56)
Production: 2008
Video warns about the fact, that in order to reach the standards of beauty, imposed on us by mass media, animals get hurt due to testing of big cosmetic companies. Video is based on a black and white photography, except at the very end, when a warning is stressed. The work is composed of photographs and typography written as though typed on a writing machine. The sound of typing letters is present at the beginning and the end of the video.
Production: 2008
Video warns about the fact, that in order to reach the standards of beauty, imposed on us by mass media, animals get hurt due to testing of big cosmetic companies. Video is based on a black and white photography, except at the very end, when a warning is stressed. The work is composed of photographs and typography written as though typed on a writing machine. The sound of typing letters is present at the beginning and the end of the video.
Vesna Bukovec - Personal Advice (00:00:59)
Production: V.B., 2010
Personal advice first seems like a secret being revealed by a soft voice, telling us to take its advice. This advice is a completely absurd series of words, which as we soon find out is taken out of astrological forecasts. Visual representation of the video is completely impersonal. The screen is divided into two levels of text also read by an android voice saying: »This is not the best time for an activity plan which calls for art diplomacy and caution as you tend to be extremely simple direct and po...
Production: V.B., 2010
Personal advice first seems like a secret being revealed by a soft voice, telling us to take its advice. This advice is a completely absurd series of words, which as we soon find out is taken out of astrological forecasts. Visual representation of the video is completely impersonal. The screen is divided into two levels of text also read by an android voice saying: »This is not the best time for an activity plan which calls for art diplomacy and caution as you tend to be extremely simple direct and po...
Amir Muratović - Zapeljevanje pogleda (1)
Subtitle: 1. sezona : Marija Mojca Pungerčar / Polona Tratnik, Vadim Fiškin / Sašo Sedlaček, Damijan Kracina / Marko A. Kovačič, Uršula Berlot / son:Da
Production: RTV Slovenija, 2007-2009
Niz dokumentarnih oddaj o slovenski sodobni umetnosti Zapeljevanje pogleda nastaja v Izobraževalnem programu Televizije Slovenija od leta 2007. Serijo sestavljajo oddaje, v katerih se predstavljata po dva umetnika, ki nam skozi svoja dela in projekte predstavljata lasten pogled na umetnost. Zapeljevanje pogleda ni zvrstno in žanrsko omejena serija in se še zmerom dograjuje.
Subtitle: 1. sezona : Marija Mojca Pungerčar / Polona Tratnik, Vadim Fiškin / Sašo Sedlaček, Damijan Kracina / Marko A. Kovačič, Uršula Berlot / son:Da
Production: RTV Slovenija, 2007-2009
Niz dokumentarnih oddaj o slovenski sodobni umetnosti Zapeljevanje pogleda nastaja v Izobraževalnem programu Televizije Slovenija od leta 2007. Serijo sestavljajo oddaje, v katerih se predstavljata po dva umetnika, ki nam skozi svoja dela in projekte predstavljata lasten pogled na umetnost. Zapeljevanje pogleda ni zvrstno in žanrsko omejena serija in se še zmerom dograjuje.
Sašo Sedlaček - Rent a Žicar / Rent a Beggar (00:19:23)
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Sašo Sedlaček - Fernetiči / Fernetti (00:05:59)
Production:
Video je del projekta Izgubljena ozemlja. Kader je statičen in prikazuje mejni prehod Fernetiči med Italijo in Slovenijo. Umetnik spremeni državne simbole na način, da združi zastave v novi digitalni verziji. Forme dveh držav so prisotne, a so vseeno slabo vidne in izginjajo v digitalni posplošitvi. Tako kot je absurdna meja med državami, je absurdna tudi znakovna distinkcija.
Production:
Video je del projekta Izgubljena ozemlja. Kader je statičen in prikazuje mejni prehod Fernetiči med Italijo in Slovenijo. Umetnik spremeni državne simbole na način, da združi zastave v novi digitalni verziji. Forme dveh držav so prisotne, a so vseeno slabo vidne in izginjajo v digitalni posplošitvi. Tako kot je absurdna meja med državami, je absurdna tudi znakovna distinkcija.
