Nataša Prosenc Stearns - Glowing Palm (00:03:41)
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
DIVA 2016
72 results in works
Nataša Prosenc Stearns - Applause (00:01:22)
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
Nataša Prosenc Stearns - Emerning Fossils (00:08:01)
Production: Kanalya Pictures, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Production: Kanalya Pictures, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Nataša Prosenc Stearns - Odalisque (00:03:21)
Production: Nataša Prosenc Stearns, 2016
Image of a woman reposing on a couch has been a popular motif for visual artist and a loaded subject for feminist discussions for a long time. Video Odalisque takes the elements of the traditional representation and rearranges them by employing various editing and compositing techniques. The body is semi-abstracted by the water curtain, which is partially obstructing the scene on the couch. So the image of the woman keeps escaping from the gaze in several driftnet ways: by changing its position, by disappea...
Production: Nataša Prosenc Stearns, 2016
Image of a woman reposing on a couch has been a popular motif for visual artist and a loaded subject for feminist discussions for a long time. Video Odalisque takes the elements of the traditional representation and rearranges them by employing various editing and compositing techniques. The body is semi-abstracted by the water curtain, which is partially obstructing the scene on the couch. So the image of the woman keeps escaping from the gaze in several driftnet ways: by changing its position, by disappea...
Nataša Prosenc Stearns - Sunset (00:02:07)
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series - short videos with no narrative structure.
Ana Čigon - Ana at the Station (00:05:30)
Subtitle: Dokument eksperimentalne raziskave spletnega in fizičnega arhiva Postaja DIVA in performansa
Production: 2016
The video is a document of experimental research of the online video archive DIVA Station. In the project, the artist sought the place of her artistic practice and intertwined her creation with the work of other (women) artists in a performative way, thus contextualizing her works through an eclectic merging of written, spoken and performative quotations from both her own work and from works of other artists. The purpose of the research was to establish a critical attitude towards her own creation through t...
Subtitle: Dokument eksperimentalne raziskave spletnega in fizičnega arhiva Postaja DIVA in performansa
Production: 2016
The video is a document of experimental research of the online video archive DIVA Station. In the project, the artist sought the place of her artistic practice and intertwined her creation with the work of other (women) artists in a performative way, thus contextualizing her works through an eclectic merging of written, spoken and performative quotations from both her own work and from works of other artists. The purpose of the research was to establish a critical attitude towards her own creation through t...
Neža Jurman - Morph (00:02:04)
Production: Nez Pez, 2016
Video je nastal za potrebe pri razstavi 'Morfoze', ki je bila izvedena julija 2016. Poimenovanje instalacije na razstavi izhaja iz angleške različice grške besede morph (glasovna predstavitev morfema, najmanjšega dela besede kot nosilca pomena). Kot inspiracijo sem jemala obdelovanje posameznih elementov animacije kot zlogovanje do končnega produkta videa, ki pa nima vnaprej določenega rezultata. Tako nastane eklektičen ambient, ki bazira na grajenju in razslojevanju. Vsaka ilustracija je r...
Production: Nez Pez, 2016
Video je nastal za potrebe pri razstavi 'Morfoze', ki je bila izvedena julija 2016. Poimenovanje instalacije na razstavi izhaja iz angleške različice grške besede morph (glasovna predstavitev morfema, najmanjšega dela besede kot nosilca pomena). Kot inspiracijo sem jemala obdelovanje posameznih elementov animacije kot zlogovanje do končnega produkta videa, ki pa nima vnaprej določenega rezultata. Tako nastane eklektičen ambient, ki bazira na grajenju in razslojevanju. Vsaka ilustracija je r...
RÁTNEEK - 2 0 4 5 (trailer) (00:00:45)
Production: 2016
“May 7th, 2045 I decided to go back home.” “For its architectural aesthetics accompanied by a peculiar soundscape leaving the audience in a timeless space, the best Slovenian Award goes to 2045 by Maja Prelog and Blaž Murn.” wrote the jury (Enrico Vannucci, Fritz Hock in Valerie Wolf Gang) awarding the film with The Best of FeKK SLO Award at the FeKK Ljubljana short film festival 2016. NOTE: On the artists' request, the on-line DIVA Station Archive presents only a short trailer. The...
Production: 2016
“May 7th, 2045 I decided to go back home.” “For its architectural aesthetics accompanied by a peculiar soundscape leaving the audience in a timeless space, the best Slovenian Award goes to 2045 by Maja Prelog and Blaž Murn.” wrote the jury (Enrico Vannucci, Fritz Hock in Valerie Wolf Gang) awarding the film with The Best of FeKK SLO Award at the FeKK Ljubljana short film festival 2016. NOTE: On the artists' request, the on-line DIVA Station Archive presents only a short trailer. The...
Urška Djukić - PERSISTENCE vol. 4 (00:01:41)
Production: 2016
Experimental video is a part of Persistence Series that deal with persistence of nature and man in everlastingly exchange of power.
Production: 2016
Experimental video is a part of Persistence Series that deal with persistence of nature and man in everlastingly exchange of power.
Danilo Milovanović - Cover (00:06:13)
Production: D.M., 2016
Video documentation of a performance in a public space, recorded in Prague in 2016. The artist laid down on the sidewalk, while his friend covered him with empty plastic bottles. The pile of bottles on top of him keeps growing, but passers-by, with exception of an elderly man, do not seem to take much interest for the man on the ground. The performance ends with the arrival of an ambulance car. The action is documented with two static cameras. One is recording from a nearby space on the ground floor, the o...
Production: D.M., 2016
Video documentation of a performance in a public space, recorded in Prague in 2016. The artist laid down on the sidewalk, while his friend covered him with empty plastic bottles. The pile of bottles on top of him keeps growing, but passers-by, with exception of an elderly man, do not seem to take much interest for the man on the ground. The performance ends with the arrival of an ambulance car. The action is documented with two static cameras. One is recording from a nearby space on the ground floor, the o...