Jatun Risba - In My Sweetie's Arms (trailer) (06:53 (trailer 02:28))
Production: Jatun Risba & Franco G. Livera, 2020
A still dance in the comfort of nonconceptualityis putting trust in the hands of my sweetie.Turkish delight, honey, greed ...You, Beloved spider, are swallowing downknots of sugar in abandonment.An unruly tongue teases suspicion.Can you taste the bitterness of the machinewith a gloved hand?
In my sweetie's arm searches for the mover behind the movements in both the machine and the human. (Source: author)
DIVA body
195 results in works
Jatun Risba - Wrapping (06:16)
Production: Jatun Risba & Franco G. Livera, 2019
A body wrapped in plastic … to retain moisture and preserve freshness. The plastic foil is perforated by medical tools. A body transformed into a Christmas tree decorated with surgical instruments. What does this piece of body celebrate? What has been wrapped (up) in secrecy through the process of medicalization? Wrapping holds a mirror to the medical wrapping of life. (Source: author)
Production: Jatun Risba & Franco G. Livera, 2019
A body wrapped in plastic … to retain moisture and preserve freshness. The plastic foil is perforated by medical tools. A body transformed into a Christmas tree decorated with surgical instruments. What does this piece of body celebrate? What has been wrapped (up) in secrecy through the process of medicalization? Wrapping holds a mirror to the medical wrapping of life. (Source: author)
Nataša Berk - Törpe (01:30)
Production: N.B., 2006
The short video is a performance for the camera. We see a close-up shot of a face staring fixedly at the camera. Nose-picking is followed by an unexpected gesture. (Source: DIVA Station)
Production: N.B., 2006
The short video is a performance for the camera. We see a close-up shot of a face staring fixedly at the camera. Nose-picking is followed by an unexpected gesture. (Source: DIVA Station)
Nataša Berk - Eine Revolution Ohne Tanzen Ist Eine Revolution Die Sich Nicht Lohnt (03:36)
Production: N.B., 2011/12
The video consists of two editions (2011/12 and 2017). Each was filmed at a different location, probably in the artist's apartment at the time. The work is a dance performance for the camera. The artist dances to music not recorded in the video. The very absence of music is the essence of the work, as the artist invites the viewers to choose the music they will listen to while watching her dance. The title of the work is based on a famous quote attributed to the American anarchist Emma Goldman (If I can't d...
Production: N.B., 2011/12
The video consists of two editions (2011/12 and 2017). Each was filmed at a different location, probably in the artist's apartment at the time. The work is a dance performance for the camera. The artist dances to music not recorded in the video. The very absence of music is the essence of the work, as the artist invites the viewers to choose the music they will listen to while watching her dance. The title of the work is based on a famous quote attributed to the American anarchist Emma Goldman (If I can't d...
Nataša Berk - Eine Revolution Ohne Tanzen Ist Eine Revolution Die Sich Nicht Lohnt (03:38)
Production: N.B., 2017
The video consists of two editions (2011/12 and 2017). Each was filmed at a different location, probably in the artist's apartment at the time. The work is a dance performance for the camera. The artist dances to music not recorded in the video. The very absence of music is the essence of the work, as the artist invites the viewers to choose the music they will listen to while watching her dance. The title of the work is based on a famous quote attributed to the American anarchist Emma Goldman (If I can't d...
Production: N.B., 2017
The video consists of two editions (2011/12 and 2017). Each was filmed at a different location, probably in the artist's apartment at the time. The work is a dance performance for the camera. The artist dances to music not recorded in the video. The very absence of music is the essence of the work, as the artist invites the viewers to choose the music they will listen to while watching her dance. The title of the work is based on a famous quote attributed to the American anarchist Emma Goldman (If I can't d...
SCCA-Ljubljana, Luksuz produkcija - U reki (MRFY) (04:20)
Subtitle: Delavnica videospota 2020
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, Kinodvor (Kinotrip), 2020
The music video for the song U reki (In the River) by MRFY was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija and Kinodvor (Kinotrip).Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lea Badovinac, Ela Romih, Amadej Zalokar
Subtitle: Delavnica videospota 2020
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, Kinodvor (Kinotrip), 2020
The music video for the song U reki (In the River) by MRFY was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija and Kinodvor (Kinotrip).Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lea Badovinac, Ela Romih, Amadej Zalokar
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Man, Don't Get Angry (19:34)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Rights for Our Fights (11:12)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The fifth in a series of performances - its title is also the title of the exhibition - is the only one where Dr Xenia performs live with audience participation. This performance is also defined by the space, the four corners of the Alakatraz Gallery form a boxing ring, which becomes the scene of fights. Despite the boxing equipment, there are no boxing matches in the ring, but various derivations of board games. All games (Mikado, Cards and Rock paper scissors) are usually played with the hands and playing...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The fifth in a series of performances - its title is also the title of the exhibition - is the only one where Dr Xenia performs live with audience participation. This performance is also defined by the space, the four corners of the Alakatraz Gallery form a boxing ring, which becomes the scene of fights. Despite the boxing equipment, there are no boxing matches in the ring, but various derivations of board games. All games (Mikado, Cards and Rock paper scissors) are usually played with the hands and playing...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh, SIVA, IvAn - Archive (22:45)
Production: Siva, Ivanke, Ivan, Anko, 2021
The video is an archival overview of recordings and photographs of joint public actions and performances by artists Andreja Džakušič, Keiko Miyazaki, Iva Tratnik and artist Simon Macuh in the period from 2010 to 2021 in the framework of their various mutual collaborations. The naming of groups with the names SIVA, IvAn, IvAnKe and AnKo derives from combining the initial syllables of the participants' names. The topics of works vary according to participants, but what they all have in common is the...
Production: Siva, Ivanke, Ivan, Anko, 2021
The video is an archival overview of recordings and photographs of joint public actions and performances by artists Andreja Džakušič, Keiko Miyazaki, Iva Tratnik and artist Simon Macuh in the period from 2010 to 2021 in the framework of their various mutual collaborations. The naming of groups with the names SIVA, IvAn, IvAnKe and AnKo derives from combining the initial syllables of the participants' names. The topics of works vary according to participants, but what they all have in common is the...
Francisco Tomsich - Lepa scena (19:45)
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
Lepa scena (A Beautiful Scene) is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, d...
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
Lepa scena (A Beautiful Scene) is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, d...
