Marko A. Kovačič - I've Seen That... Like It Is (06:20)
Production: V.S. Video & Strip Core / Forum Ljubljana, 1993
A music video for a song - collage I've seen that … Like it is by a music group 2227 from Ljubljana blends shots of the group's performance with projections of graffiti by Strip Core group. Usage of lights and postproduction create chaotic and expressive atmosphere, which follows the dramaturgy of music. Scenes of one part of the video are shot in a smaller space with walls covered in graffiti. Lights and projections make the space flat and almost two-dimensional. Projections of graffiti draw an outl...
DIVA 12 dolgo��asnih pesmi
49 results in works
Sašo Podgoršek - Cry Baby (00:03:26, 00:02:55)
Production: Nord Cross Production, 1993
Music video for the song Cry Baby of Slovenian group Demolition Group.
Production: Nord Cross Production, 1993
Music video for the song Cry Baby of Slovenian group Demolition Group.
Miha Vipotnik - Lenora (04:50)
Subtitle: From TV show with Matejo Koležnik and her friends
Production: RTV Ljubljana, 1983
A folk song about a girl and her deceased lover, sung by Mateja Koležnik and Jani Kovačič. The dialogue of the two singers is followed by a sublime transition from one face to the other. With a constant turning of positives and negatives of images the faces are placed into spaces, which indirectly follow the text of the song. Dynamics of the image show an unconcerned approach to a problem of a portrait, as the latter sporadically almost blends with the colours of the landscape. Due to complete reduction...
Subtitle: From TV show with Matejo Koležnik and her friends
Production: RTV Ljubljana, 1983
A folk song about a girl and her deceased lover, sung by Mateja Koležnik and Jani Kovačič. The dialogue of the two singers is followed by a sublime transition from one face to the other. With a constant turning of positives and negatives of images the faces are placed into spaces, which indirectly follow the text of the song. Dynamics of the image show an unconcerned approach to a problem of a portrait, as the latter sporadically almost blends with the colours of the landscape. Due to complete reduction...
Neven Korda, Dario Seraval, Zemira Alajbegović - So Young (compilation) (00:30:50)
Subtitle: A compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR)
Production: FV Video /ŠKD Forum, 1984; FV Založba / ŠKUC-Forum, Cankarjev dom, Ljubljana & Soft video, Rim, 1985, 1985
A compilation of the Borghesia video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavija by the FV Label. These are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of the clips presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedia group (concert performances, video works, music videos, videocassettes, music record...
Subtitle: A compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR)
Production: FV Video /ŠKD Forum, 1984; FV Založba / ŠKUC-Forum, Cankarjev dom, Ljubljana & Soft video, Rim, 1985, 1985
A compilation of the Borghesia video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavija by the FV Label. These are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of the clips presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedia group (concert performances, video works, music videos, videocassettes, music record...
Neven Korda - Poppers (0:04:57)
Subtitle: Iz kompilacije glasbenih spotov skupine Borghesia
Production: FV Video ; compilation, 1989
Video supports the song Peppers by multimedia group Borghesia with its technique and content. Experimental animation synchronized with the sound outlines an urban landscape and inserts symbols and stereotyping pop gay icons. Techno electronic score, song lyrics and visual support refer to commercialized representation of gays in pop culture and their sexuality as cold, instinctive and automatized. Video is characterized by vivid colour scheme, comic book characters, collage and psychedelic editing. (DIVA)&n...
Subtitle: Iz kompilacije glasbenih spotov skupine Borghesia
Production: FV Video ; compilation, 1989
Video supports the song Peppers by multimedia group Borghesia with its technique and content. Experimental animation synchronized with the sound outlines an urban landscape and inserts symbols and stereotyping pop gay icons. Techno electronic score, song lyrics and visual support refer to commercialized representation of gays in pop culture and their sexuality as cold, instinctive and automatized. Video is characterized by vivid colour scheme, comic book characters, collage and psychedelic editing. (DIVA)&n...
Miha Vipotnik - Eight (24:52)
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
Vesna Bukovec - Moje sanje, lepo stanovanje / The Happiest Apartment in the World (00:04:08)
Production: V.B., 2010
A dream of a woman is shown in long static shots, which are fast-forwarded and thus emphasize the repetitive movements of browsing through home decorating magazines. The fast forwarded shots don't have a humorous effect but a rather neurotic one. The image is clear and clean. Immaculateness is even more stressed by the white outfit and furniture. Camera doesn't capture the woman's head making her body look like only a torso. Music by Alexi Murdoch titled Home is light and easy, but slowly a sublime massage...
Production: V.B., 2010
A dream of a woman is shown in long static shots, which are fast-forwarded and thus emphasize the repetitive movements of browsing through home decorating magazines. The fast forwarded shots don't have a humorous effect but a rather neurotic one. The image is clear and clean. Immaculateness is even more stressed by the white outfit and furniture. Camera doesn't capture the woman's head making her body look like only a torso. Music by Alexi Murdoch titled Home is light and easy, but slowly a sublime massage...
Jasna Hribernik - Petra Varl Simončič - Nos ob nos - Metelkova 1994 (0:06:34)
Production: 1994
Video documents an event accompanying setting up of a composed photocopied painting Nos ob nos by Petra Varl Simončič measuring 30 meters depicting a man and a woman with a poem by Andrej Rozman. We are guided around the set by a commentator. The video is accompanied by a music by a group Lolita, who performed live at the event.
Production: 1994
Video documents an event accompanying setting up of a composed photocopied painting Nos ob nos by Petra Varl Simončič measuring 30 meters depicting a man and a woman with a poem by Andrej Rozman. We are guided around the set by a commentator. The video is accompanied by a music by a group Lolita, who performed live at the event.
Alenka Pirman - Close Your Eyes and Watch (0:00:47 zanka / loop)
Subtitle: Silent Lecture
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Silent Lecture
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Zoran Srdić Janežič - Počečkane besede (00:05:15)
Production: Zavod za sodobne umetnosti in kulture GULAG, 2005
Video was made as a presentation of poems by Jana Putrle Srdić. Computer graphics, lines, drawings and monochrome colour surfaces are added to simple fast-forwarded shots of pages from a book of poems. Video is accompanied by a recitation of the poetry in subject and electronic music.
Production: Zavod za sodobne umetnosti in kulture GULAG, 2005
Video was made as a presentation of poems by Jana Putrle Srdić. Computer graphics, lines, drawings and monochrome colour surfaces are added to simple fast-forwarded shots of pages from a book of poems. Video is accompanied by a recitation of the poetry in subject and electronic music.
Vladimir Ristić - At The Lake Pavillion (0:02:15)
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Alenka Pirman - Franci Zagoričnik - Črno-beli diapazon, 1966-2006 (00:02:35 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Alenka Pirman - Ivan Volarič-Feo - Peščena ura, 1969-2006 (00:02:02 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Matjaž Hanžek - Nebotičnik, 1967-2006 (00:02:46 zanka / loop)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006 (00:02:22)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Vojin Kovač-Chubby - I go Crazy, 1967-2006 (00:15:03 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Evelin Stermitz - A Gift for the Moon (0:03:37)
Production: E.S., 2004
This video is an interpretation of the poem by Maja Haderlap. It shows a moving and twisting face in the dark. The face seems to observe the spectator, so it is a break and change of the traditional rules of watching and being watched at the normal situation of the spectator watching television. The poem deals like the video with watching, looking and finding something. (Source: Evelin Stermitz) Music: Iva Bittová, kapitulni sin, 1994.
Production: E.S., 2004
This video is an interpretation of the poem by Maja Haderlap. It shows a moving and twisting face in the dark. The face seems to observe the spectator, so it is a break and change of the traditional rules of watching and being watched at the normal situation of the spectator watching television. The poem deals like the video with watching, looking and finding something. (Source: Evelin Stermitz) Music: Iva Bittová, kapitulni sin, 1994.
Samo Gosarič - Komad za Matjaža Hanžka (00:36:45)
Production:
Komad za Matjaža Hanžka je hommage konkretni poeziji Matjaža Hanžka iz zgodnjih 70. let. Plesni recital ima izhodišče v prvem delu njegove pesniške zbirke "Iščemo pesmi, kje so?" (1971), od koder prevzema postopke programiranja in naključja, ki nato služijo kot osnova avtorskim koreografijam vsake od treh plesalk.
Production:
Komad za Matjaža Hanžka je hommage konkretni poeziji Matjaža Hanžka iz zgodnjih 70. let. Plesni recital ima izhodišče v prvem delu njegove pesniške zbirke "Iščemo pesmi, kje so?" (1971), od koder prevzema postopke programiranja in naključja, ki nato služijo kot osnova avtorskim koreografijam vsake od treh plesalk.
Alenka Pirman - Naško Križnar - Drekec pekec, ok. 1966-2006 (00:00:23 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Dejan Habicht - Nemi film / Silent Film (00:11:30)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Silent Film is a video footage of disc defragmentation in Windows '95 environment. The artist has preserved the dead poetic of a dieing computer programmes.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Silent Film is a video footage of disc defragmentation in Windows '95 environment. The artist has preserved the dead poetic of a dieing computer programmes.
