Rok Sieberer Kuri - Portret Koncilja (00:03:23)
Production: V.S. - D.V., 1990
Posnetki središča Ljubljane s kamero v roki, posnetki reke Ljubljanice v katero pada dež in ujet pogled na prodajalca revije Tribuna in Mladina - to je Brane Koncilija, pesnik, glasbenik ter punk / hard core aktivist iz Dolenjske. Z njim avtor izvede intervju o tem, kako se tiskovina prodaja in kakšne so njegove metode prodaje.
DIVA politics
45 results in works
Neven Korda, Dario Seraval, Zemira Alajbegović - The Wild Bunch (00:02:56)
Subtitle: From the "So Young" compilation
Production: FV Video / ŠKD Forum, 1984
Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavia by the FV Label and successfully distributed via alternative channels. Videos are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of them presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedi...
Subtitle: From the "So Young" compilation
Production: FV Video / ŠKD Forum, 1984
Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavia by the FV Label and successfully distributed via alternative channels. Videos are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of them presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedi...
Neven Korda - 400 (0:03:55)
Production: TV Slovenija & PIAS, 1991
Music video by Neven Korda for the song 400 by Borghesia (PIAS 1991) is a collage of different found footage, remakes of a performance by Marko Kovačič and Sebastjan Starič from 1991 and edited recordings of scenes performed by a theater group Gledališče za proizvodnjo fikcije, both members of Borghesia group and deaf-mute students. "400 kilometers is the distance between Belgrade and Zagreb, two cities of the same country in 1991." (Videodokument) Borghesia (1983 - 1939) was a multimedia...
Production: TV Slovenija & PIAS, 1991
Music video by Neven Korda for the song 400 by Borghesia (PIAS 1991) is a collage of different found footage, remakes of a performance by Marko Kovačič and Sebastjan Starič from 1991 and edited recordings of scenes performed by a theater group Gledališče za proizvodnjo fikcije, both members of Borghesia group and deaf-mute students. "400 kilometers is the distance between Belgrade and Zagreb, two cities of the same country in 1991." (Videodokument) Borghesia (1983 - 1939) was a multimedia...
Nataša Prosenc Stearns - The Trial of Socrates (trailer) (01:24:00 (trailer, 00:03:00))
Production: Kanalya Pictures, 2010-2013
Omnibus 23 filmskih režiserjev in videastov iz različnih kulturnih okolij, med njimi sta tudi Jasna Hribernik in Zmago Lenardić. Pobudnica in glavna režiserka je Nataša Prosenc Stearns. Drugi sodelujoči: M. Basso, J. Beckhardt, J. Berry, N. Buchanan, J. Church, S. Elam, S. Gill, T. Grace, J. Hribernik, A. D. Irvine, N. Kiang, R. Kobayashi, K. Kuhne, Z. Lenardič, A. Libri, P. Marescotti, D. O’Brien, W. Romeo, M. Romero, Y. Stanchev, W. Stiner, W. Zane Film je eksperiment v koeksistiranju različn...
Production: Kanalya Pictures, 2010-2013
Omnibus 23 filmskih režiserjev in videastov iz različnih kulturnih okolij, med njimi sta tudi Jasna Hribernik in Zmago Lenardić. Pobudnica in glavna režiserka je Nataša Prosenc Stearns. Drugi sodelujoči: M. Basso, J. Beckhardt, J. Berry, N. Buchanan, J. Church, S. Elam, S. Gill, T. Grace, J. Hribernik, A. D. Irvine, N. Kiang, R. Kobayashi, K. Kuhne, Z. Lenardič, A. Libri, P. Marescotti, D. O’Brien, W. Romeo, M. Romero, Y. Stanchev, W. Stiner, W. Zane Film je eksperiment v koeksistiranju različn...
Duba Sambolec - Airport 2 (31:46)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Duba Sambolec - Collectors #2 (15:15)
Production: Duba Sambolec, 2001/2002
Video work is a research in the field of personal memories, their collected fragments, of the articulation of holes in the memory and missing evidence. The whispering of the author follows the whole line of recordings in a nondramatic, mystical and calming manner and works as a narration. Shots transition from focused to blurry in a slow rhythm. The video is limited with a round frame. In a series of works Collectors the author deals with an individual trapped in a subordinate position and with personal mem...
Production: Duba Sambolec, 2001/2002
Video work is a research in the field of personal memories, their collected fragments, of the articulation of holes in the memory and missing evidence. The whispering of the author follows the whole line of recordings in a nondramatic, mystical and calming manner and works as a narration. Shots transition from focused to blurry in a slow rhythm. The video is limited with a round frame. In a series of works Collectors the author deals with an individual trapped in a subordinate position and with personal mem...
Sašo Podgoršek - Mobitel WAP (00:00:33)
Production: Agencija 41 / Nord Cross, 2000
Oglas prikazuje projekt Makrolab avtorja Marka Peljhana. Makrolab je visoko tehnološka postaja, ki povezuje znanost in umetnost. Služi kot prenosnih telekomunikacijskih valov in se odziva na frekvenčne spremembe v okolju.
Production: Agencija 41 / Nord Cross, 2000
Oglas prikazuje projekt Makrolab avtorja Marka Peljhana. Makrolab je visoko tehnološka postaja, ki povezuje znanost in umetnost. Služi kot prenosnih telekomunikacijskih valov in se odziva na frekvenčne spremembe v okolju.
Milena Kosec - Marička B. Pomagaj ante portas (00:09:10)
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Marko A. Kovačič - American Dream (00:06:43)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
Sašo Podgoršek - Anglia (0:03:51)
Production: Mute Records, 2006
Video for a song Anglia by Laibach group takes a middle age interior for its set. With an established scene in which an old lady is preparing lunch it reminds us of a Vermeer painting. The idyllic scene soon turns and the happening moves into a dark cellar, where the woman keeps her locked up prisoners. Allegory of the English queen and her subjects, living of queen's attention, opens an interpretation of the video as an antihimn of the British monarchy.
Production: Mute Records, 2006
Video for a song Anglia by Laibach group takes a middle age interior for its set. With an established scene in which an old lady is preparing lunch it reminds us of a Vermeer painting. The idyllic scene soon turns and the happening moves into a dark cellar, where the woman keeps her locked up prisoners. Allegory of the English queen and her subjects, living of queen's attention, opens an interpretation of the video as an antihimn of the British monarchy.