Damijan Kracina - A collage of excepts by Kracina (00:03:09)
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
DIVA 1995
27 results in works
Nataša Prosenc Stearns - Disk / Disc (00:02:57)
Production: TV Slovenija, 1995
This video in black-and-white presents people participating in mass rituals, primarily wars and the glorification of leaders, which are constant and universal documents of the world. The global and temporal association of these images is emphasised by the graphic sign of a disc, the only colourful object on the screen, which emerges into our view and disappears from it, until finally it is destroyed by a lizard, another - and the last - colourful creature in the records of the world. Every artist's cre...
Production: TV Slovenija, 1995
This video in black-and-white presents people participating in mass rituals, primarily wars and the glorification of leaders, which are constant and universal documents of the world. The global and temporal association of these images is emphasised by the graphic sign of a disc, the only colourful object on the screen, which emerges into our view and disappears from it, until finally it is destroyed by a lizard, another - and the last - colourful creature in the records of the world. Every artist's cre...
Nataša Prosenc Stearns - Dvojnik / A Double (0:03:25)
Production: TV Slovenija, 1995
The idea of time connects with the image inherent in video, the encrustation of the picture, which allows for the free exchange of images from different worlds and periods. The double silhouette of a person delineates two time segments: the passing of daily life, and nocturnal fireworks. Both worlds pass from one shape to another, until they finally freeze into what they actually represent: a human statue.
Production: TV Slovenija, 1995
The idea of time connects with the image inherent in video, the encrustation of the picture, which allows for the free exchange of images from different worlds and periods. The double silhouette of a person delineates two time segments: the passing of daily life, and nocturnal fireworks. Both worlds pass from one shape to another, until they finally freeze into what they actually represent: a human statue.
Nataša Prosenc Stearns - One Way (00:05:31)
Production: TV Slovenija, 1995
A man and a woman aim to fulfil their desire for power, beauty, supremacy and other similar human attributes. The male and the female are represented through archetypal images: a strong man's body fighting against the crude force of nature, and a woman's body and its clothing reflected in a mirror. The video image presents these archetypes in duplicate, in slow-motion and replication, and thus it assembles the collective visual memory of human inclinations.
Production: TV Slovenija, 1995
A man and a woman aim to fulfil their desire for power, beauty, supremacy and other similar human attributes. The male and the female are represented through archetypal images: a strong man's body fighting against the crude force of nature, and a woman's body and its clothing reflected in a mirror. The video image presents these archetypes in duplicate, in slow-motion and replication, and thus it assembles the collective visual memory of human inclinations.
Nataša Prosenc Stearns - Betonski človek / Concrete Man (0:15:29)
Production: TV Slovenija, 1995
A woman's shoe gets stuck in concrete in the middle of the city. Her usual rhythm of life is disturbed. She is impatient to solve the problem. But a string of unexpected events interferes with her plans. Her world of fast living, obligations and errands turns into a pilgrimage to find the lost shoe... until she finally gives into the flow of events. At the end of the film she finds the shoe, which has by now lost its role as the primary motive for her search.
Production: TV Slovenija, 1995
A woman's shoe gets stuck in concrete in the middle of the city. Her usual rhythm of life is disturbed. She is impatient to solve the problem. But a string of unexpected events interferes with her plans. Her world of fast living, obligations and errands turns into a pilgrimage to find the lost shoe... until she finally gives into the flow of events. At the end of the film she finds the shoe, which has by now lost its role as the primary motive for her search.
Sašo Podgoršek - U tvojim očima (00:04:40)
Production: 1995
Music video for the song U tvojim očima (In Your Eyes) by the Slovenian band Demolition Group.
Production: 1995
Music video for the song U tvojim očima (In Your Eyes) by the Slovenian band Demolition Group.
Sašo Podgoršek - You Never Cry (00:03:55)
Production: 1995
Music video for the song You Never Cry by Slovenian band Demolition Group.
Production: 1995
Music video for the song You Never Cry by Slovenian band Demolition Group.
Sašo Podgoršek - Odšla bom še to noč (00:03:50)
Production: 1995
Music video for the song Odšla bom še to noč, performed by Anja Rupel.
Production: 1995
Music video for the song Odšla bom še to noč, performed by Anja Rupel.
Rok Sieberer Kuri - Bombo ob 12h (00:03:28, na vhs 197: 00:04:23)
Production: Media Teror, V.S. Video, Forum Ljubljana, 1995
One of the typical features of the author is the use of non-professional technology to show everyday reality. On the basis of daily reality he aims to form conclusions pointing to the insanity of modern man. Perhaps a solution cannot be reached merely through an artistic attitude, but rather through radical activity. (VD)
Production: Media Teror, V.S. Video, Forum Ljubljana, 1995
One of the typical features of the author is the use of non-professional technology to show everyday reality. On the basis of daily reality he aims to form conclusions pointing to the insanity of modern man. Perhaps a solution cannot be reached merely through an artistic attitude, but rather through radical activity. (VD)
Apolonija Šušteršič - Studio 016 (0:02:11)
Production: 1995
Zvočna intervencija v prostorih Rijksakademie van beeldene kunsten Amsterdam. Video prikazuje posnetke postopnega vstopanja v svetli prostor, snemanje tal ob hoji, snemanje obiskovalcev, ki poslušajo instalacijo na slušalke. Kamera je statična, na trenutke tudi premična. Na koncu videa se prostor postopoma izprazni. Zvočna kulisa, ki opremlja posnetek, je sestavljena iz korakov in hrupa obiskovalcev.
Production: 1995
Zvočna intervencija v prostorih Rijksakademie van beeldene kunsten Amsterdam. Video prikazuje posnetke postopnega vstopanja v svetli prostor, snemanje tal ob hoji, snemanje obiskovalcev, ki poslušajo instalacijo na slušalke. Kamera je statična, na trenutke tudi premična. Na koncu videa se prostor postopoma izprazni. Zvočna kulisa, ki opremlja posnetek, je sestavljena iz korakov in hrupa obiskovalcev.
