An infrared camera moves through the interior of a suburban apartment, revealing traces of warmth left behind after one of its occupants was erased. Now appearing as a ghostly presence, these traces of warmth form a daily routine that has been forgotten over time, dissolving. Though officially removed from existence by the Slovenian Ministry of the Interior in 1992, the occupant continues to inhabit these rooms. That year, the Ministry quietly set in motion the erasure – a state-led removal of 25,671 people from Slovenia’s permanent residency records, most of them dual citizens of the former Yugoslavia and another republic. Among them was the artist’s great-grandmother, the very inhabitant portrayed in the film. (Source: Maja Bojanić)