Dejan Habicht, Tanja Lažetić - Avtokino Barje (00:04:07)
Production: Tanja Lažetić & Dejan Habicht, 2004
Avtokino Barje je enkratna javna akcija na avtocestnem postajališču ljubljanske obvoznice (4. oktobra 2004). Avtorja sta na ta način želela opozoriti na neizkoriščenost nekaterih nevidnih javnih prostorov, kamor večina ljudi ne zahaja. Na postajališču sta organizirala dveurni umetniški program ter prikazala dela različnih domačih avtorjev, ki so se dogodka tudi udeležili. Javna akcija je bila nato dokumentirana v video mediju in je tako tudi sama postala umetniško...
DIVA artistic collaboration
45 results in works
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - First Impression (0:09:08)
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Ana Čigon, Brina Torkar - Ulikses / Ulysses (0:24:00)
Production: Ana Čigon, Brina Torkar, 2005
Ulysses is a visual documentary, a video film about Dublin, where the authors went for a student exchange. The video paints different sides of this city and Ireland. It is composed from different parts each dealing with different aspects of Dublin following the chapters of Lonely planet tour guides. The whole of this alternative, personal guide consists of shorts scenes, following each other in different intervals and building a visual story.
Production: Ana Čigon, Brina Torkar, 2005
Ulysses is a visual documentary, a video film about Dublin, where the authors went for a student exchange. The video paints different sides of this city and Ireland. It is composed from different parts each dealing with different aspects of Dublin following the chapters of Lonely planet tour guides. The whole of this alternative, personal guide consists of shorts scenes, following each other in different intervals and building a visual story.
Maja Smrekar - Imaginarij elektromagnetnih transformacij (0:28:39)
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Amir Muratović - Gibanje v podobah (00:05:00)
Production: Amir Muratović, 2006
Video na specifičen način dokumentira likovno kolonijo. Ker je bila tema kolonije podoba gibanja, se je avtor osredotočil na gibanje umetnikov in umetniškega procesa. Z zaključkom umetniškega procesa se ustvarjalni akt ne pretopi vedno le v umetnino. Vsaka umetniška praksa se tako pokaže v svoji goli ustvarjalnosti. Video kot zapisovalec tega umetniškega procesa pa postane dokument ritmičnih premikov, svetlobnih iger, barvnih in reliefnih tranzicij in gibanj umetnikov.
Production: Amir Muratović, 2006
Video na specifičen način dokumentira likovno kolonijo. Ker je bila tema kolonije podoba gibanja, se je avtor osredotočil na gibanje umetnikov in umetniškega procesa. Z zaključkom umetniškega procesa se ustvarjalni akt ne pretopi vedno le v umetnino. Vsaka umetniška praksa se tako pokaže v svoji goli ustvarjalnosti. Video kot zapisovalec tega umetniškega procesa pa postane dokument ritmičnih premikov, svetlobnih iger, barvnih in reliefnih tranzicij in gibanj umetnikov.
Borut Savski - Multimedia. Mali (00:03:53)
Production: Borut Savski, 2008
Omnibus of documentary video and photographic recordings of installations and performances between 1999 and 2008.
Production: Borut Savski, 2008
Omnibus of documentary video and photographic recordings of installations and performances between 1999 and 2008.
Borut Savski - Aestetic Machines (00:09:39)
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
PUNce, Pila Rusjan, Tina Krajnc, Nina Bric - Vidiš umetnost? (00:05:46)
Production: KUD PUNce, 2010
Dokumentarni posnetek performativne akcije skupine PUNce (Pila Rusjan, Tina Krajnc, Nina Bric) s posnetkom avtorske izjave, ki jo je za skupino podala Pila Rusjan. V posnetku spremljamo performans treh akterk in reakcije naključnih mimoidočih sprehajalcev. Performans je bila neformalna intervencija v razstavo Viktorja Bernika v Mali galeriji Moderne galerije na Slovenski cesti. Bernik je 20. junija 2010 kot svojo samostojno razstavo izpraznil prostor in na stežaj odprl vrata, da bi zastavil vprašanje gl...
Production: KUD PUNce, 2010
Dokumentarni posnetek performativne akcije skupine PUNce (Pila Rusjan, Tina Krajnc, Nina Bric) s posnetkom avtorske izjave, ki jo je za skupino podala Pila Rusjan. V posnetku spremljamo performans treh akterk in reakcije naključnih mimoidočih sprehajalcev. Performans je bila neformalna intervencija v razstavo Viktorja Bernika v Mali galeriji Moderne galerije na Slovenski cesti. Bernik je 20. junija 2010 kot svojo samostojno razstavo izpraznil prostor in na stežaj odprl vrata, da bi zastavil vprašanje gl...
Luka Dekleva - FeedForward Cinema (00:05:25)
Production: codeep, 2007
Video dokumentacija performansa iz Kinodvor dne 19. oktobra 2007. Delo Feedforward Cinema nastaja z interakcijo dveh video naprav, ki si vzajemno pošiljajo signale in tvorijo zaprt krog informacij. Rezultat spominja na različne vzorce od zelo organskih oblik do strogo geometričnih in točno omejenih polj, ki v določenem trenutku raspadejo in odprejo polje za nove oblike. Vzorci so vedno ne-narativni. Če je na začetku tvorba, ki spominja na molekulano strukturo, proti koncu postaja vse bolj grafična. Vs...
Production: codeep, 2007
Video dokumentacija performansa iz Kinodvor dne 19. oktobra 2007. Delo Feedforward Cinema nastaja z interakcijo dveh video naprav, ki si vzajemno pošiljajo signale in tvorijo zaprt krog informacij. Rezultat spominja na različne vzorce od zelo organskih oblik do strogo geometričnih in točno omejenih polj, ki v določenem trenutku raspadejo in odprejo polje za nove oblike. Vzorci so vedno ne-narativni. Če je na začetku tvorba, ki spominja na molekulano strukturo, proti koncu postaja vse bolj grafična. Vs...
Luka Dekleva - lOw/Tuning (00:07:08)
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...