Alenka Pirman - Matjaž Hanžek - Nebotičnik, 1967-2006 (00:02:46 zanka / loop)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
DIVA Hybrid Art
52 results in works
Alenka Pirman - Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006 (00:02:22)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Vojin Kovač-Chubby - I go Crazy, 1967-2006 (00:15:03 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Maja Smrekar - Imaginarij elektromagnetnih transformacij (0:28:39)
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Borut Savski - Aestetic Machines (00:09:39)
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
Luka Dekleva - FeedForward Cinema (00:05:25)
Production: codeep, 2007
Video dokumentacija performansa iz Kinodvor dne 19. oktobra 2007. Delo Feedforward Cinema nastaja z interakcijo dveh video naprav, ki si vzajemno pošiljajo signale in tvorijo zaprt krog informacij. Rezultat spominja na različne vzorce od zelo organskih oblik do strogo geometričnih in točno omejenih polj, ki v določenem trenutku raspadejo in odprejo polje za nove oblike. Vzorci so vedno ne-narativni. Če je na začetku tvorba, ki spominja na molekulano strukturo, proti koncu postaja vse bolj grafična. Vs...
Production: codeep, 2007
Video dokumentacija performansa iz Kinodvor dne 19. oktobra 2007. Delo Feedforward Cinema nastaja z interakcijo dveh video naprav, ki si vzajemno pošiljajo signale in tvorijo zaprt krog informacij. Rezultat spominja na različne vzorce od zelo organskih oblik do strogo geometričnih in točno omejenih polj, ki v določenem trenutku raspadejo in odprejo polje za nove oblike. Vzorci so vedno ne-narativni. Če je na začetku tvorba, ki spominja na molekulano strukturo, proti koncu postaja vse bolj grafična. Vs...
Luka Dekleva - City Off Season (00:05:44)
Production: 2006
City of Season je video za istoemenski glasbeno delo beograjskega umetnika za hrupno glasbo (noise) WoO. Luka Dekleva generira video pokrajino na podlagi počasnega zvočnega ritma, ki je povezan z manipulacijo mozaičnih priključkov v programu PureData. Iz grafičnega vzorca oblikuje trodimenzionalni prostor. Bolj kot slika "razpada", bolj prisotna je tretja dimenzija, vse do trenutka, ko se v preplatanju prostorskih osi, slika spet poenoti v eni ravni površini raspadajočega vzorca.
Production: 2006
City of Season je video za istoemenski glasbeno delo beograjskega umetnika za hrupno glasbo (noise) WoO. Luka Dekleva generira video pokrajino na podlagi počasnega zvočnega ritma, ki je povezan z manipulacijo mozaičnih priključkov v programu PureData. Iz grafičnega vzorca oblikuje trodimenzionalni prostor. Bolj kot slika "razpada", bolj prisotna je tretja dimenzija, vse do trenutka, ko se v preplatanju prostorskih osi, slika spet poenoti v eni ravni površini raspadajočega vzorca.
Luka Dekleva - lOw/Tuning (00:07:08)
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...
Luka Dekleva, Luka Prinčič - Schizogram (00:14:22)
Production: 2009
Schizogram is the consequence of the abuse, of the conscious incorrect usage of analogue and digital technology, which produces unforseenable images. Schizogram presents the abstract aesthetics of computer's errors.
Production: 2009
Schizogram is the consequence of the abuse, of the conscious incorrect usage of analogue and digital technology, which produces unforseenable images. Schizogram presents the abstract aesthetics of computer's errors.
Luka Dekleva - Sen/za Televizijo/a (00:28:38)
Production:
The video is a result of artistic collaboration with Miha Vipotnik during the Sen/za Televizijo/a project at Jakopič Gallery, marking 30 years to the date after the first transmission of Vipotnik's television video project Videograma 4 on May 4th, 1979. Dekleva's work is a re-make of Videograma 4. The image has been deformed with an oscillator in order to achieve an entirely abstract video, thus making the image and sound completely illegible and seemingly playing in a slowed down mode as though...
Production:
The video is a result of artistic collaboration with Miha Vipotnik during the Sen/za Televizijo/a project at Jakopič Gallery, marking 30 years to the date after the first transmission of Vipotnik's television video project Videograma 4 on May 4th, 1979. Dekleva's work is a re-make of Videograma 4. The image has been deformed with an oscillator in order to achieve an entirely abstract video, thus making the image and sound completely illegible and seemingly playing in a slowed down mode as though...