Apolonija Šušteršič - How To Make Orange Juice I (0:02:08)
Production: 1998
Podroben potek priprave naravnega pomarančnega soka v domači kuhinji. Notranjost Juice Bara sestavljajo zelene plošče, ki služijo kot 11-metrski bar in barski stoli, oranžne stene in tla, mize in stoli, ki jih je oblikoval Arne Vehovar za Magis, naslovni logotip Irene Woelle, skodelice z odtisnjenim logotipom, sokovniki, posode, pomaranče, hladilnik in koši za smeti.
DIVA close-up views
12
30 results in works
Rok Sieberer Kuri - Teletekst (00:00:35)
Production: 2001
Posnetek najave Kurijeve razstave na teletekstu domače televizije, akterja, moški in ženska sremljata ekran iz domačega kavča, ženski glas podaja komentarje k vsebini.
Production: 2001
Posnetek najave Kurijeve razstave na teletekstu domače televizije, akterja, moški in ženska sremljata ekran iz domačega kavča, ženski glas podaja komentarje k vsebini.
Miha Vipotnik - Don't Panic (06:30)
Production: TV Koper Capodistria & Obalne galerije Piran, 1984
The video follows a friendly conversation between the author and a painter and philosopher Andraž Šalamun. It alters the succession of events, thus manipulating the text and creating a complex narrative without logic and continuity. The flow of impulses and associations is reminiscent of the performance and automatic action-writing of poetry. (Source: Videodokument)
Production: TV Koper Capodistria & Obalne galerije Piran, 1984
The video follows a friendly conversation between the author and a painter and philosopher Andraž Šalamun. It alters the succession of events, thus manipulating the text and creating a complex narrative without logic and continuity. The flow of impulses and associations is reminiscent of the performance and automatic action-writing of poetry. (Source: Videodokument)
Nataša Skušek - Ecstasy (00:11:28)
Production: 2005
The video consists of ten close-up shots of the author's face while breastfeeding her daughter. The author got inflammation of the tissue in her breast or mastitis and shows the unpleasant, painful part of motherhood, which is usually depicted with idealized scenes of tenderness. Close-ups are mixed with video image disintegration effects (dissolve).
Production: 2005
The video consists of ten close-up shots of the author's face while breastfeeding her daughter. The author got inflammation of the tissue in her breast or mastitis and shows the unpleasant, painful part of motherhood, which is usually depicted with idealized scenes of tenderness. Close-ups are mixed with video image disintegration effects (dissolve).
Marijan Osole - Max - Avtop (0:04:52)
Production: ŠKD Forum, 1983
The artist focuses on his figure in two repeated scenes. Details of his face and mid shots of the artist's naked body exchange on a basis of electronic noise music accompanying the whole video.
Production: ŠKD Forum, 1983
The artist focuses on his figure in two repeated scenes. Details of his face and mid shots of the artist's naked body exchange on a basis of electronic noise music accompanying the whole video.
Nika Autor, Robertina Šebjanič - Niro (0:02:15)
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Ana Čigon - Anima (ani+ma) (0:04:22)
Production: Ana Čigon, 2007
Video is author's intimate tale set in nature and author's living space. This non-narrative piece makes driving on a foggy road, outlines and shadows seem like a dream. Melancholic soundtrack is becoming more and more positive and upbeat towards the end of the video and follows scenes of the author set in her home and in nature at the same time. Video was shot with a digital camera with added editing effects that result in doubling, multi layering and color grading and allow the artist to play wit...
Production: Ana Čigon, 2007
Video is author's intimate tale set in nature and author's living space. This non-narrative piece makes driving on a foggy road, outlines and shadows seem like a dream. Melancholic soundtrack is becoming more and more positive and upbeat towards the end of the video and follows scenes of the author set in her home and in nature at the same time. Video was shot with a digital camera with added editing effects that result in doubling, multi layering and color grading and allow the artist to play wit...
Maja Slavec - Woman Beauty Power Less (00:04:40)
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
Ana Grobler - Migraine (00:05:23)
Production: 2007
Video work is a migraine self portrait of the artist. The whole process of making the video was made in a period of a migraine seizure. Camera is static and tries to present the state of a patient suffering from a migraine seizure. The work focuses on a question whether a bigger number of women hurting from migraine then man is caused by social or biological predispositions. In the age between 30 and 40 a ratio is three women on one man, although in childhood it is the same for both sexes.
Production: 2007
Video work is a migraine self portrait of the artist. The whole process of making the video was made in a period of a migraine seizure. Camera is static and tries to present the state of a patient suffering from a migraine seizure. The work focuses on a question whether a bigger number of women hurting from migraine then man is caused by social or biological predispositions. In the age between 30 and 40 a ratio is three women on one man, although in childhood it is the same for both sexes.
Ana Grobler - Soči (00:02:38)
Production: 2006
Video work devoted to the Soča River is composed of close up photographs of the author's face and recordings of the river. The intertwinement of both creates an impression of unusual worlds. As images of the face interlace into an image of the river, the limits between human and nature are lost. The face fades into the river flow and the limits between solid and liquid, concrete and abstract, known and unknown vanish. When there is nothing you can grasp on, new key points must be created. Video is mea...
Production: 2006
Video work devoted to the Soča River is composed of close up photographs of the author's face and recordings of the river. The intertwinement of both creates an impression of unusual worlds. As images of the face interlace into an image of the river, the limits between human and nature are lost. The face fades into the river flow and the limits between solid and liquid, concrete and abstract, known and unknown vanish. When there is nothing you can grasp on, new key points must be created. Video is mea...
Ana Čigon - Nezlomljiva / Unbreakable (0:01:08)
Production: Ana Čigon, 2008
Video documents braking of the branches on trees; it gets harder and harder to break the branches and in the end the author gets to a branch that doesn't give in. Video consists of nine short scenes ending with freeze frames, eight of them forming a frame with the last - ninth shot placed in the middle. Video is shot with a hand held camera making only close-up shots.
Production: Ana Čigon, 2008
Video documents braking of the branches on trees; it gets harder and harder to break the branches and in the end the author gets to a branch that doesn't give in. Video consists of nine short scenes ending with freeze frames, eight of them forming a frame with the last - ninth shot placed in the middle. Video is shot with a hand held camera making only close-up shots.
Marko A. Kovačič - Casus belli (film) (00:13:37)
Production: ŠKUC, 1983
An experimental miniature that addresses the basic building blocks of film and dissects and explores the moving image and medium of film. The body is a painter's canvas, geometric figures are mise-en-scene, performance is a study of movement, masking and disguise. A short film is composed of sequences constructed on the montage principle and synchronised with sound played from a separate source (tape recorder). The geometric constructions are alternated with images of the body (of the artist) that transfor...
Production: ŠKUC, 1983
An experimental miniature that addresses the basic building blocks of film and dissects and explores the moving image and medium of film. The body is a painter's canvas, geometric figures are mise-en-scene, performance is a study of movement, masking and disguise. A short film is composed of sequences constructed on the montage principle and synchronised with sound played from a separate source (tape recorder). The geometric constructions are alternated with images of the body (of the artist) that transfor...
Ana Nuša Dragan - Survey (14:00)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
Nataša Skušek - Heri (04:02)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek obrite moške glave. Iz ušesa mu 'raste' šop razmršenih dolgih rdečih las, ki jih ženske roke skrbno urej...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek obrite moške glave. Iz ušesa mu 'raste' šop razmršenih dolgih rdečih las, ki jih ženske roke skrbno urej...
Nataša Skušek - khm_khm (6:34)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek prikazuje hranjenje moškega, ki ga izza njegovega hrbta izvaja ženska. Humorna gesta, poznana iz komedij 'slapstick', se poigr...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek prikazuje hranjenje moškega, ki ga izza njegovega hrbta izvaja ženska. Humorna gesta, poznana iz komedij 'slapstick', se poigr...
Nataša Skušek - Golica (03:54)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Video Golica spremlja zvok živižganja istoimenske ponarodele melodije narodnozabavnega ansambla. Žvižganje daje tempo potresavanju ženske zadn...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Video Golica spremlja zvok živižganja istoimenske ponarodele melodije narodnozabavnega ansambla. Žvižganje daje tempo potresavanju ženske zadn...
Nataša Prosenc Stearns - Mud (excerpts) (00:09:59 (00:01:59))
Production: 2009
Blato je zgodba o izvoru življenja, v kateri ženska izoblikuje samo sebe iz naravnega materiala – iz tekocega blata, ki je nasičen s čutnostjo, prožnostjo in kreativnim potencialom. Zgodba je tudi pripoved o razmerju med prosto spreminjajoco se naravo in določenostjo s kulturo ter soobstoju obeh elementov v eni osebi. Motiv igranega video dela je avtorski prikaz mita o kreaciji ženske, ki vstane iz živega blata in stopi na pot transformacije oziroma civiliziranja. Video spremljajo terenski posn...
Production: 2009
Blato je zgodba o izvoru življenja, v kateri ženska izoblikuje samo sebe iz naravnega materiala – iz tekocega blata, ki je nasičen s čutnostjo, prožnostjo in kreativnim potencialom. Zgodba je tudi pripoved o razmerju med prosto spreminjajoco se naravo in določenostjo s kulturo ter soobstoju obeh elementov v eni osebi. Motiv igranega video dela je avtorski prikaz mita o kreaciji ženske, ki vstane iz živega blata in stopi na pot transformacije oziroma civiliziranja. Video spremljajo terenski posn...
RÁTNEEK - Laibach – We Are Millions And Millions Are One (00:04:37)
Production: 2015
Music video for Laibach’s We Are Millions And Millions Are One (Spectre) deals with impossibility of love in impossible times, so dangerously close to the fictional reality of classic dystopian films, like Ridley Scott’s Blade Runner or novels like Yevgeny Zamyatin’s We (Мы), Laibach’s inspiration for this song and the video itself. (Source: Blaž Murn, Maja Prelog) Animations taken from Vuk Jevremovic's La Isla de los Muertos.
Production: 2015
Music video for Laibach’s We Are Millions And Millions Are One (Spectre) deals with impossibility of love in impossible times, so dangerously close to the fictional reality of classic dystopian films, like Ridley Scott’s Blade Runner or novels like Yevgeny Zamyatin’s We (Мы), Laibach’s inspiration for this song and the video itself. (Source: Blaž Murn, Maja Prelog) Animations taken from Vuk Jevremovic's La Isla de los Muertos.
Maja Hodošček - Poem (00:12:04 (trailer 00:02:03))
Production: 2015
For the first time a teenage girl is encountering a poem written by her high school colleagues – members of a school debate club wrote this particular poem. In the video we see how she reacts upon the written words by translating them in semi abstract sounds. Or she pics upon parts of the poem and tries to transform them into a new form, reading the words backwards or inventing them a new. She confronts herself with an unknown material, there is no reference on which she could depend on. Therefore she fin...
Production: 2015
For the first time a teenage girl is encountering a poem written by her high school colleagues – members of a school debate club wrote this particular poem. In the video we see how she reacts upon the written words by translating them in semi abstract sounds. Or she pics upon parts of the poem and tries to transform them into a new form, reading the words backwards or inventing them a new. She confronts herself with an unknown material, there is no reference on which she could depend on. Therefore she fin...
Kaja & Sava Kosmač - Nosferatu (00:02:35)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
12
