Zemira Alajbegović - Quick/Slow (00:11:47)
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
DIVA past / future
26 results in works
Matevž Jerman, Peter Cerovšek - Ljubljana je Berlin (SBO) (03:18)
Production: SBO, 2021
By quoting well-known scenes from music videos, the video Ljubljana je Berlin (Ljubljana is Berlin) pays homage to the rich history of Slovenian music bands and the diverse visual and technological aesthetics of their videos from the beginning of the genre in the 1980s to the present day. Musical pop-cultural references are mixed with particular group scenes quoting scenes from TV reports of the early 1990s (from the time of the creation of the new state) in which certain people who today call themselv...
Production: SBO, 2021
By quoting well-known scenes from music videos, the video Ljubljana je Berlin (Ljubljana is Berlin) pays homage to the rich history of Slovenian music bands and the diverse visual and technological aesthetics of their videos from the beginning of the genre in the 1980s to the present day. Musical pop-cultural references are mixed with particular group scenes quoting scenes from TV reports of the early 1990s (from the time of the creation of the new state) in which certain people who today call themselv...
Zoran Srdić Janežič - Trash Robots (00:01:56)
Production: Zavod za sodobne umetnosti in kulture Gulag, 2010
Pri video gre za združitev dveh tipov podob. Prvi sloj je analogen, arhivski in prikazuje različne interakcije robotov in ljudi. Zgornji sloj je nekakšen avtorjev odgovor, remake na arhivske posnetke. Avtorjev poseg v črno-belo sliko je zelo enostaven in poskuša vspostaviti kontrast v obliki in barvi. Barvni roboti poskušajo brez uspeha ustvariti dialog s spodnjo črno-belo podlago. Ta neuspeh lahko beremo kot parodijo na človekovo zaslepljenost s strojem.
Production: Zavod za sodobne umetnosti in kulture Gulag, 2010
Pri video gre za združitev dveh tipov podob. Prvi sloj je analogen, arhivski in prikazuje različne interakcije robotov in ljudi. Zgornji sloj je nekakšen avtorjev odgovor, remake na arhivske posnetke. Avtorjev poseg v črno-belo sliko je zelo enostaven in poskuša vspostaviti kontrast v obliki in barvi. Barvni roboti poskušajo brez uspeha ustvariti dialog s spodnjo črno-belo podlago. Ta neuspeh lahko beremo kot parodijo na človekovo zaslepljenost s strojem.
Katjuša Kovačič - Seeking Balance (00:08:40)
Production: Mesto žensk / City of Women, 2009
The author, Katjuša Kovačič, in her movement debut, Seeking Balance, seeks balance in a moving, expressive, cultural, and gravitational sense; she is trying to connect different entities into a whole, and in this manner to create a story of co-existence, transition, and complementation.
Production: Mesto žensk / City of Women, 2009
The author, Katjuša Kovačič, in her movement debut, Seeking Balance, seeks balance in a moving, expressive, cultural, and gravitational sense; she is trying to connect different entities into a whole, and in this manner to create a story of co-existence, transition, and complementation.
Grabar, Nika; Colner, Miha - Same Place - Different Time
Production: SCCA-Ljubljana, 2011
Through our conversations with the protagonists of the art scene in Ljubljana, who belong to different generations and expressive currents, we wanted to confront views and memories while considering the tectonic shifts in the fine art field in the last thirty years that accompanied the social transformation in this region.[From: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2...
Production: SCCA-Ljubljana, 2011
Through our conversations with the protagonists of the art scene in Ljubljana, who belong to different generations and expressive currents, we wanted to confront views and memories while considering the tectonic shifts in the fine art field in the last thirty years that accompanied the social transformation in this region.[From: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2...
Neven Korda, Zemira Alajbegović - Autobus (00:11:10)
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...
Luka Prinčič - Retrospections: Maya Deren (00:12:02)
Production: 2007
Video work is a product of a live-cinema performance taking an opus of avant-garde artist Maya Deren as the base of its research. With real-time visual and sonic manipulation and editing the author establishes a dialogue between past and present, thus searching for personal relationship with history. Maya Deren (1917-1961) was an American avant-garde filmmaker, editor, performer, film theorist, dancer, poet and photographer born in Kiev.
Production: 2007
Video work is a product of a live-cinema performance taking an opus of avant-garde artist Maya Deren as the base of its research. With real-time visual and sonic manipulation and editing the author establishes a dialogue between past and present, thus searching for personal relationship with history. Maya Deren (1917-1961) was an American avant-garde filmmaker, editor, performer, film theorist, dancer, poet and photographer born in Kiev.
Ana Čigon - Heroinat / Heroines (00:15:00)
Production: Ana Čigon, Stacion Center for Contemporary Arts, Mestna galerija Ljubljana, 2015
Heroinat / Heroines is a short documentary film on the erection of a problematic monument, which was uncovered in 2015 in Prishtina. It was dedicated to the women that contributed in the war of 1998-99 in Kosovo and all the women that were victims of sexual assault during this war. In the film critique on the monument is shown through montage of interviews with a politician who supported the project, the artists and theoreticians from Prishtina, that are questioning the idea and aesthetics of such monument,...
Production: Ana Čigon, Stacion Center for Contemporary Arts, Mestna galerija Ljubljana, 2015
Heroinat / Heroines is a short documentary film on the erection of a problematic monument, which was uncovered in 2015 in Prishtina. It was dedicated to the women that contributed in the war of 1998-99 in Kosovo and all the women that were victims of sexual assault during this war. In the film critique on the monument is shown through montage of interviews with a politician who supported the project, the artists and theoreticians from Prishtina, that are questioning the idea and aesthetics of such monument,...
Barbara Borčić - From art in the urban context to fictional distopia (00:01:20)
Subtitle: Projected Visions
Production: SCCA-Ljubljana, Apollonia, 2018
Projected Visions. From art in the urban context to fictional distopia (in frame of the project e.city-Ljubljana) Selection from SCCA-Ljubljana video archive DIVA Station Curator: Barbara Borčić Espace Apollonia / Apollonia, échanges artistiques européens,Strasbourg 27 January–25 February 2018 The exhibition consists of eighteen video works and one film, bound to the theme of urban and public space in their everyday dimension but also in its utopian and dystopic aspects. Participating artis...
Subtitle: Projected Visions
Production: SCCA-Ljubljana, Apollonia, 2018
Projected Visions. From art in the urban context to fictional distopia (in frame of the project e.city-Ljubljana) Selection from SCCA-Ljubljana video archive DIVA Station Curator: Barbara Borčić Espace Apollonia / Apollonia, échanges artistiques européens,Strasbourg 27 January–25 February 2018 The exhibition consists of eighteen video works and one film, bound to the theme of urban and public space in their everyday dimension but also in its utopian and dystopic aspects. Participating artis...
Francisco Tomsich - The futures (Elegija version) (06:53)
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
The futures is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
The futures is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...