Alenka Pirman - Ivan Volarič-Feo - Peščena ura, 1969-2006 (00:02:02 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
DIVA deconstruction
32 results in works
Alenka Pirman - Matjaž Hanžek - Nebotičnik, 1967-2006 (00:02:46 zanka / loop)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006 (00:02:22)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Vojin Kovač-Chubby - I go Crazy, 1967-2006 (00:15:03 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Vesna Bukovec - Why Do I Do This? (0:03:18)
Production: Vesna Bukovec, 2001
Video work is a collage composed of found material to which the author adds graphic inserts. Through the content of the video she poses herself questions which can always be answered with "I don't know". With that she problematizes the state of contemporary art, which often lacks purpose.
Production: Vesna Bukovec, 2001
Video work is a collage composed of found material to which the author adds graphic inserts. Through the content of the video she poses herself questions which can always be answered with "I don't know". With that she problematizes the state of contemporary art, which often lacks purpose.
Nataša Berk - PolyPlay (04:18)
Subtitle: Demo Version
Production: 2004
The artist stages a musical performance with the band PolyPlay. As she says in her introductory speech, she always wanted to play in a band. However, since she is not a professional musician, no one wanted to accept her into the band. That is why she founded one with her own multiple personalities.In the process of editing, the artist assembles different parts of different shots into a common frame, which forms a new visual and musical whole, possible only in the form of video. (Source: DIVA Station)
Subtitle: Demo Version
Production: 2004
The artist stages a musical performance with the band PolyPlay. As she says in her introductory speech, she always wanted to play in a band. However, since she is not a professional musician, no one wanted to accept her into the band. That is why she founded one with her own multiple personalities.In the process of editing, the artist assembles different parts of different shots into a common frame, which forms a new visual and musical whole, possible only in the form of video. (Source: DIVA Station)
Maja Slavec - Revaluation (00:42:19)
Production: Partizanka, 2008
Video polje je reducirano na krog. Reducirano zato ker je še vedno prisotna črna površina, ki tvori razliko do pravokotnika. Krožna oblika in snemanje s ptičje persepktive ustvarjajo klaustrofobično vzdušje in akterjem ukradejo volumen. Volumen tako beremo bolj preko senc, kot preko perspektive. Subjekti prihajajo in odhajajo iz krožnega polja, plesalcu pa je krog tudi celotno polje delovanja. Avtorica se sprašuje o stopnji avtonomije, ki jo ima posameznik v družbi.
Production: Partizanka, 2008
Video polje je reducirano na krog. Reducirano zato ker je še vedno prisotna črna površina, ki tvori razliko do pravokotnika. Krožna oblika in snemanje s ptičje persepktive ustvarjajo klaustrofobično vzdušje in akterjem ukradejo volumen. Volumen tako beremo bolj preko senc, kot preko perspektive. Subjekti prihajajo in odhajajo iz krožnega polja, plesalcu pa je krog tudi celotno polje delovanja. Avtorica se sprašuje o stopnji avtonomije, ki jo ima posameznik v družbi.
Maja Smrekar - Imaginarij elektromagnetnih transformacij (0:28:39)
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Maja Smrekar - VJ Delta Nu 08 (00:02:00)
Production: Smrekar, Maja
Production: Smrekar, Maja
(Mrevlje - Pollak) Jaša - Bla Bla Me (00:12:37)
Production: 2006
Production: 2006
