Nika Grabar - Kot razpada spomin
Subtitle: Intervju z Miho Vipotnikom o videu Path of Crasy Wisdom
Production: SCCA-Ljubljana
Nika Grabar: Kot razpada spominIntervju z Miho Vipotnikom o videu Path of Crazy Wisdom
Delovanje Mihe Vipotnika običajno povezujemo z video umetnostjo. Njegov prispevek je v tem kontekstu nedvomno pomemben. Velja za pionirja eksperimentalnega videa pri nas. A ko govorimo o njegovih intervencijah, je pomembno govoriti o izkušnji, ki jo z deli ustvarja, o specifični čutni formi, ki jo vedno znova konstruira skozi raziskovanje časa. Nenazadnje je bil tudi Path of Crazy Wisdom zamišljen kot v...
DIVA kinetic
5 results in works
Uršula Berlot - Observatory: Carbon Nanotubes (00:40)
Production: Uršula Berlot, 2016
The sound-kinetic diorama submerged within and enhanced by the audio environment observed through an opening in the surface of a crystal-shaped object imitates the structural makeup of carbon nanotubes visible through a microscope. A hub of tubes creates a nano-topographic simulation, whose technical attributes reveal another specific characteristic uncovered within the domain of light technology: carbon nanotubes, which represent a compelling potential, since they allow, indeed facilitate the transformatio...
Production: Uršula Berlot, 2016
The sound-kinetic diorama submerged within and enhanced by the audio environment observed through an opening in the surface of a crystal-shaped object imitates the structural makeup of carbon nanotubes visible through a microscope. A hub of tubes creates a nano-topographic simulation, whose technical attributes reveal another specific characteristic uncovered within the domain of light technology: carbon nanotubes, which represent a compelling potential, since they allow, indeed facilitate the transformatio...
Uršula Berlot - Observatory: Magnetic Fluid (00:30)
Production: Uršula Berlot, 2014-2016
A miniature silver landscape in motion that can be viewed through the observation perforation in the surface of a cristal-like object is based on the photographs of magnetic fluids that served as the basis for digital model development and the resulting 3D printed reliefs. In the act of viewing the framed panorama in the static position, the viewer loses a sense of scale; the tiny spiked structures of the kinetic surface take on the appearance of the surface topography of some distant planet. Dematerialized...
Production: Uršula Berlot, 2014-2016
A miniature silver landscape in motion that can be viewed through the observation perforation in the surface of a cristal-like object is based on the photographs of magnetic fluids that served as the basis for digital model development and the resulting 3D printed reliefs. In the act of viewing the framed panorama in the static position, the viewer loses a sense of scale; the tiny spiked structures of the kinetic surface take on the appearance of the surface topography of some distant planet. Dematerialized...
Uršula Berlot - Luminiscence (01:17)
Production: Uršula Berlot, 2012
Light-kinetic installation; turntable, silver plating plexiglass dim. 70 x 90 cm, light reflections variable dimensions sound: Scanner – Robin Rimbaud.
Production: Uršula Berlot, 2012
Light-kinetic installation; turntable, silver plating plexiglass dim. 70 x 90 cm, light reflections variable dimensions sound: Scanner – Robin Rimbaud.
Uršula Berlot - Topology of Imaginary Skyrmions (06:55)
Production: Uršula Berlot, 2023
The video combines abstract video recordings of light-kinetic sculptures in motion together 3D simulations of them. This interplay of digitally simulated and analogue visual effects creates a topology of hybrid virtuality, which, particularly in the form of video projections that constitute an integral part of the installation together with the light objects, blurs the distinct difference between physical and digitally generated realities, while still being presented on the same experiential level. (Source:...
Production: Uršula Berlot, 2023
The video combines abstract video recordings of light-kinetic sculptures in motion together 3D simulations of them. This interplay of digitally simulated and analogue visual effects creates a topology of hybrid virtuality, which, particularly in the form of video projections that constitute an integral part of the installation together with the light objects, blurs the distinct difference between physical and digitally generated realities, while still being presented on the same experiential level. (Source:...
