Nataša Prosenc Stearns - Innocence Disolved (0:01:30)
Production: Kanalya Pictures, 2008
Video is a documentation of a same named exhibition - installation, where two looped videos are projected on a window of a gallery and on a bed.
No. 291
"Video Installations (1994-2005)"
Artist: Prosenc, Nataša
Title: Video Installations (1994-2005)
Subtitle: Swimming the Dark, Crossing, Sphere, Well, Vortex, Shadows, Corner, Tomb, Pillar, More, Reason, Vertical Horizon, Journey into the Void, Place of the Game
Duration: 00:13:58
Year: 2005
Genre: Installation Art / Experimental video / Art video / Fiction
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MORE 1. Swimming the Dark: podvodni eksperimentalni posnetki plavalke ob spremljavi šuma vodnih tokov in strojev. (2005)
2. Crossing: večkanalna instalacija, ki prikazuje razkrajanje podob z ognjem in vodo. Prvi del sestavljajo podobe visečega človeškega telesa, ki se staplja s plameni. Oblike in barve ognja ter kože se zlijejo druga v drugo in kmalu ne zaznamo več nobene razlike med njimi. Drugi del prikazuje povečane obraze s sledmi ognja in vode, ki se prelivajo po njihovi površini ter izseke instalacije v prostoru. (2004/5)
3. Sphere: podvodna podoba plavalke, ki je rahlo popačena in projicirana na izboženo površino, spominja na podobo iz akvarija. Žensko telo se giblje in skuša ubežati krožnim omejitvam. Krogla je narejena iz pleksi stekla, na njej pa so projicirane podobe. Na koncu izsek z razstave. (2001)
4. Well: video projekcija pulziranja srčne mišice, ki se zrcali v vodnjaku. Podobe notranjega organa so popačene, saj so povečane in postavljene v vodnjak. (2001)
5. Vortex: detajl s štirikanalne video instalacije Gladiatorji. Nizanje podob ognja, zemlje, peska, snega, ki se vrtijo in izgubljajo v krožnem gibanju.(1999)
6. Shadows: enokanalni video človeških senc na puščavskih tleh, vključen v več instalacij. (1999)
7. Corner: dvokanalna projekcija na pravokotno postavljene zaslone prikazuje sence teles, ki prehajajo v urbanem okolju, se zrcalijo na puščavskih tleh pod njimi. Vendar se nekako ne ujemajo. Osvobojene sence iz narave sledijo svoji poti. (1998)
8. Tomb: video projekcija skozi vejevje na razpokano marmorno površino. (2002)
9. Pillar: preplet podob senc golih teles v obliki stebra. (1997)
10. More: devetkanalna modra talna instalacija podob telesnih delov v različnih postavitvah. (1997)
11. Reason: dvokanalna video instalacija, ki prikazuje zgodbo o Sizifu. (1996)
12. Vertical Horizon: štirikanalna video instalacija s podobami iskalcev izhoda iz labirinta iz betonskih opek. (1994)
13. Journey into the Void: petkanalna instalacija obnove srednjeveškega gradu v Sloveniji. (1994)
14. Place of the Game: video projekcija, ki prikazuje hrbet plesalca butoh. Opazujemo gibanje človeškega telesa, ki se prelevi v gibljivo mišično gmoto in nakazuje okostje in tkivo; poigravanje s kiparskim modelom, z organsko in celostno kvaliteto človeškega telesa. Pomikanje v samo strukturo kože in prikaz samega ustroja telesa kot nekakšnega valovanja. (1994)
2. Crossing: večkanalna instalacija, ki prikazuje razkrajanje podob z ognjem in vodo. Prvi del sestavljajo podobe visečega človeškega telesa, ki se staplja s plameni. Oblike in barve ognja ter kože se zlijejo druga v drugo in kmalu ne zaznamo več nobene razlike med njimi. Drugi del prikazuje povečane obraze s sledmi ognja in vode, ki se prelivajo po njihovi površini ter izseke instalacije v prostoru. (2004/5)
3. Sphere: podvodna podoba plavalke, ki je rahlo popačena in projicirana na izboženo površino, spominja na podobo iz akvarija. Žensko telo se giblje in skuša ubežati krožnim omejitvam. Krogla je narejena iz pleksi stekla, na njej pa so projicirane podobe. Na koncu izsek z razstave. (2001)
4. Well: video projekcija pulziranja srčne mišice, ki se zrcali v vodnjaku. Podobe notranjega organa so popačene, saj so povečane in postavljene v vodnjak. (2001)
5. Vortex: detajl s štirikanalne video instalacije Gladiatorji. Nizanje podob ognja, zemlje, peska, snega, ki se vrtijo in izgubljajo v krožnem gibanju.(1999)
6. Shadows: enokanalni video človeških senc na puščavskih tleh, vključen v več instalacij. (1999)
7. Corner: dvokanalna projekcija na pravokotno postavljene zaslone prikazuje sence teles, ki prehajajo v urbanem okolju, se zrcalijo na puščavskih tleh pod njimi. Vendar se nekako ne ujemajo. Osvobojene sence iz narave sledijo svoji poti. (1998)
8. Tomb: video projekcija skozi vejevje na razpokano marmorno površino. (2002)
9. Pillar: preplet podob senc golih teles v obliki stebra. (1997)
10. More: devetkanalna modra talna instalacija podob telesnih delov v različnih postavitvah. (1997)
11. Reason: dvokanalna video instalacija, ki prikazuje zgodbo o Sizifu. (1996)
12. Vertical Horizon: štirikanalna video instalacija s podobami iskalcev izhoda iz labirinta iz betonskih opek. (1994)
13. Journey into the Void: petkanalna instalacija obnove srednjeveškega gradu v Sloveniji. (1994)
14. Place of the Game: video projekcija, ki prikazuje hrbet plesalca butoh. Opazujemo gibanje človeškega telesa, ki se prelevi v gibljivo mišično gmoto in nakazuje okostje in tkivo; poigravanje s kiparskim modelom, z organsko in celostno kvaliteto človeškega telesa. Pomikanje v samo strukturo kože in prikaz samega ustroja telesa kot nekakšnega valovanja. (1994)
Nataša Prosenc Stearns - Souvenir (film excerpts ) (01:20:00 (00:02:32))
Production: Kanalya Pictures, 2006
A thriller about illegal trade of African art and consequences of colonialism in the west.
Production: Kanalya Pictures, 2006
A thriller about illegal trade of African art and consequences of colonialism in the west.
Nataša Prosenc Stearns - Swimming the Dark (00:03:52)
Production: Kanalya Pictures, 2005
Video loop of underwater experimental footage of a swimmer accompanied by the sound of water currents and machinery.
Production: Kanalya Pictures, 2005
Video loop of underwater experimental footage of a swimmer accompanied by the sound of water currents and machinery.
Nataša Prosenc Stearns - Crossing (0:04:59)
Production: Kanalya Pictures, 2005
Video Crossing contains different layers of recordings. A close-up of a face is covered with a layer of tracks of fire and water. The combination gives impressions of the layers shading and blending. The viewer faces a sequence of video projections movi...
Production: Kanalya Pictures, 2005
Video Crossing contains different layers of recordings. A close-up of a face is covered with a layer of tracks of fire and water. The combination gives impressions of the layers shading and blending. The viewer faces a sequence of video projections movi...
Nataša Prosenc Stearns - Connected (0:08:00)
Production: Kanalya Pictures, 2005
A documentary about a living sculpture on one of the bridges over the Venice canals. Connected was created as part of the 26th Venice Art Walk in celebration of the 100th anniversary of the Venice canals in California. The participants were all covered wi...
Production: Kanalya Pictures, 2005
A documentary about a living sculpture on one of the bridges over the Venice canals. Connected was created as part of the 26th Venice Art Walk in celebration of the 100th anniversary of the Venice canals in California. The participants were all covered wi...
Nataša Prosenc Stearns - Waiting Room (trailer) (10:20 (02:20))
Production: Kanalya Pictures, 2005
The atmosphere among random patients in the waiting room of their personal doctor on Christmas Eve. Ordinary patients have to wait while important business partners, celebrities and acquaintances of the doctors enter the surgery past the queue. Discontent...
Production: Kanalya Pictures, 2005
The atmosphere among random patients in the waiting room of their personal doctor on Christmas Eve. Ordinary patients have to wait while important business partners, celebrities and acquaintances of the doctors enter the surgery past the queue. Discontent...
Nataša Prosenc Stearns - The Beach (00:05:51)
Production: Kanalya Pictures, 2004
Selected moments from Venice Beach. Shot with exerimental recording technique, which combines DV camera, film lenses, and an adaptor for converting the film image to digital signal.
Production: Kanalya Pictures, 2004
Selected moments from Venice Beach. Shot with exerimental recording technique, which combines DV camera, film lenses, and an adaptor for converting the film image to digital signal.
Nataša Prosenc Stearns - Construct (00:12:00)
Production: Kanalya Pictures, 2002
Video documents construction of an enormous facility. Recordings are accompanied with the sounds of construction, occasional music soundtrack and narration dealing with the meaning and consequence of human action, also touching the subject of human existe...
Production: Kanalya Pictures, 2002
Video documents construction of an enormous facility. Recordings are accompanied with the sounds of construction, occasional music soundtrack and narration dealing with the meaning and consequence of human action, also touching the subject of human existe...
Nataša Prosenc Stearns - Alone Together – Evening (00:11:06)
Production: Arsmedia, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporar...
Production: Arsmedia, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporar...
Nataša Prosenc Stearns - Alone Together – Morning (00:07:58)
Production: Kanalya Pictures, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporar...
Production: Kanalya Pictures, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporar...
Nataša Prosenc Stearns - Vortex (02:29)
Production: Nataša Prosenc Stearns, 1999
Images of fire, earth, sand and snow, spinning and disappearing in a circular motion. (Source: DIVA Station) Vortex was part of a larger installation project Gladiators by Nataša Prosenc Stearns at the 48th Venice Biennale in 1999.
Production: Nataša Prosenc Stearns, 1999
Images of fire, earth, sand and snow, spinning and disappearing in a circular motion. (Source: DIVA Station) Vortex was part of a larger installation project Gladiators by Nataša Prosenc Stearns at the 48th Venice Biennale in 1999.
