Sašo Podgoršek - Mobitel WAP (00:00:33)
Production: Agencija 41 / Nord Cross, 2000
Oglas prikazuje projekt Makrolab avtorja Marka Peljhana. Makrolab je visoko tehnološka postaja, ki povezuje znanost in umetnost. Služi kot prenosnih telekomunikacijskih valov in se odziva na frekvenčne spremembe v okolju.
DIVA communication
49 results in works
Alenka Pirman - Franci Zagoričnik - Črno-beli diapazon, 1966-2006 (00:02:35 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Alenka Pirman - Ivan Volarič-Feo - Peščena ura, 1969-2006 (00:02:02 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Matjaž Hanžek - Nebotičnik, 1967-2006 (00:02:46 zanka / loop)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006 (00:02:22)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Vojin Kovač-Chubby - I go Crazy, 1967-2006 (00:15:03 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Mladen Stropnik - Momriding (0:04:23)
Subtitle: ...Not Knowing a Word in English
Production: 2002
The artist has filmed his mother who reads to him over the phone the rejection letter from the British embassy to which the artist has applied for scholarship: “I applied for the scholarship. The British embassy i.e. their Department of Culture has rejected my application. I received the mail to my old address in Velenje. Mom read the letter to me over the phone. Mom doesn’t speak i.e. has the knowledge of foreign languages (perhaps a little German). I made the subtitles after the sound of the read lett...
Subtitle: ...Not Knowing a Word in English
Production: 2002
The artist has filmed his mother who reads to him over the phone the rejection letter from the British embassy to which the artist has applied for scholarship: “I applied for the scholarship. The British embassy i.e. their Department of Culture has rejected my application. I received the mail to my old address in Velenje. Mom read the letter to me over the phone. Mom doesn’t speak i.e. has the knowledge of foreign languages (perhaps a little German). I made the subtitles after the sound of the read lett...
Borut Savski - Aestetic Machines (00:09:39)
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
son:DA, Erinc Seymen - Performance for a Poem 1 (00:16:28)
Subtitle: Istanbul
Production:
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the...
Subtitle: Istanbul
Production:
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the...
Jasna Hribernik - Koncert za mobilne telefone in orkester (00:45:50)
Subtitle: Aldo Kumar in Slavoj Žižek
Production: 2005
Documentary video follows the work and ponderings of composer Aldo Kumar through a perspective of sounds of a mobile phone. We witness long scenes of the composer taking walks in idyllic landscapes and around the city, where everyone is rushing and talking on mobile phones. The author presents 8-bit low quality sound without directly valuating it. The contentious role of mobile phones is analyzed by Slavoj Žižek. He discusses about how mobile phones seemingly make communicating easy, but actually they e...
Subtitle: Aldo Kumar in Slavoj Žižek
Production: 2005
Documentary video follows the work and ponderings of composer Aldo Kumar through a perspective of sounds of a mobile phone. We witness long scenes of the composer taking walks in idyllic landscapes and around the city, where everyone is rushing and talking on mobile phones. The author presents 8-bit low quality sound without directly valuating it. The contentious role of mobile phones is analyzed by Slavoj Žižek. He discusses about how mobile phones seemingly make communicating easy, but actually they e...