Stolen Footage is an atmospheric journey through the night cityscapes of Belgrade, revealing the often unseen layers of urban nightlife. As the camera drifts through dimly lit streets and shadowed corners, the film exposes not just the city's after-hours rhythms, but also the complex dynamics of looking and being looked at. 

Challenging the filmmaker’s role as a passive observer, the film critically examines power relations inherent in visual representation—raising questions about objectification, otherness, and the ethics of documentation. Blending ethnographic inquiry with poetic imagery, Stolen Footage is both a reflection on urban anonymity and a critique of the gaze that seeks to capture it. (Source: Sasha Ihnatovich)