Robertina Šebjanič - Cona D (0:11:59)
Production: 2005
The project was made under the wing of the TEMP group and their exploration of the use of space of public and private properties in the city. Video begins with an animation of Ljubljana, where key points of degraded points - empty spaces available for new contents for example art practises, are marked. Focusing on each of the points is followed by documentary shot of noted locations.
DIVA Computer Graphics
48 results in works
Boštjan Kavčič - Symbiomat globalheART (0:01:06)
Production: 2004
Video is documenting the presentation of the first Slovene interactive art system inside of shopping malls. The video is designed as a short presentation composed of documentary shots, usually fast forwarded with added computer animation presenting the Symbiomat machine.
Production: 2004
Video is documenting the presentation of the first Slovene interactive art system inside of shopping malls. The video is designed as a short presentation composed of documentary shots, usually fast forwarded with added computer animation presenting the Symbiomat machine.
Sašo Sedlaček - Žicar 1.0 / Beggar 1.0 (0:04:33)
Production: Galerija Kapelica / Kura, 2006
Video documents author's action in which he placed a robot - bagger inside a shopping mall and later inside a gallery. With this action the author points out a growing poverty. The robot attracted a surprising number of visitors and thus the author concluded the project with a result that people prefer to deal with problems of the margin from a safe distance. Scenes captured with hand held camera are exchanged with shots documented by security cameras.
Production: Galerija Kapelica / Kura, 2006
Video documents author's action in which he placed a robot - bagger inside a shopping mall and later inside a gallery. With this action the author points out a growing poverty. The robot attracted a surprising number of visitors and thus the author concluded the project with a result that people prefer to deal with problems of the margin from a safe distance. Scenes captured with hand held camera are exchanged with shots documented by security cameras.
Sašo Sedlaček - Žicar 2.0 / Beggar 0.2 (0:12:43)
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Sašo Sedlaček - Biotop Condition (0:03:08)
Production: 2001
Video is a documentation of a project, combined with computer graphics, computer games and recordings of an exhibition.
Production: 2001
Video is a documentation of a project, combined with computer graphics, computer games and recordings of an exhibition.
Nika Špan - Kako socializirati blues (modre)? / How to socialise the blues? (00:01:58)
Subtitle: Cikel Fine Sciencies
Production: 2007
Video work is a unit of eleven simulation videos by Dr. R.B. Jones available online. Re-editing of the material found online enables the artist to re-conceptualize the content and focus on the visual part, which originally serves as a support. The work is a part of artist's series entitled Fine sciences.
Subtitle: Cikel Fine Sciencies
Production: 2007
Video work is a unit of eleven simulation videos by Dr. R.B. Jones available online. Re-editing of the material found online enables the artist to re-conceptualize the content and focus on the visual part, which originally serves as a support. The work is a part of artist's series entitled Fine sciences.
Nika Špan - Fine Sciencies (00:00:49)
Subtitle: Cikel Fine Sciencies
Production: 2006
Computer animation is based on a simulation presentation of a computer programme found online. Re-editing of the material enables the author to find new contents. The work is a part of the author's series Fine sciences in which she explores visualizations used by science and technique.
Subtitle: Cikel Fine Sciencies
Production: 2006
Computer animation is based on a simulation presentation of a computer programme found online. Re-editing of the material enables the author to find new contents. The work is a part of the author's series Fine sciences in which she explores visualizations used by science and technique.
Neven Korda - 1 Sec of My Life (English version) (00:01:31)
Subtitle: Part of New New Films series
Production: 2001
Report from real every day. Inspiration and a tribute to the film Blue by Derek Jarman. (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES....
Subtitle: Part of New New Films series
Production: 2001
Report from real every day. Inspiration and a tribute to the film Blue by Derek Jarman. (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES....
Neven Korda - Reinkarnacija (00:01:14)
Subtitle: Vmesno poročilo, Part of New New Films series
Production: 2001
Rise up and leave this mass of meat behind. The world is obliged to make your existence possible. God is big, a tree is even bigger. (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Un...
Subtitle: Vmesno poročilo, Part of New New Films series
Production: 2001
Rise up and leave this mass of meat behind. The world is obliged to make your existence possible. God is big, a tree is even bigger. (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Un...
Neven Korda - Nomad (00:01:05)
Subtitle: Part of New New Films series
Production: 2001
Conception, image and sound: Neven Korda NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES. NO. (Neven Korda)
Subtitle: Part of New New Films series
Production: 2001
Conception, image and sound: Neven Korda NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES. NO. (Neven Korda)