Maja Smrekar - Repeating Coincidence (00:03:42)
Production: Smrekar, Maja, 2009
The main character in the video is a dance performer situated in media environment with splashing saturated colours, like a woman enclosed by the media wall. The speed and braking of the image represents the dancer’s nervous movements in the space that create an emotional tension. The sound composed by Borut Savski intensifies the fragmented and nervous motions and determines visual coordinates. The entire sound and visual imagery is saturated, repetitive and fragmented, composed by numerous cut frames. Th...
DIVA 2009
34 results in works
Maja Smrekar - Imaginarij elektromagnetnih transformacij (0:28:39)
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Borut Savski - Overstrained Structures (00:01:19)
Production: KUD Trivia in Galerija Kapelica, 2009
With movable mechanical organisms the artist follows his research of autonomous structures / systems. The installation is constructed with elements that are connected but overstrained. The movable mechanical part of the installation carries this (over)strained elements and the result is an almost organic / lively movement of the construction. The electronic mechanisms constructed by the artist are usually analogue and built according to the principles of BEAM robotics (Biology, Electronics, Aesthetics, Mech...
Production: KUD Trivia in Galerija Kapelica, 2009
With movable mechanical organisms the artist follows his research of autonomous structures / systems. The installation is constructed with elements that are connected but overstrained. The movable mechanical part of the installation carries this (over)strained elements and the result is an almost organic / lively movement of the construction. The electronic mechanisms constructed by the artist are usually analogue and built according to the principles of BEAM robotics (Biology, Electronics, Aesthetics, Mech...
Luka Dekleva, Luka Prinčič - Schizogram (00:14:22)
Production: 2009
Schizogram is the consequence of the abuse, of the conscious incorrect usage of analogue and digital technology, which produces unforseenable images. Schizogram presents the abstract aesthetics of computer's errors.
Production: 2009
Schizogram is the consequence of the abuse, of the conscious incorrect usage of analogue and digital technology, which produces unforseenable images. Schizogram presents the abstract aesthetics of computer's errors.
Luka Dekleva, Elena Fajt - The Memory (00:02:01)
Production: E. F., L. D., 2009
The photo animation was designed by Elena Fajt (installation), Luka Dekleva (photo), Luka Prinčič (sound) at the time of the II. Biennial of Sloevene Independent Illustration in 2009. Fajt set up ice cubes in three open-air locations containing the frozen ink that gradually changed the image. Time-based installations and abstract illustration were the result of the author's reflection on developing a specific method for graphic printing. The colour was frozen in an ice cube, under which the textile w...
Production: E. F., L. D., 2009
The photo animation was designed by Elena Fajt (installation), Luka Dekleva (photo), Luka Prinčič (sound) at the time of the II. Biennial of Sloevene Independent Illustration in 2009. Fajt set up ice cubes in three open-air locations containing the frozen ink that gradually changed the image. Time-based installations and abstract illustration were the result of the author's reflection on developing a specific method for graphic printing. The colour was frozen in an ice cube, under which the textile w...
Vesna Bukovec - It Will Be OK (00:03:34)
Production: V.B., 2009
A woman sitting on a white sofa is petting a stuffed toy and in a slow rhythm convincing it and iherself that "it will be ok". This mantric exhortation works like a parody of the power of suggestive thoughts promoted by popular new age movements. We can only see the woman's torso. The dominant white color indicates innocence. Video has no music accompaniment.
Production: V.B., 2009
A woman sitting on a white sofa is petting a stuffed toy and in a slow rhythm convincing it and iherself that "it will be ok". This mantric exhortation works like a parody of the power of suggestive thoughts promoted by popular new age movements. We can only see the woman's torso. The dominant white color indicates innocence. Video has no music accompaniment.
Pila Rusjan - We are all Big Brother and Big Brother is just one of us (0:08:14)
Production: AKTO 4 in KUD PUNce, 2009
Video performans, ki ga je Pila Rusjan izvedla leta 2009 v Bitoli, je ustvarjen tako za naključno publiko v živo, kot za kamero oziroma video; na istem mestu se je kasneje predvajal ta isti video javne akcije. Video je ustvarjen v site specific maniri, saj je prvenstveno namenjen za specifičen prostor in kontekst. Avtorica je vzpostavila dvojni pogled: predvajanje videa ulice na tej isti ulici ter lastno prisotnost na mestu predvajanja videa. Video performans sestoji iz izmenjujočih se dolgih kadrov; pr...
Production: AKTO 4 in KUD PUNce, 2009
Video performans, ki ga je Pila Rusjan izvedla leta 2009 v Bitoli, je ustvarjen tako za naključno publiko v živo, kot za kamero oziroma video; na istem mestu se je kasneje predvajal ta isti video javne akcije. Video je ustvarjen v site specific maniri, saj je prvenstveno namenjen za specifičen prostor in kontekst. Avtorica je vzpostavila dvojni pogled: predvajanje videa ulice na tej isti ulici ter lastno prisotnost na mestu predvajanja videa. Video performans sestoji iz izmenjujočih se dolgih kadrov; pr...
Pila Rusjan - If Only... (0:01:57)
Production: ECVP & KUD PUNce, 2009
Video 'If Only' v črno-beli tehniki prikazuje stiliziran avtoportret avtorice, ki repetitivno in agresivno premika glavo ter nakazuje gesto odkimovanja. Njen obraz je zamegljen in zgolj nakazan v podlagi. Preko podobe, ki je videti kot bi bila postavljena za steklom, roka izpisuje pomenljive stavke, ki se navezuejo na kompleksnost medsebojnih odnosov. Avtorica pripoveduje intimno zgodbo na temo vmesnika med zunanjim in notranjim svetom, med mislijo posameznika in stvarnostjo širše družbe. Vide...
Production: ECVP & KUD PUNce, 2009
Video 'If Only' v črno-beli tehniki prikazuje stiliziran avtoportret avtorice, ki repetitivno in agresivno premika glavo ter nakazuje gesto odkimovanja. Njen obraz je zamegljen in zgolj nakazan v podlagi. Preko podobe, ki je videti kot bi bila postavljena za steklom, roka izpisuje pomenljive stavke, ki se navezuejo na kompleksnost medsebojnih odnosov. Avtorica pripoveduje intimno zgodbo na temo vmesnika med zunanjim in notranjim svetom, med mislijo posameznika in stvarnostjo širše družbe. Vide...
Mark Požlep, (Mrevlje - Pollak) Jaša - Time to Become Poets (0:08:00)
Production: 2009
Samostojno video delo, ki je bilo izvorno prikazano kot del razstavne instalacije na gostovanju v Marseillu, kjer sta avtorja zapolnila obsežen razstavni prostor z odsluženimi gledališkimi rekviziti. Video delo, ki je bilo predvajano v posebej zgrajeni projekcijski instalaciji na skrajnem koncu razstavišča, prikazuje predvsem proces nastajanja prostorske postavitve, ko sta avtorja izvajala performativne akcije (ustvarjene zgolj za kamero). Avtorja, ki sta tudi edina nastopajoča, se asociativno poigrav...
Production: 2009
Samostojno video delo, ki je bilo izvorno prikazano kot del razstavne instalacije na gostovanju v Marseillu, kjer sta avtorja zapolnila obsežen razstavni prostor z odsluženimi gledališkimi rekviziti. Video delo, ki je bilo predvajano v posebej zgrajeni projekcijski instalaciji na skrajnem koncu razstavišča, prikazuje predvsem proces nastajanja prostorske postavitve, ko sta avtorja izvajala performativne akcije (ustvarjene zgolj za kamero). Avtorja, ki sta tudi edina nastopajoča, se asociativno poigrav...
Zoran Srdić Janežič - Bobby goes to Zlaty Milos (00:01:13)
Production: KID Production, 2009
Video animacija ima značilnosti nadrealističnega hororja. Glavni lik vstopi v čudno gostilno, kjer se liki ustvarjajo s kombinacijo živih in mrtvih elementov. Gostilna je prostor sanj, kjer je vsak detajl povezan z neko nadrealistično vsebino. Prostor pred gostilno je samo napoved čudnih dogajanj v gostilni. Tako pri prehodu iz zunanjega prostora v notranji gledalec z glavnim likom prestopi iz budnega stanja v sanje.
Production: KID Production, 2009
Video animacija ima značilnosti nadrealističnega hororja. Glavni lik vstopi v čudno gostilno, kjer se liki ustvarjajo s kombinacijo živih in mrtvih elementov. Gostilna je prostor sanj, kjer je vsak detajl povezan z neko nadrealistično vsebino. Prostor pred gostilno je samo napoved čudnih dogajanj v gostilni. Tako pri prehodu iz zunanjega prostora v notranji gledalec z glavnim likom prestopi iz budnega stanja v sanje.