Oliver Marčeta - Avantgarde film (00:05:18)
Production:
Računalniško producirane črte - vertikalne in horizontalne, sinhrono z glasbo prekrivajo površino ekrana. Glasba spominja na odrezavo pihanje vetra, ki je silovito in se stopnjuje, črte pa se z njo redčijo in gostijo - ekspresivno.
DIVA distorsion
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26 results in works
Miha Vipotnik - Don't Panic (06:30)
Production: TV Koper Capodistria & Obalne galerije Piran, 1984
The video follows a friendly conversation between the author and a painter and philosopher Andraž Šalamun. It alters the succession of events, thus manipulating the text and creating a complex narrative without logic and continuity. The flow of impulses and associations is reminiscent of the performance and automatic action-writing of poetry. (Source: Videodokument)
Production: TV Koper Capodistria & Obalne galerije Piran, 1984
The video follows a friendly conversation between the author and a painter and philosopher Andraž Šalamun. It alters the succession of events, thus manipulating the text and creating a complex narrative without logic and continuity. The flow of impulses and associations is reminiscent of the performance and automatic action-writing of poetry. (Source: Videodokument)
Andrea Knezović - Liminal (00:11:00)
Production: 2013
Liminal is a video installation that deals with the transformational nature of language and communication through symbolic aspects. The project started as an experiment in which artist involved people coming from different national and linguistic backgrounds; from Sweden, France, UK to Serbia and United States. She gave them an assignment - to write a short story of their choosing, true or fictional, and focus on memorizing its general content. Then they were instructed to elaborate these stories in imagina...
Production: 2013
Liminal is a video installation that deals with the transformational nature of language and communication through symbolic aspects. The project started as an experiment in which artist involved people coming from different national and linguistic backgrounds; from Sweden, France, UK to Serbia and United States. She gave them an assignment - to write a short story of their choosing, true or fictional, and focus on memorizing its general content. Then they were instructed to elaborate these stories in imagina...
Zemira Alajbegović - Vortex (00:04:04)
Production: TV Slovenija, 2000
Music video of Iztok Turk (DJ plasma). Vortex is a video limited to rigid symmetrical space which nevertheless shows an extraordinary abundance of shapes. This compositional matrix with a simple concept contains affluence of visual contents connected to the utopia present in the music.
Production: TV Slovenija, 2000
Music video of Iztok Turk (DJ plasma). Vortex is a video limited to rigid symmetrical space which nevertheless shows an extraordinary abundance of shapes. This compositional matrix with a simple concept contains affluence of visual contents connected to the utopia present in the music.
son:DA, Erinc Seymen - Performance for a Poem 2 (00:08:48)
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Maja Smrekar - Repeating Coincidence (00:03:42)
Production: Smrekar, Maja, 2009
The main character in the video is a dance performer situated in media environment with splashing saturated colours, like a woman enclosed by the media wall. The speed and braking of the image represents the dancer’s nervous movements in the space that create an emotional tension. The sound composed by Borut Savski intensifies the fragmented and nervous motions and determines visual coordinates. The entire sound and visual imagery is saturated, repetitive and fragmented, composed by numerous cut frames. Th...
Production: Smrekar, Maja, 2009
The main character in the video is a dance performer situated in media environment with splashing saturated colours, like a woman enclosed by the media wall. The speed and braking of the image represents the dancer’s nervous movements in the space that create an emotional tension. The sound composed by Borut Savski intensifies the fragmented and nervous motions and determines visual coordinates. The entire sound and visual imagery is saturated, repetitive and fragmented, composed by numerous cut frames. Th...
son:DA, Erinc Seymen - Performance for a Poem 1 (00:16:28)
Subtitle: Istanbul
Production:
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the...
Subtitle: Istanbul
Production:
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the...
Zoran Srdić Janežič - Testing (00:07:08)
Production: Zavod za sodobne umetnosti in kulture Gulag, 2010
Kompilacija različnih iz gline animiranih zgodb. Pristop avtorja je lahkoten in je podoben improvizaciji. Narativnost sledi določenemu ritmu, vendar zgodbe niso močno povezane v celoto. Sam naslov asociira na poskuse različnih kiparskih in animacijskih rešitev. Testing deluje kot nabor prizorov prototipov, ki napovedujejo neko večjo zgodbo, ki se mora šele realizirati. K temu prispevajo tudi občasni kratki prizori avtorjevih rok, ki določajo kadre.
Production: Zavod za sodobne umetnosti in kulture Gulag, 2010
Kompilacija različnih iz gline animiranih zgodb. Pristop avtorja je lahkoten in je podoben improvizaciji. Narativnost sledi določenemu ritmu, vendar zgodbe niso močno povezane v celoto. Sam naslov asociira na poskuse različnih kiparskih in animacijskih rešitev. Testing deluje kot nabor prizorov prototipov, ki napovedujejo neko večjo zgodbo, ki se mora šele realizirati. K temu prispevajo tudi občasni kratki prizori avtorjevih rok, ki določajo kadre.
Aleksandra Saška Gruden - Self-portrait (00:01:54)
Production: 2001
The video shows the artist wearing a see through mask, which partially covers and deforms her face. A slow rotating camera and the disruption created by the movement add a grotesque and secretive atmosphere to the recording. The black-and-white video is occasionally covered by the disruptions in colour spots, which bring a premonition of a crossing into another reality. (Source: A. S. Gruden)
Production: 2001
The video shows the artist wearing a see through mask, which partially covers and deforms her face. A slow rotating camera and the disruption created by the movement add a grotesque and secretive atmosphere to the recording. The black-and-white video is occasionally covered by the disruptions in colour spots, which bring a premonition of a crossing into another reality. (Source: A. S. Gruden)
Tanja Vujinović - W-Diptych (00:03:00)
Production: Ultramono, 2014
The ether landscape is an infinite playground of signals and static noise between radio channels, transmissions between various emitters such as electronic toys or gadgets, even large telecommunication systems. It is an enigmatic space, full of invisible connections between devices and people, a space usually hidden and invisible. Positioned within this space, mutating fields of fluxes, drafts of vibrations and temporary field trajectories warp in infinity. (Source: Tanja Vujinović)
Production: Ultramono, 2014
The ether landscape is an infinite playground of signals and static noise between radio channels, transmissions between various emitters such as electronic toys or gadgets, even large telecommunication systems. It is an enigmatic space, full of invisible connections between devices and people, a space usually hidden and invisible. Positioned within this space, mutating fields of fluxes, drafts of vibrations and temporary field trajectories warp in infinity. (Source: Tanja Vujinović)
Tanja Vujinović - U_Sound_Objects (00:18:33)
Production: Ultramono, 2015-2017
U_sound_objects is a group consisting of six generative audio-visual works. They are made of constantly mutating 3D objects, partially transformed by six sounds appropriated from a well known library of unexplained sounds. Polygons of three-dimensional objects are being generated, fragmented and re-positioned in real time while different, random parameters of low frequency noise generators affect their surface textures. The inner trails of these abstract digital bodies envelop the unknown while their trajec...
Production: Ultramono, 2015-2017
U_sound_objects is a group consisting of six generative audio-visual works. They are made of constantly mutating 3D objects, partially transformed by six sounds appropriated from a well known library of unexplained sounds. Polygons of three-dimensional objects are being generated, fragmented and re-positioned in real time while different, random parameters of low frequency noise generators affect their surface textures. The inner trails of these abstract digital bodies envelop the unknown while their trajec...
Tanja Vujinović - Universal Objects: Explosions (00:16:00)
Production: Ultramono, 2015-2017
Universal Objects: Explosions is a work containing four scenes of exploding objects. Only for a brief fragment of time are we able to see the delicate objects before and after they start exploding. These events are silently observed by a group of avatars. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioral patterns through which the situations themselves become like an...
Production: Ultramono, 2015-2017
Universal Objects: Explosions is a work containing four scenes of exploding objects. Only for a brief fragment of time are we able to see the delicate objects before and after they start exploding. These events are silently observed by a group of avatars. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioral patterns through which the situations themselves become like an...
RÁTNEEK - Laibach – Eurovision (00:04:46)
Production: 2014
Music video for Laibach’s Eurovision (Spectre) was filmed in the industrial area of Trbovlje (Slovenia), the home town of Laibach and nearby the Kum mountain. Parts of the video were also shot during the last winter ice cataclysm, when half of Slovenia was in a deep freeze for two weeks. (Source: Blaž Murn, Maja Prelog)
Production: 2014
Music video for Laibach’s Eurovision (Spectre) was filmed in the industrial area of Trbovlje (Slovenia), the home town of Laibach and nearby the Kum mountain. Parts of the video were also shot during the last winter ice cataclysm, when half of Slovenia was in a deep freeze for two weeks. (Source: Blaž Murn, Maja Prelog)
Keiko Miyazaki - What Is Your Fetish? (00:06:41)
Production: K.M., 2018
This video was shown in the Center of contemporary art, gallery Račka in Celje 2018 as a part of documentational material of the artwork. It is an interview documentary video. The interviewees are coming from different backgrounds and different generations, ages and genders. They are from Slovenia, Japan, and England. They are describing their sexual fetishes and fantasies. Their intimate stories are very personal and secretive. In the end the artist shows how fetish reviles a lot of personal background in...
Production: K.M., 2018
This video was shown in the Center of contemporary art, gallery Račka in Celje 2018 as a part of documentational material of the artwork. It is an interview documentary video. The interviewees are coming from different backgrounds and different generations, ages and genders. They are from Slovenia, Japan, and England. They are describing their sexual fetishes and fantasies. Their intimate stories are very personal and secretive. In the end the artist shows how fetish reviles a lot of personal background in...
Keiko Miyazaki - A Hole (00:01:58)
Production: K.M. & SCCA-Ljubljana, 2018
This video is about the Japanese concept of MA in conversation. Ma roughly means "gap", "space", "pause" or "the space between two structural parts." In our daily life we are experiencing MA either positively or in a negative way. MA is in the purposeful pauses in speech which make words stand out. We realise how much we are communicating with non verbal gestures. Sometime the silent moment between words speaks more than the words themselves. The video explores this concept by satirically portraying a conve...
Production: K.M. & SCCA-Ljubljana, 2018
This video is about the Japanese concept of MA in conversation. Ma roughly means "gap", "space", "pause" or "the space between two structural parts." In our daily life we are experiencing MA either positively or in a negative way. MA is in the purposeful pauses in speech which make words stand out. We realise how much we are communicating with non verbal gestures. Sometime the silent moment between words speaks more than the words themselves. The video explores this concept by satirically portraying a conve...
Bojan Štokelj - The Uneasiness in front of a Mirror Image (48:28)
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Lea Culetto - (Without) (00:02:48)
Production: L.C., 2017
The video is a collage of numerous advertisements for cosmetic products showing the female body in seductive poses. Their rapid exchange is disrupted by digital glitches. The sound in the video consists of a quote from the text Foucault, Femininity and the Modernization of Patriarchal Power by Sandra Lee Bartky. The author of the video reads the part of the text listing cosmetic products that a woman is supposed to use to achieve the perfect look.
Production: L.C., 2017
The video is a collage of numerous advertisements for cosmetic products showing the female body in seductive poses. Their rapid exchange is disrupted by digital glitches. The sound in the video consists of a quote from the text Foucault, Femininity and the Modernization of Patriarchal Power by Sandra Lee Bartky. The author of the video reads the part of the text listing cosmetic products that a woman is supposed to use to achieve the perfect look.
Kristina Kokalj - Memory Machine (00:04:25)
Production: ALUO, 2018
The video is a collage of black and white images shot on a 35mm analog film. Images are exchanged at a rapid pace and, according to the principle of stop-motion animation, create the illusion of flickering and hectic movement. Images of nature (tree branches) and urban (street lights, graffiti, fences, roads) are intertwined. Open aperture shots produce a branch-like linear light drawing that transitions and flashes alternately with close-ups of bare branches. Stroboscopic flashes of images are accompanied...
Production: ALUO, 2018
The video is a collage of black and white images shot on a 35mm analog film. Images are exchanged at a rapid pace and, according to the principle of stop-motion animation, create the illusion of flickering and hectic movement. Images of nature (tree branches) and urban (street lights, graffiti, fences, roads) are intertwined. Open aperture shots produce a branch-like linear light drawing that transitions and flashes alternately with close-ups of bare branches. Stroboscopic flashes of images are accompanied...
Uršula Berlot - Liquid Solidity (05:06)
Production: Uršula Berlot, 2017
The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure which periodically resembles a virus structure, complex proteins or carbon fullerenes, is being decomposed, transformed and re-shaped in a string of regulatory processes. The fusion of elements according to the rule of shape and anti-shape (the key–lock principle), chain formation, deformation with multiplied symmetry, or a simulation of the Brownian motion crea...
Production: Uršula Berlot, 2017
The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure which periodically resembles a virus structure, complex proteins or carbon fullerenes, is being decomposed, transformed and re-shaped in a string of regulatory processes. The fusion of elements according to the rule of shape and anti-shape (the key–lock principle), chain formation, deformation with multiplied symmetry, or a simulation of the Brownian motion crea...
Lealudvik - Safe Haven II (02:01)
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video is full of glitches creating notches, fractures, and un...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video is full of glitches creating notches, fractures, and un...
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