- REWIND + PLAY: An Anthology of the Early British Video Art Podnaslov: Disk 1 Produkcija: 2012 REWIND + PLAY presents a selection of key works from the first decade of artist's video practice in the UK. From early conceptual experiments exploring the parameters of the medium to works dealing with media culture and television this collection explores the range and diversity of the first years of video as new media.
Disk 1:
JOHN ADAMS - Stories, 1982 [00:13:00]
PETER ANDERSON - Eyebath, 1977[00:08:00]
KEVIN ANDERSON - In Two Minds (2 screen version), 1978 [00:25:00]
IAN BOURN - Le...
- REWIND + PLAY: An Anthology of the Early British Video Art Podnaslov: Disk 2 Produkcija: 2012 REWIND + PLAY presents a selection of key works from the first decade of artist's video practice in the UK. From early conceptual experiments exploring the parameters of the medium to works dealing with media culture and television this collection explores the range and diversity of the first years of video as new media.
Disk 2:
DAVID CRITCERLY - Pieces | Never Did (3 screen version), 1979 [00:31:00]
PETER DONEBAUER - Crcling, 1975 [00:12:00]
CATHERINE ELWES - Kensington Gore, 1981 [00:15...
- REWIND + PLAY: An Anthology of the Early British Video Art Podnaslov: Disk 3 Produkcija: 2012 REWIND + PLAY presents a selection of key works from the first decade of artist's video practice in the UK. From early conceptual experiments exploring the parameters of the medium to works dealing with media culture and television this collection explores the range and diversity of the first years of video as new media.
Disk 2:
MADELON HOOYKAAS / ELSA STANSFIELD - Split Seconds, 1979 [00:11:00]
TINA KEANE - Clapping Songs, 1979 [00:06:00]
TAMARA KRIKORIAN - Vanitas, 1977 [00:08:00]
MIKE...
Stilinović, Mladen - Početnica 1, 2, 3 / Primer 1, 2, 3 Podnaslov: Esperimentalni filmovi i videoradovi / Experimental films and videos, 1971 - 2006 Produkcija: Hrvatski filmski savez / Croatian Film Association A trilogy of short silent films accompanied with a text, during which the audience had to read out loud words and images. This conceptual work revealed the artist’s interest in the street design which later became visible in his photographic books. This is also the most lucrative cinematic year for Stilionvić: he makes Bježi (Run Away) and Piši ne samoće (Write about Un-loneliness), a film shot in negative, as well as the only long feature, the 70-minute film Tresla se brda rodio se miš (Mu...