Luka Dekleva - FeedForward Cinema (00:05:25)
Production: codeep, 2007
Video dokumentacija performansa iz Kinodvor dne 19. oktobra 2007. Delo Feedforward Cinema nastaja z interakcijo dveh video naprav, ki si vzajemno pošiljajo signale in tvorijo zaprt krog informacij. Rezultat spominja na različne vzorce od zelo organskih oblik do strogo geometričnih in točno omejenih polj, ki v določenem trenutku raspadejo in odprejo polje za nove oblike. Vzorci so vedno ne-narativni. Če je na začetku tvorba, ki spominja na molekulano strukturo, proti koncu postaja vse bolj grafična. Vs...
DIVA software art
23 results in works
Luka Dekleva - City Off Season (00:05:44)
Production: 2006
City of Season je video za istoemenski glasbeno delo beograjskega umetnika za hrupno glasbo (noise) WoO. Luka Dekleva generira video pokrajino na podlagi počasnega zvočnega ritma, ki je povezan z manipulacijo mozaičnih priključkov v programu PureData. Iz grafičnega vzorca oblikuje trodimenzionalni prostor. Bolj kot slika "razpada", bolj prisotna je tretja dimenzija, vse do trenutka, ko se v preplatanju prostorskih osi, slika spet poenoti v eni ravni površini raspadajočega vzorca.
Production: 2006
City of Season je video za istoemenski glasbeno delo beograjskega umetnika za hrupno glasbo (noise) WoO. Luka Dekleva generira video pokrajino na podlagi počasnega zvočnega ritma, ki je povezan z manipulacijo mozaičnih priključkov v programu PureData. Iz grafičnega vzorca oblikuje trodimenzionalni prostor. Bolj kot slika "razpada", bolj prisotna je tretja dimenzija, vse do trenutka, ko se v preplatanju prostorskih osi, slika spet poenoti v eni ravni površini raspadajočega vzorca.
Luka Dekleva - lOw/Tuning (00:07:08)
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...
Luka Dekleva, Luka Prinčič - Schizogram (00:14:22)
Production: 2009
Schizogram is the consequence of the abuse, of the conscious incorrect usage of analogue and digital technology, which produces unforseenable images. Schizogram presents the abstract aesthetics of computer's errors.
Production: 2009
Schizogram is the consequence of the abuse, of the conscious incorrect usage of analogue and digital technology, which produces unforseenable images. Schizogram presents the abstract aesthetics of computer's errors.
Alenka Pirman - Naško Križnar - Drekec pekec, ok. 1966-2006 (00:00:23 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Goran Devide - Too Much Tension (00:03:39)
Subtitle: Iz kompilacije "Tako mladi"
Production: FV Video, ŠKUC Forum, 1985
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. (DIVA) Video is a part of "So Young", a compilation of the Borghesia music video clips (So Y...
Subtitle: Iz kompilacije "Tako mladi"
Production: FV Video, ŠKUC Forum, 1985
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. (DIVA) Video is a part of "So Young", a compilation of the Borghesia music video clips (So Y...
Amir Muratović - Zapeljevanje pogleda (1)
Subtitle: 1. sezona : Marija Mojca Pungerčar / Polona Tratnik, Vadim Fiškin / Sašo Sedlaček, Damijan Kracina / Marko A. Kovačič, Uršula Berlot / son:Da
Production: RTV Slovenija, 2007-2009
Niz dokumentarnih oddaj o slovenski sodobni umetnosti Zapeljevanje pogleda nastaja v Izobraževalnem programu Televizije Slovenija od leta 2007. Serijo sestavljajo oddaje, v katerih se predstavljata po dva umetnika, ki nam skozi svoja dela in projekte predstavljata lasten pogled na umetnost. Zapeljevanje pogleda ni zvrstno in žanrsko omejena serija in se še zmerom dograjuje.
Subtitle: 1. sezona : Marija Mojca Pungerčar / Polona Tratnik, Vadim Fiškin / Sašo Sedlaček, Damijan Kracina / Marko A. Kovačič, Uršula Berlot / son:Da
Production: RTV Slovenija, 2007-2009
Niz dokumentarnih oddaj o slovenski sodobni umetnosti Zapeljevanje pogleda nastaja v Izobraževalnem programu Televizije Slovenija od leta 2007. Serijo sestavljajo oddaje, v katerih se predstavljata po dva umetnika, ki nam skozi svoja dela in projekte predstavljata lasten pogled na umetnost. Zapeljevanje pogleda ni zvrstno in žanrsko omejena serija in se še zmerom dograjuje.
Tanja Vujinović - W-Diptych (00:03:00)
Production: Ultramono, 2014
The ether landscape is an infinite playground of signals and static noise between radio channels, transmissions between various emitters such as electronic toys or gadgets, even large telecommunication systems. It is an enigmatic space, full of invisible connections between devices and people, a space usually hidden and invisible. Positioned within this space, mutating fields of fluxes, drafts of vibrations and temporary field trajectories warp in infinity. (Source: Tanja Vujinović)
Production: Ultramono, 2014
The ether landscape is an infinite playground of signals and static noise between radio channels, transmissions between various emitters such as electronic toys or gadgets, even large telecommunication systems. It is an enigmatic space, full of invisible connections between devices and people, a space usually hidden and invisible. Positioned within this space, mutating fields of fluxes, drafts of vibrations and temporary field trajectories warp in infinity. (Source: Tanja Vujinović)
Tanja Vujinović - Mindfulness (00:10:14)
Production: Ultramono, 2015
Mindfulness is a record of one day of meditation in the otherwise noisy, crowded place of online social gaming environment Second Life. As principles of fashionable mindfulness dictate, the avatar is trying to be aware of its surroundings, to breath-in the atmosphere, to remain in the moment of digital blissfulness. (Source: Tanja Vujinović)
Production: Ultramono, 2015
Mindfulness is a record of one day of meditation in the otherwise noisy, crowded place of online social gaming environment Second Life. As principles of fashionable mindfulness dictate, the avatar is trying to be aware of its surroundings, to breath-in the atmosphere, to remain in the moment of digital blissfulness. (Source: Tanja Vujinović)
Tanja Vujinović - U_Sound_Objects (00:18:33)
Production: Ultramono, 2015-2017
U_sound_objects is a group consisting of six generative audio-visual works. They are made of constantly mutating 3D objects, partially transformed by six sounds appropriated from a well known library of unexplained sounds. Polygons of three-dimensional objects are being generated, fragmented and re-positioned in real time while different, random parameters of low frequency noise generators affect their surface textures. The inner trails of these abstract digital bodies envelop the unknown while their trajec...
Production: Ultramono, 2015-2017
U_sound_objects is a group consisting of six generative audio-visual works. They are made of constantly mutating 3D objects, partially transformed by six sounds appropriated from a well known library of unexplained sounds. Polygons of three-dimensional objects are being generated, fragmented and re-positioned in real time while different, random parameters of low frequency noise generators affect their surface textures. The inner trails of these abstract digital bodies envelop the unknown while their trajec...
