Darij Kreuh - Mine Mind Do you Mind (00:03:18)
Subtitle: Imena skulptur: Treadmill, Push it, Cabine
Production: 1993
Posnetek serije skulptur, ki delujejo kot nihala. Gre za interaktivno delo predmeta s predmeti in za dokumentarne posnetke iz razstave, v katere montaža minimalno poseže. Kamera posega v različne kote eksponatov, zato da jih lažje - razločneje vidimo.
DIVA Events
124 results in works
Damijan Kracina - Kracina TV (00:06:24)
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Damijan Kracina - A collage of excepts by Kracina (00:03:09)
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Duba Sambolec - Questioning, Answering (58:25)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances, first presented at the International Festival of Co...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances, first presented at the International Festival of Co...
Jasna Hribernik - Petra Varl Simončič - Nos ob nos - Metelkova 1994 (0:06:34)
Production: 1994
Video documents an event accompanying setting up of a composed photocopied painting Nos ob nos by Petra Varl Simončič measuring 30 meters depicting a man and a woman with a poem by Andrej Rozman. We are guided around the set by a commentator. The video is accompanied by a music by a group Lolita, who performed live at the event.
Production: 1994
Video documents an event accompanying setting up of a composed photocopied painting Nos ob nos by Petra Varl Simončič measuring 30 meters depicting a man and a woman with a poem by Andrej Rozman. We are guided around the set by a commentator. The video is accompanied by a music by a group Lolita, who performed live at the event.
Ema Kugler, Nada Vodušek, Jane Štravs - Nostalgični izrez (00:07:56)
Production: Marijan Osole - Max, CD, 1985
A collage of fashion creations from a fashion show set in Cankarjev dom starts off as if browsing through a trendy Fashion magazine. Models wearing leather clothes are accompanied by Italian, Yugoslav and American pop music from the 60'. We can also see some footage from behind the scenes. Camera is positioned high up on the left side of the runway. Scenes are often cut, multiplied and put together like photographs.
Production: Marijan Osole - Max, CD, 1985
A collage of fashion creations from a fashion show set in Cankarjev dom starts off as if browsing through a trendy Fashion magazine. Models wearing leather clothes are accompanied by Italian, Yugoslav and American pop music from the 60'. We can also see some footage from behind the scenes. Camera is positioned high up on the left side of the runway. Scenes are often cut, multiplied and put together like photographs.
Damijan Kracina - Kracina TV (00:05:48)
Production: 1995
Hiperrealističen kip avtorja iz lateksa stoji sredi prostora v Galeriji Kapelica, kjer je umetnik prvič postavil instalacijo. Nizek podstavek kipa je povezan s sedmimi monitorji, v katere je uprt pogled figure. Na svetlobnih objektih so prikazane fotografije povoženih mačk. Instalacija prikazuje dvojno smrt oziroma dvojno odsotnost življenja. Mrtve so povožene mačke, neživ pa je tudi kip umetnika. S podobami mrtvih mačk umetnik ni opozoril zgolj na krut odnost človeka do živali, na davek človeko...
Production: 1995
Hiperrealističen kip avtorja iz lateksa stoji sredi prostora v Galeriji Kapelica, kjer je umetnik prvič postavil instalacijo. Nizek podstavek kipa je povezan s sedmimi monitorji, v katere je uprt pogled figure. Na svetlobnih objektih so prikazane fotografije povoženih mačk. Instalacija prikazuje dvojno smrt oziroma dvojno odsotnost življenja. Mrtve so povožene mačke, neživ pa je tudi kip umetnika. S podobami mrtvih mačk umetnik ni opozoril zgolj na krut odnost človeka do živali, na davek človeko...
Borut Savski - Bowlfuls of Sound (00:03:34)
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Borut Savski, Luka Prinčič - Problemloss Orchestra. Before the performance in Berlin (00:04:52)
Production: 2006
Problemloss Orchestra was a project group ( PMS: Luka Prinčič, Matjaž Manček and Borut Savski), which performed in 2005 and 2006. The recording took place in Berlin and was recorded by Neven Korda.
Production: 2006
Problemloss Orchestra was a project group ( PMS: Luka Prinčič, Matjaž Manček and Borut Savski), which performed in 2005 and 2006. The recording took place in Berlin and was recorded by Neven Korda.
son:DA, Erinc Seymen - Performance for a Poem 2 (00:08:48)
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
