Marko A. Kovačič - Back to the USA (00:04:37)
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
DIVA Events
124 results in works
Marko A. Kovačič - Naprej v preteklost (razstava) / Forth Into the Past (exhibition) (00:05:38)
Production: 1994
Documentation of the exhibition in Škuc Gallery, Ljubljana, 1994
Production: 1994
Documentation of the exhibition in Škuc Gallery, Ljubljana, 1994
Neven Korda, Zemira Alajbegović - Icht (00:24:25)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Čajanka za sodobno umetnost - Javni spomeniki v začetku 21. stoletja (01:57:03)
Production: KUD Mreža, Galerija Alkatraz, Zavoda GULAG, 2006
Čajanke za sodobno umetnost so bila mesečna srečevanja, ki so vzpostavljala diskurzivno in dialoško situacijo na področju sodobne umetnosti. Odprte so bile za vse, ki so si želeli konstruktivnega dialoga in poglabljanja ter izmenjave znanja o aktualnih temah v polju sodobne umetnosti. S pomočjo čajank za sodobno umetnost so njeni pobudniki (Petja Grafenauer Krnc, Jadranka Ljubičič in Zoran Srdič) spodbujali k prepotrebni komunikaciji v svetu umetnosti slovenskega prostora. 13. november 2006 sta Z...
Production: KUD Mreža, Galerija Alkatraz, Zavoda GULAG, 2006
Čajanke za sodobno umetnost so bila mesečna srečevanja, ki so vzpostavljala diskurzivno in dialoško situacijo na področju sodobne umetnosti. Odprte so bile za vse, ki so si želeli konstruktivnega dialoga in poglabljanja ter izmenjave znanja o aktualnih temah v polju sodobne umetnosti. S pomočjo čajank za sodobno umetnost so njeni pobudniki (Petja Grafenauer Krnc, Jadranka Ljubičič in Zoran Srdič) spodbujali k prepotrebni komunikaciji v svetu umetnosti slovenskega prostora. 13. november 2006 sta Z...
Uršula Berlot - Transitoriness (02:13)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
Marko A. Kovačič - Symposium for Sculpture Zreče 85 (00:01:32)
Production: 1985
Video is a document of an exhibition of two of authors sculptures made as a part of symposium by Forma viva community in Zreče. Totals and details of the statues are framed with a coloured mask.
Production: 1985
Video is a document of an exhibition of two of authors sculptures made as a part of symposium by Forma viva community in Zreče. Totals and details of the statues are framed with a coloured mask.
Marko A. Kovačič - AIDA 87 (00:03:22)
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Marko A. Kovačič - Programming the Gaze (00:07:41)
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the title of each of them appears on the upper left corner of the screen. An important part of the exhibition introduced by a labyrinth construction, were sonic ambient (Egon March institute) and ambient lighting (Cian. kb).
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the title of each of them appears on the upper left corner of the screen. An important part of the exhibition introduced by a labyrinth construction, were sonic ambient (Egon March institute) and ambient lighting (Cian. kb).
Marko A. Kovačič - Prediction of Zeus (00:03:11)
Production: 1990
Black and white recording follows the process of the construction of an installation Prediction of Zeus in Sarajevo in 1989 to its final version. The monumental work combines elements of sculpture and video art for a sinister forecast of an apocalypse.
Production: 1990
Black and white recording follows the process of the construction of an installation Prediction of Zeus in Sarajevo in 1989 to its final version. The monumental work combines elements of sculpture and video art for a sinister forecast of an apocalypse.
Marko A. Kovačič - Sarcophagus,The Eye (00:02:49)
Production: Studio Brut, 1990
Black and white recording documents two space installations entitled Sarcophagus and The Eye, accompanied by opera music. The pieces were part of an exhibition Experience of the Object in Museum of Modern Art Ljubljana in 1989.
Production: Studio Brut, 1990
Black and white recording documents two space installations entitled Sarcophagus and The Eye, accompanied by opera music. The pieces were part of an exhibition Experience of the Object in Museum of Modern Art Ljubljana in 1989.
