Neven Korda - Verujem. Progresivna mantra. / I believe. Progressive Mantra. (00:00:20)
Subtitle: Part of New New Films series
Production: 2001
Conception, image and sound: Neven Korda Music: Burn out, BAST. Preseverance on the origins (of artificial worlds). (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of o...
DIVA Experimental video
324 results in works
Neven Korda - Gagarin (00:02:20)
Subtitle: Part of New New Films series
Production: 2003
Conception, text, image, sound and editing: Neven Korda Narrators: Srečko Meh, Mojca Dimec, Maruša Oblak Voice My child: Marija, Lijana, Živa Music: Meh, Korda, Ivančić (English translation of text was produced in graphics as an unseparable part of video texture.) Gagarin is conceptualized as subtle narrative of the individual who lived his childhood in sixties when notion of 21. Century was the symbol of beliefs in development of science, detection of the universe and victory over the nature. Th...
Subtitle: Part of New New Films series
Production: 2003
Conception, text, image, sound and editing: Neven Korda Narrators: Srečko Meh, Mojca Dimec, Maruša Oblak Voice My child: Marija, Lijana, Živa Music: Meh, Korda, Ivančić (English translation of text was produced in graphics as an unseparable part of video texture.) Gagarin is conceptualized as subtle narrative of the individual who lived his childhood in sixties when notion of 21. Century was the symbol of beliefs in development of science, detection of the universe and victory over the nature. Th...
Neven Korda - Angelic Wreath On Speed (00:04:42)
Subtitle: Part of New New Films series
Production: 2006
Conception, image and sound: Neven Korda NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES. NO. (Source: Neven Korda)
Subtitle: Part of New New Films series
Production: 2006
Conception, image and sound: Neven Korda NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES. NO. (Source: Neven Korda)
Neven Korda - Angelski venček na oceanu / Angelic Wreath On Ocean (00:07:00)
Subtitle: Part of New New Films series
Production: 2006
Conception, image and sound: Neven Korda Music: Oceans, Bast image: all 5 NNF films, all the words from Reincarnation and Nomad, quotes from Un Chant d'Amour (Jean Genet), Olympia (Leni Reifenstahl), shots of everyday. NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of a...
Subtitle: Part of New New Films series
Production: 2006
Conception, image and sound: Neven Korda Music: Oceans, Bast image: all 5 NNF films, all the words from Reincarnation and Nomad, quotes from Un Chant d'Amour (Jean Genet), Olympia (Leni Reifenstahl), shots of everyday. NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of a...
Evelin Stermitz - Gender Transmission (0:03:03)
Subtitle: WO:MAN # 1 WO:MAN # 2
Production: 2005
The two videos question the relation and boundaries between man and woman in a philosophic and psychological manner. Like in the psychological theory of Jacques Lacan woman and man mirror themselves in terms of "the Other", so this is the issue of these videos. By establishing two mirrors through video, the situation resembles a real mirror, where man and woman are confronted to each other. There is always a surface, a shape for interacting constructed here through a digital code. But what will remain is al...
Subtitle: WO:MAN # 1 WO:MAN # 2
Production: 2005
The two videos question the relation and boundaries between man and woman in a philosophic and psychological manner. Like in the psychological theory of Jacques Lacan woman and man mirror themselves in terms of "the Other", so this is the issue of these videos. By establishing two mirrors through video, the situation resembles a real mirror, where man and woman are confronted to each other. There is always a surface, a shape for interacting constructed here through a digital code. But what will remain is al...
Evelin Stermitz - Land of OZ (0:24:39)
Subtitle: Years of Crying
Production: 2008
LAND OF OZ is a video collage of urbanity, artificial nature and movement, all in all as a personal performative tableau embedded in an American context.
Subtitle: Years of Crying
Production: 2008
LAND OF OZ is a video collage of urbanity, artificial nature and movement, all in all as a personal performative tableau embedded in an American context.
Evelin Stermitz - Hitchcock Dishing (0:01:17)
Production: 2008
A short video about the danger of daily dishing as a sublime metaphor for the unpaid daily work of women with its loss of time and energy for other more meaningful, useful and creative activities. Hitchcock Dishing is also articulating concealed domestic violence.
Production: 2008
A short video about the danger of daily dishing as a sublime metaphor for the unpaid daily work of women with its loss of time and energy for other more meaningful, useful and creative activities. Hitchcock Dishing is also articulating concealed domestic violence.
Evelin Stermitz - A Gift for the Moon (0:03:37)
Production: E.S., 2004
This video is an interpretation of the poem by Maja Haderlap. It shows a moving and twisting face in the dark. The face seems to observe the spectator, so it is a break and change of the traditional rules of watching and being watched at the normal situation of the spectator watching television. The poem deals like the video with watching, looking and finding something. (Source: Evelin Stermitz) Music: Iva Bittová, kapitulni sin, 1994.
Production: E.S., 2004
This video is an interpretation of the poem by Maja Haderlap. It shows a moving and twisting face in the dark. The face seems to observe the spectator, so it is a break and change of the traditional rules of watching and being watched at the normal situation of the spectator watching television. The poem deals like the video with watching, looking and finding something. (Source: Evelin Stermitz) Music: Iva Bittová, kapitulni sin, 1994.
Evelin Stermitz - Inside the Outside (0:05:33)
Production: 2006
Moving beyond a surface, an outside, a window into a different world - what are the reasons for moving within a certain space of femininity? The questions of the moving shape circulate around the other, the captured difference, the identity and the self. By acting as a body with its language, this remains from the self and questioning shape. The body as a shape for self-reflective questions within a female room seemingly protected against the outside but exposed to the gaze.
Production: 2006
Moving beyond a surface, an outside, a window into a different world - what are the reasons for moving within a certain space of femininity? The questions of the moving shape circulate around the other, the captured difference, the identity and the self. By acting as a body with its language, this remains from the self and questioning shape. The body as a shape for self-reflective questions within a female room seemingly protected against the outside but exposed to the gaze.
Evelin Stermitz - Rose is a Rose (0:03:53)
Production: 2008
This performative video work shows a woman engaged in covering her face with rose leaves. As a metaphor for the above and beyond term "beauty", the fragility of beauty and the canons of beauty, the video reveals an obscure image of woman, which is also shaped by transiency and impermanence. Excerpts from the poem "Sacred Emily" by Gertrude Stein, in which she created the sentence "Rose is a rose is a rose is a rose.", form the sound collage to the video work.
Production: 2008
This performative video work shows a woman engaged in covering her face with rose leaves. As a metaphor for the above and beyond term "beauty", the fragility of beauty and the canons of beauty, the video reveals an obscure image of woman, which is also shaped by transiency and impermanence. Excerpts from the poem "Sacred Emily" by Gertrude Stein, in which she created the sentence "Rose is a rose is a rose is a rose.", form the sound collage to the video work.