Zemira Alajbegović, Neven Korda - Med štirimi stenami (00:32:35)
Production: ZANK, VPK & TV Slovenija (izobraževalni program), 1999
V dokumentarcu Med štirimi stenami svoje zgodbe pripovedujejo ženske, ki so pobegnile pred nasiljem v lastnih družinah in poiskale pomoč v zatočišču. Spregovorijo o letih zlorabe, nasilja, posilstev in osamljenosti. Zgodovinarji in antropologi pa spregovorijo o širših razsežnostih nasilja. Film vsebuje tudi posnetke iz zatočišča za ženske in otroke - žrtve nasilja iz centrov za socialno delo in skupine za nenasilno komunikacijo, v kateri moški spreminjajo...
DIVA violence
40 results in works
Zemira Alajbegović, Neven Korda - Within Four Walls (00:33:17)
Production: ZANK, VPK & TV Slovenija, 1999
A documentary Within Four Walls (orig. Med štirimi stenami) problematizes violence towards women through stories of those who ran away from it and found help in shelters. With covered faces they speak about years of abuse, violence, rape and loneliness. Film includes scenes from the shelter for women and children - victims of violence, shots filmed in social work centres and in groups for nonviolent communication which help men change their violent behaviour. Historians and anthropologists share thei...
Production: ZANK, VPK & TV Slovenija, 1999
A documentary Within Four Walls (orig. Med štirimi stenami) problematizes violence towards women through stories of those who ran away from it and found help in shelters. With covered faces they speak about years of abuse, violence, rape and loneliness. Film includes scenes from the shelter for women and children - victims of violence, shots filmed in social work centres and in groups for nonviolent communication which help men change their violent behaviour. Historians and anthropologists share thei...
Neven Korda, Dario Seraval, Zemira Alajbegović - The Wild Bunch (00:02:56)
Subtitle: From the "So Young" compilation
Production: FV Video / ŠKD Forum, 1984
Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavia by the FV Label and successfully distributed via alternative channels. Videos are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of them presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedi...
Subtitle: From the "So Young" compilation
Production: FV Video / ŠKD Forum, 1984
Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavia by the FV Label and successfully distributed via alternative channels. Videos are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of them presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedi...
Nataša Skušek - You Will See... (00:04:23)
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Duba Sambolec - I Don't Remember (02:00:31)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999/2000
In a video performance lasting for 120 minutes the author with blinded eyes and heavy luggage staggers in front of a big projection following a rail. She is guided by a strict, ordering and violet male voice, which wants to make her get out of the screen, of the visual field and metaphorically out of public life. The movement on the tracks occasionally turns, the train goes backwards in its own path. The movement of the train is edited, usually with the transition from the darkness. NoHomeVideos© are 14...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999/2000
In a video performance lasting for 120 minutes the author with blinded eyes and heavy luggage staggers in front of a big projection following a rail. She is guided by a strict, ordering and violet male voice, which wants to make her get out of the screen, of the visual field and metaphorically out of public life. The movement on the tracks occasionally turns, the train goes backwards in its own path. The movement of the train is edited, usually with the transition from the darkness. NoHomeVideos© are 14...
Duba Sambolec - Questioning, Answering (58:25)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances, first presented at the International Festival of Co...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances, first presented at the International Festival of Co...
Duba Sambolec - Collectors #4 (12:02)
Subtitle: *Revisited*
Production: Duba Sambolec, 2003/2005
Paralelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o z...
Subtitle: *Revisited*
Production: Duba Sambolec, 2003/2005
Paralelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o z...
Ema Kugler - Phantom (87:45)
Production: Zavod ZANK / VPK, Cankarjev dom, RTV Slovenija, 2003
»The Phantom« is a film about death that does not ask, »Who am I?«, but »Have I ever really been there ... in my life? Have I ever really lived? Wasn’t everything just an illusion, an illusion of a false existence? Is it even possible to die? How to escape from this chain of unbearable repetitions; to be a soul and to be flesh over and over again! Is it even possible to see another, such as he is? Isn't this other just an illusion as well, our mental construct we need it...
Production: Zavod ZANK / VPK, Cankarjev dom, RTV Slovenija, 2003
»The Phantom« is a film about death that does not ask, »Who am I?«, but »Have I ever really been there ... in my life? Have I ever really lived? Wasn’t everything just an illusion, an illusion of a false existence? Is it even possible to die? How to escape from this chain of unbearable repetitions; to be a soul and to be flesh over and over again! Is it even possible to see another, such as he is? Isn't this other just an illusion as well, our mental construct we need it...
Damijan Kracina - Kracina TV (00:05:48)
Production: 1995
Hiperrealističen kip avtorja iz lateksa stoji sredi prostora v Galeriji Kapelica, kjer je umetnik prvič postavil instalacijo. Nizek podstavek kipa je povezan s sedmimi monitorji, v katere je uprt pogled figure. Na svetlobnih objektih so prikazane fotografije povoženih mačk. Instalacija prikazuje dvojno smrt oziroma dvojno odsotnost življenja. Mrtve so povožene mačke, neživ pa je tudi kip umetnika. S podobami mrtvih mačk umetnik ni opozoril zgolj na krut odnost človeka do živali, na davek človeko...
Production: 1995
Hiperrealističen kip avtorja iz lateksa stoji sredi prostora v Galeriji Kapelica, kjer je umetnik prvič postavil instalacijo. Nizek podstavek kipa je povezan s sedmimi monitorji, v katere je uprt pogled figure. Na svetlobnih objektih so prikazane fotografije povoženih mačk. Instalacija prikazuje dvojno smrt oziroma dvojno odsotnost življenja. Mrtve so povožene mačke, neživ pa je tudi kip umetnika. S podobami mrtvih mačk umetnik ni opozoril zgolj na krut odnost človeka do živali, na davek človeko...
Ema Kugler - For the End of Time (02:05:28)
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...