Andreja Džakušič, Simon Macuh, SIVA, Iva Tratnik - Motnja – Krzno (00:07:10)
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
DIVA body
189 results in works
Duba Sambolec - I Do Remember (22:12)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance starts with women descending a wooden staircase into a factory space full of metal constructions. Women are wrapped in long colourful clothes. They walk on top of a metal construction. They all carefully choose their steps, some of them sit down. Close-ups of colourful clothes and separate parts of women's bodies and skin. Camera circles in the space, follows women's movement, occasionally rattling sounds are heard. The set changes to the scene on a factory balcony. Women lean over the fen...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance starts with women descending a wooden staircase into a factory space full of metal constructions. Women are wrapped in long colourful clothes. They walk on top of a metal construction. They all carefully choose their steps, some of them sit down. Close-ups of colourful clothes and separate parts of women's bodies and skin. Camera circles in the space, follows women's movement, occasionally rattling sounds are heard. The set changes to the scene on a factory balcony. Women lean over the fen...
Duba Sambolec - Collectors #3 (30:55)
Subtitle: *Settings*
Production: Duba Sambolec, 2002
Video deals with the dynamics in a personal service sector through a series of scenes displaying body care in a satirical manner. Scenes are set in doubles. The woman offering the service is preparing the cosmetic specimens and in the next scene she uses them to treat her client. Scenes of preparations are accompanied with whistling dictating an optimistic working atmosphere. Video Collectors #3 is a reflection of the author about a personal profile, some sort of auto portrait placing the viewer into Other'...
Subtitle: *Settings*
Production: Duba Sambolec, 2002
Video deals with the dynamics in a personal service sector through a series of scenes displaying body care in a satirical manner. Scenes are set in doubles. The woman offering the service is preparing the cosmetic specimens and in the next scene she uses them to treat her client. Scenes of preparations are accompanied with whistling dictating an optimistic working atmosphere. Video Collectors #3 is a reflection of the author about a personal profile, some sort of auto portrait placing the viewer into Other'...
Duba Sambolec - Conversion (24:53)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance is set inside an empty space in which the author moves with a blind over her eyes and a gun in her hands. She repeats a sentence "I don't exist" and occasionally shoots her gun. The space goes dark in the middle of the video. Over the video a sign "I always forget!." appears twice. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experienc...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance is set inside an empty space in which the author moves with a blind over her eyes and a gun in her hands. She repeats a sentence "I don't exist" and occasionally shoots her gun. The space goes dark in the middle of the video. Over the video a sign "I always forget!." appears twice. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experienc...
Duba Sambolec - Collectors #4 (12:02)
Subtitle: *Revisited*
Production: Duba Sambolec, 2003/2005
Paralelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o z...
Subtitle: *Revisited*
Production: Duba Sambolec, 2003/2005
Paralelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o z...
Ema Kugler - Taiga (00:08:22)
Production: Forum Ljubljana & VPK, 1996
Video Taiga is made after eponymous performance carried out at the international festival of contemporary arts City of women in October 1995 in Ljubljana. The viewer enters a dark atmosphere, dictated by dramatic vocal-electronic music, threatening anthropomorphic and wax zoomorphic figures and the movement of the camera. When the author establishes the landscape, she inserts two wrestlers and a drowning woman into it, additionally increasing the suspense. As the dramaturgy reaches its peak, the set scene f...
Production: Forum Ljubljana & VPK, 1996
Video Taiga is made after eponymous performance carried out at the international festival of contemporary arts City of women in October 1995 in Ljubljana. The viewer enters a dark atmosphere, dictated by dramatic vocal-electronic music, threatening anthropomorphic and wax zoomorphic figures and the movement of the camera. When the author establishes the landscape, she inserts two wrestlers and a drowning woman into it, additionally increasing the suspense. As the dramaturgy reaches its peak, the set scene f...
Marko A. Kovačič - Casus belli (video) (00:15:35)
Production: Škuc - Forum, 1983
The video was made on a basis of an eponymous performance from 1983 by Marko Kovačič. in which the author combines elements of sculpture, space, geometry, physicality, action, and music. With specific movement, contructivistically designed sets projected onto a screen, and the present video installation the artist creates unclear boundaries between reality and the construct of space, time and body. The artist applies his body to projections in the background and creates static and moving images. The video...
Production: Škuc - Forum, 1983
The video was made on a basis of an eponymous performance from 1983 by Marko Kovačič. in which the author combines elements of sculpture, space, geometry, physicality, action, and music. With specific movement, contructivistically designed sets projected onto a screen, and the present video installation the artist creates unclear boundaries between reality and the construct of space, time and body. The artist applies his body to projections in the background and creates static and moving images. The video...
Goran Devide - Sovražnik (0:04:28)
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Borut Savski - Bowlfuls of Sound (00:03:34)
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Ema Kugler - For the End of Time (02:05:28)
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...