The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure which periodically resembles a virus structure, complex proteins or carbon fullerenes, is being decomposed, transformed and re-shaped in a string of regulatory processes. The fusion of elements according to the rule of shape and anti-shape (the key–lock principle), chain formation, deformation with multiplied symmetry, or a simulation of the Brownian motion creates a flexible abstract form, which in a state of constant metamorphosis tends to seek stability. The simulation of processes at micro- and nano-scales reveals the surprising fact that many substances at the molecular level, as they strive for stability, flexibility and indeed their very existence, are formed and arranged according to some intelligent order, even though they are not actually alive. (Source: Uršula Berlot)
Production: 2020
The video Bodyfraction parallels microscopic images of fragments of the artist’s body (tooth enamel, skin, nails, hair etc.) with recordings of drawings and light-sensitive objects created on their basis. Drawings were digitally processed towards si...
Production: Uršula Berlot, 2019
The video creates an entry into fictional reality, where objects are transformed into fleeting luminary apparitions – softened, multiplied, liquified forms levitating through warped or non-gravitational space. (Source: Uršula Berlot)
Production: Uršula Berlot, 2019
Material objects (sculptures) are projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass, and gravity. (Source: Uršula Berlot)
Production: Uršula Berlot, 2019
The video for the track Orcinus Orca followed the release of the album Algida Bellezza (Alessandro Tedeschi aka Netherworld, Glacial Movements, 2019). The music captured the artist’s imaginations of coldness and isolation as well as visions of shin...
Production: 2017
The video works on two levels of microscopic observation: the first line of recordings shows the transformation of a non-living (inorganic) substance from one physical state to another – namely, the process of crystallization, which involves the tra...
Production: Uršula Berlot, 2017
Video created for the track Cast to the Bottom from the album The Great Crater by Scanner (Glacial Movements, 2017). Composed of landscape 3d digital simulation and digitally processed video recordings, the video shows a virtual journey through an imagina...
Production: Uršula Berlot, 2016
The sound-kinetic diorama submerged within and enhanced by the audio environment observed through an opening in the surface of a crystal-shaped object imitates the structural makeup of carbon nanotubes visible through a microscope. A hub of tubes creates...
Production: Uršula Berlot, 2014-2016
A miniature silver landscape in motion that can be viewed through the observation perforation in the surface of a cristal-like object is based on the photographs of magnetic fluids that served as the basis for digital model development and the resulting 3D...
Production: Uršula Berlot, 2014
The recording of dynamic forms of magnetic fluids that are produced by invisible magnetic fields directs the experience of the material in relation to the immaterial. The ferrofluid structures, which are in reality only a few centimeters in height, being...
Production: Uršula Berlot, 2012
Light-kinetic installation; turntable, silver plating plexiglass dim. 70 x 90 cm, light reflections variable dimensions sound: Scanner – Robin Rimbaud.
Production: Uršula Berlot, 2012
The repeated kaleidoscopic video was created on the basis of X-ray image of a spine and projected back over the original radiological image printed on aluminum support. Such projection creates layering, a kind of spatial superposition into a repetitive hy...
Production: Uršula Berlot, 2012
Kaleidoskopski video temelji na radioloških posnetkih avtoričinih možganov. Posnetek nevronskih povezav, ki jih prikazuje traktografija (difuzijska MRI) je računalniško prezrcaljen in projiciran na dve vzporedni plošči pleksi stek...
Production: Uršula Berlot, 2012
Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author’s face, skull, and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits the quest...
Production: Uršula Berlot, 2010
Video installation Introspection composed of three video installations/projections and sound. The installations Kaleidoscopic Gaze and Spiral Floating are based on digitally- processed radiological images of my brain activity while contemplating Duchamp&...
Production: Uršula Berlot, 2007
The video combines medical recordings of the brain and computer manipulation of those images. This animated image becomes symmetrical and dehumanized. We get a completely abstract arena, which reminds us of outer space. The author's cerebral area becomes...
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimension...
Production: Uršula Berlot, 2005
Video has a simple concept, as it works like a primitive animation based on magnetism. The presence of some higher power is actualized indirectly, through a movement of small iron particles. Shapes that are formed by the movement of an invisible magnet ar...
Production: Uršula Berlot, Tao G.V. Sambolec, 2002
The incubator is an interactive audio-visual installation that represents a self-sustained, circularly arranged dynamic system that translates tactile signals into audio and visual events. A viewer strolling through a completely darkened space is randomly...