Alenka Pirman - Matjaž Hanžek - Nebotičnik, 1967-2006 (00:02:46 zanka / loop)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
DIVA language
42 results in works
Alenka Pirman - Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006 (00:02:22)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Vojin Kovač-Chubby - I go Crazy, 1967-2006 (00:15:03 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Mladen Stropnik - Momriding (0:04:23)
Subtitle: ...Not Knowing a Word in English
Production: 2002
The artist has filmed his mother who reads to him over the phone the rejection letter from the British embassy to which the artist has applied for scholarship: “I applied for the scholarship. The British embassy i.e. their Department of Culture has rejected my application. I received the mail to my old address in Velenje. Mom read the letter to me over the phone. Mom doesn’t speak i.e. has the knowledge of foreign languages (perhaps a little German). I made the subtitles after the sound of the read lett...
Subtitle: ...Not Knowing a Word in English
Production: 2002
The artist has filmed his mother who reads to him over the phone the rejection letter from the British embassy to which the artist has applied for scholarship: “I applied for the scholarship. The British embassy i.e. their Department of Culture has rejected my application. I received the mail to my old address in Velenje. Mom read the letter to me over the phone. Mom doesn’t speak i.e. has the knowledge of foreign languages (perhaps a little German). I made the subtitles after the sound of the read lett...
Evelin Stermitz - Table Talk (0:02:35)
Production: 2008
In an exaggerated gender specific communication role, a woman is constantly giving positive encouragement towards an unseen male discussion partner, without having an own opinion, or something else to say then to support the counterpart. In this performative video work, a gendered communication role model is directed to an imaginary male opponent and describes how the usage of language can be defined as a relation and structure of power between the two social sexes.
Production: 2008
In an exaggerated gender specific communication role, a woman is constantly giving positive encouragement towards an unseen male discussion partner, without having an own opinion, or something else to say then to support the counterpart. In this performative video work, a gendered communication role model is directed to an imaginary male opponent and describes how the usage of language can be defined as a relation and structure of power between the two social sexes.
Amir Muratović - From the Life of Books (00:03:55)
Production: Muratović, Amir, 2010/2011
The video consists of various scenes of browsing through books. The author focuses primarily on the movements of the readers' hands and their interaction with the book. The abstract image of the book pages is due to the delay in the montage. Since the noise of browsing is not in line with the motion, the act of reading gets additional dramaturgical tension.
Production: Muratović, Amir, 2010/2011
The video consists of various scenes of browsing through books. The author focuses primarily on the movements of the readers' hands and their interaction with the book. The abstract image of the book pages is due to the delay in the montage. Since the noise of browsing is not in line with the motion, the act of reading gets additional dramaturgical tension.
Ana Nuša Dragan - Survey (14:00)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
Ana Nuša Dragan (00:15.30)
Subtitle: Artistic video portrait on Sreečko Kosovel
Production: VPK - Video Produkcija Kregar, 2001
Srečko Kosovel's life cycle is like a raindrop, where poetry is at home. He encounters the poetry very early, in an environment that is his foundation for the first images and the realization of truth. His life knows two homes, two centers: light and darkness, sickness and joy, home and abroad. The video image walks through the karst, which is the origin of his poetic images. The story of the image is conceptualistic, based on the karst environment: nature, sky, clouds, vineyards, olive trees, rosemary, se...
Subtitle: Artistic video portrait on Sreečko Kosovel
Production: VPK - Video Produkcija Kregar, 2001
Srečko Kosovel's life cycle is like a raindrop, where poetry is at home. He encounters the poetry very early, in an environment that is his foundation for the first images and the realization of truth. His life knows two homes, two centers: light and darkness, sickness and joy, home and abroad. The video image walks through the karst, which is the origin of his poetic images. The story of the image is conceptualistic, based on the karst environment: nature, sky, clouds, vineyards, olive trees, rosemary, se...
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - Hiteti ali biti temeljit? (00:03:25)
Production: Kolektiva, 2004
A Slovene question that translates into "To hurry or to be thorough?" is being pronounced by English speaking people of different age. We witness drastically different pronunciations, which remind us about how relative the language is and about its power to create illusory differences in the society.
Production: Kolektiva, 2004
A Slovene question that translates into "To hurry or to be thorough?" is being pronounced by English speaking people of different age. We witness drastically different pronunciations, which remind us about how relative the language is and about its power to create illusory differences in the society.
Alenka Pirman - Naško Križnar - Drekec pekec, ok. 1966-2006 (00:00:23 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...