Quadragenerian reflects my dialogue with ageing, memory, and the quiet expectations inherited from my mother’s generation. In the video, I shake off an anti-wrinkle mask in slow motion, while a barcode remains on my cheek—a sign of how beauty and age are measured, priced, and sold. The muted rhythm of Ravel’s Boléro accompanies our conversation about youth, marriage, and time. I chose this piece because of its repetitive structure and the story behind it—Ravel composed it while his mind was deteriorating. For me, the music mirrors the cycle of inherited values and the impossibility of fully escaping them. The work is both intimate and critical, a small rebellion against the scripts written for women of my generation. (Source: Keiko Miyazaki)
Production: Keiko Miyazaki, 2025
Let Them Drink Milk reflects on care as an invisible current that flows through domestic life. In this work, the river becomes a metaphor for the mother’s body—an endless stream of attention, nourishment, and quiet endurance. The video capture...
Production: SCCA–Ljubljana, Galerija Photon, 2021
Video Evening with DIVA Station are live events organized by SCCA-Ljubljana and Photon Gallery with screenings and talks by artists included in the DIVA Station archive. In the time of the second wave of the coronavirus pandemic we prepared an adapted dig...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public go...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
In the performance The House of Cards, Dr Xenia does not travel north or west by train, but in a south-easterly direction. On the route that led to Kumrovec in the previous country, but ends at the last station in front of the Croatian border in the new c...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Pe...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Fart Roulette is actually a picnic on the grass, which can be reminiscent of Manet's famous painting, although this time, everyone present is dressed. The title refers to Russian roulette, and the authors shoot farts instead of bullets. Th...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The fifth in a series of performances - its title is also the title of the exhibition - is the only one where Dr Xenia performs live with audience participation. This performance is also defined by the space, the four corners of the Alakatraz Gallery form...
Production: Siva, Ivanke, Ivan, Anko, 2021
The video is an archival overview of recordings and photographs of joint public actions and performances by artists Andreja Džakušič, Keiko Miyazaki, Iva Tratnik and artist Simon Macuh in the period from 2010 to 2021 in the framework of their var...
Production: K.M., 2018
This video was shown in the Center of contemporary art, gallery Račka in Celje 2018 as a part of documentational material of the artwork. It is an interview documentary video. The interviewees are coming from different backgrounds and different generatio...
Production: K.M. & SCCA-Ljubljana, 2018
This video is about the Japanese concept of MA in conversation. Ma roughly means "gap", "space", "pause" or "the space between two structural parts." In our daily life we are experiencing MA either positively or in a negative way. MA is in the purposeful...


















































