The exhibition 'Transitoriness 2006/2007' (Gallery Božidar Jakac, a monastic church in Kostanjevica na Krki, Slovenia) is a site-specific light installation, conceived specifically for the meditative and monumental space of a former monastic church. The project explores the phenomenon of sensation and extended perception, from the most non-material manifestation of subtle conscious states to its cerebral physiological basis, living brain tissue. It concerns itself with states of consciousness, a fluid-energy current of alternating mental energies and spiritual states, which is inseparately linked with openness as well as the spatial and temporal multidimensionality of our perceptions. I am interested in the 'desubjectivation' of sensation which does not lead to chaotic conclusions, or in the 'stabilization of autonomic entities which have no connection to their carriers' (Deleuze, Guattari) and which surpass the object as well as the subject. The dematerialized spatial installation in analogy to mental processes creates an abstract landscape of moving, waving light reflections and projections of crystal-like fractal forms, thus presenting a concrete disposition of an 'object, created within our perception'. Open forms of installations, with nonmaterial elements of shadows and reflections, extend into space and incorporate it into their body; dealing with the concept of dissolution of borders between the interior and exterior, transition of material into non-material, the real into the virtual. In addition to the kinetic light installations the exhibition includes two video presentations as well: 'Introspection' is an X-ray picture of the artist's brain, taken by means of medical technology. Computer-developed photos, providing this very concrete insight into the pulsative brain tissue, are also a formal basis of crystalline, fractal forms/diagrams, which alternate on the plexiglass of transparent objects. 'Virtual Vitreosity' is a kinetic kaleidoscopic video projection, simulating a stained-glass window in an architectural niche, which by recurrent color patterns makes a hypnotic and meditative impression, thus referring to the aesthetic and symbolic use of light in a sacred context. At the same time it calls into question the border between the real and the simulated, reality and fiction ...(Source: Uršula Berlot)